Generally speaking, the acting growth of an actor can be divided into three stages.
In the first stage, using their own emotions to replace the mood and sorrow of the role, such as a crying scene, the actor thinks of his own tragic experience and tears, which is a common method used by newcomer actors, so that the roles performed often lack souls.
In the second stage, know how to use skills, no matter what emotion, can be relaxed freely, and master the deduction methods of most roles. At this stage, the acting skills exceeded 80% of the people, but it was still one step away from wanting to be a god.
In the third stage, the actor has experienced the ups and downs of life, has a deep understanding of the role, can replace the fate of the role, cry for him, laugh for him, and let everyone play without distinction.
A really good performance is never to complete a play, but to become a community of destiny with the character.
In this era of traffic, a good performance is like a pearl, held in the palm of the hand by the audience and remembered.
And those "awkward" performances can't escape the audience's eyes.
After the beginning of 2022, many TV dramas have been broadcast, from period dramas and romance dramas to costume dramas, some of which are highly acclaimed and some of which are difficult to say.
The more girl also chased a lot of dramas, and then talk to you about the 8 actors whose acting skills were "overrated" after the beginning of 2022, to see what was the problem with their performance? And how do you get the audience out of the scene?
It is worth mentioning that the evaluation of the acting skills of these actors is limited to the dramas broadcast in 2022 and is not used as a measure of their overall acting skills.
First place: Zhang Yixing | "Meet the Season"
As an artist who has transformed from a singer to an actor, Zhang Yixing's performance in "Meet the Season" is remarkable, and it can be seen that his efforts and intentions are obvious, but in front of his strong opponents Yuan Quan and Lei Jiayin, his shortcomings are obvious.
A dinner of the sisters and brothers brought the adult Ning Shu to the audience's vision, he brewed a revenge plan, to return to Linshui to develop, after being seen through by Ning You, he panicked.
The panicked mood is accurate, but in addition to the panic, there should be restraint and cover-up, which is in line with the character of the character itself, and it is obvious that Zhang Yixing failed to perform the layered sense.
Compared with Yuan Quanyun's light and breezy acting, Zhang Yixing failed to fully open himself, and even some restraint and nervousness led to lack of naturalness.
In addition, Zhang Yixing habitually uses gestures when speaking lines, which can easily lead to the audience's distraction and inability to focus on his facial expressions and eyes.
After Seeing through Ning Shu's trap, Brother Cai gave Ning Shu a slap, and Ning Shu explained it anxiously, and his hand also moved.
When Ning Shu gave advice on Cheng Kexin's company's problems, the gestures were still flying.
Cai Lingxiao advised Ning Shu to give up revenge, Ning Shu humiliated Cai Lingxiao by posting it himself to help himself, and that gesture also made the personality go out to play.
When you look at him too much gestures, the acting skills will naturally be much more comfortable.
You know, Ning Shu is a dark-bellied avenger, the plot of the whole drama revolves around the trap he has set, he should be calm and introverted, and he will not show impatience in body language.
Zhang Yixing also has a biggest problem is the lines, the bite words are not clear, the voice is not penetrating enough, even if the emotions and expressions are in place, the lines will weaken the impact of the characters.
Of course, Zhang Yixing's performance is not useless, some micro-expressions and details are processed in place, and it is also particularly real when performing epileptic seizures.
In general, Zhang Yixing's acting skills are not as godly as fans blow, and there is still a lot of room for improvement, in time, he should become a good member of the domestic actors.
Second place: Yan Xiaopin | "Meet the Season"
When it comes to "Meet the Season", I have to talk about Yan Xiaopin, who plays Ning Hui, who was extremely popular in the 1980s and 1990s, and her classic masterpiece "Beijingers in New York" was well received.
Such an old drama bone, but the performance in the play is not satisfactory.
Perhaps it is too long to say goodbye to the screen, Yan Xiaopin's acting method is more like acting in a drama, the words are round, from time to time, always upright, and the atmosphere of modern drama is incompatible.
Ning Hui's personality in the play is very complicated, on the surface it looks gentle and virtuous, people and animals are harmless, but in fact, it is a double standard for people and things, and lives in her own world, stubborn and old-fashioned.
In terms of form, Yan Xiaopin and human design are not contrary to the sense of harmony, and her sweet appearance has reached the end of her life, and has been tempered by time to a different kind of dignity and taste.
But when encountering tense scenes, she has no explosive power at all, and is just using skills to complete the characters.
When ning shu and Lixin group had contact with each other and were discovered by Ning You, Ning Shu was weak-hearted, so he revealed to Ning Hui that Ning You and Jian Hongcheng had contact, and Ning Hui was very angry.
Yan Xiaopin really showed his anger, his eyes were wide, his eyebrows were tightened, but his weak lines, his shaking his head and shaking his head, the performance traces were particularly heavy, the audience could not pick out any specific faults, and he inexplicably felt that this character had some "pretentious" feelings.
The external "posture" has been, but there is no emotional support on the inside, which is the most embarrassing part of the performance.
The contradiction between Ning Shu and Ning Yu escalated, and there was a big quarrel at home, Ning Hui on the side was anxious and confused, as the sisters and brothers said the root of the contradiction, the expression on Yan Xiaopin's face was always glued, his breathing was particularly short, and he looked as if he was about to suffer a heart attack.
The performance pays attention to the ease of retraction, just right, obviously Yan Xiaopin gave too much, but let people out of the play.
The scene where Ning Hui and Ning You quarrel, Yan Xiaopin's "extroversion" and Yuan Quan's "restraint", form a sharp contrast, what is a high-level performance and what is a second-class performance, at a glance.
Yan Xiaopin's "exaggerated" acting method is more suitable for the drama stage, and if you want to integrate into modern drama, the old drama bones also have to do their homework.
Third place: Cui Peng| "Old Girlfriend"
Cui Peng has starred in many costume dramas, from "The Legend of Chu Liuxiang", "Qing Yu Nian" to "Son-in-law", he has a beautiful eyebrow, his costumes are particularly stunning, and Zhang's relaxed performance has also left a deep impression on the audience.
However, when it comes to modern dramas, Cui Peng wants to disappoint the audience.
In the play, he plays Tan Feng, the son of Dr. Liu, an industry elite who kills and decides in the workplace.
First of all, from the aura, Cui Peng did not have the appearance of a "domineering president". When he meets customers, he runs no differently from ordinary office workers.
Will a high-powered boss still be anxious because of an insignificant customer?
Secondly, the line skills are too poor, and when playing against Xu Di, he was completely crushed, Xu Di's voice was loud, the bite words were clear, and when it came to Cui Peng's scene, if you don't read the subtitles, you can't hear his voice at all.
Moreover, when Cui Peng played this role, he was still the posture of the costume drama "Hero", one board and one glance, and the whole person was extremely stiff.
In addition, when expressing the emotions of the characters, the expression on his face is consistent, frowning and staring at his eyes, as if the whole world owes him 5 million.
When talking to customers about cooperation.
When the part-time worker aunt is going to resign.
When arguing with my mother.
What does a true domineering president look like? He should walk with the wind, the aura should be strong enough to shock everyone, and he should not be in a hurry.
In short, Cui Peng's entire performance is simply a large-scale disaster scene, there is no place that does not let people play, although the script is flawed, but it will not be so careless.
Fourth place: Song Zu'er | "Dressage"
Song Zu'er portrayed the role of Qiao Simei in "Children of the Qiao Family" as flesh and blood, and her acting skills ranked among the post-95 xiaohua.
Too young, life experience is not rich enough, in the interpretation of the role, the acting skills are inevitably unstable.
In "Dressage", Song Zu'er plays a frank, grinning intern Li Na, and in front of many powerful actors, her gap is visible.
When Cai Fei went to Shanghai on a business trip, she was "bullied" by customers, and Li Na was very worried about Cai Fei and immediately ran to Shanghai to accompany her. The two men were at the end of the "dressing" company, and their friendship was born in the snow and deepened in the warmth of the group.
Cai Fei regarded Li Na as a family member, so the moment she saw her, she immediately collapsed, but Song Zu'er did not catch the other party's play at all, her face was still calm as water, she blinked hard, and the tears could not fall.
Cai Fei and Li Na talked on the roof, Cai Fei's heart was like ashes, Song Zu'er and the other party were still in two worlds, and although they tried to make Cai Fei happy on the lines, she could not see any heartache and worry about her friends in her eyes.
Cai Fei said that she would never go back to the past, Song Zu'er was still not in the state, compared to the immersive performance of her opponents, her acting skills were vividly displayed.
The character of Li Na is naïve, but by no means "silly white sweet", Song Zu'er deliberately showed the character's "ignorance of the world", but unfortunately did not grasp the right balance, so that the role is not so pleasing.
In addition, Song Zu'er habitually stared during the performance, allowing people to concentrate on her eyes, thus ignoring the details.
When attending an interview.
When calling an ex.
When arguing with Cai Fei.
Song Zu'er has the talent and aura of being an actor, but the accumulated experience is not enough, immersed in the same role, if you want to take the road of acting school, you need to hone more.
Fifth place: Wu Jianyan | "Still Food"
Success is also in the right, defeat is also in the right, used to describe Wu Jianyan's acting path in recent years is more appropriate.
In 2018, a "Yanxi Raiders" made Wu Jianyan a good hit, but after that, she could no longer come up with a masterpiece that surpassed "Yanxi Raiders".
In "Shang Food", Wu Jianyan plays Yao Zizhen, a well-born folk girl, who was born with a family mission and has a pattern and foresight under her weak appearance.
Such a big female protagonist, Wu Jinyan's temperament is still lacking in a bit of fire.
First of all, from the perspective of the character image, Yao Zigen's prototype is the historical Empress Sun, and the description of her in the history books is: "When she was a teenager, she was quite beautiful and virtuous."
Leaving aside the virtuousness, on beauty alone, Wu Jianyan lost. Yu Zheng's "death" filter makes Wu Jianyan look old and tired, and the various traces of age on his face are clear.
From the temperament point of view, Wu Jianyan also does not conform to the word "virtuous", obviously a rich adopted daughter of a large family, but it looks like a small family.
As a heroine, Wu Jinyan has a lot of shots, but under the lens, if she has no lines, her expression is a look of "not caring about herself".
In interpreting the characters, Wu Jianyan does not have too many details on his face, but there are many "awkward laughs", which convey unclear emotions and make the audience scratch their heads.
Obviously, when she heard the instruction to be expelled from the palace, a great disaster was imminent, but she smiled.
Yao Zizhen was punished for lifting the bell for a month, and the heavy brass bell almost broke her hand, and she still laughed.
Obviously isolated by the Catering Bureau, she did not worry about her situation, and smiled like a flower.
Watching the good sisters being punished by pressing into the water tank, facing the Jinyi guard, she did not perform the layered sense of "obviously trembling with fear and standing up to intercede", and the mood was stable, making the audience feel that this matter was just like this.
It is no exaggeration to say that Wu Jinyan, who is in her early thirties, cannot support such a thick role, and her life experience is not enough to understand the fate of the characters, so that the form is greater than the content in the performance, and it is difficult to impress people's hearts.
Sixth place: Jin Chen| "We Who Won't Fall in Love"
In the past two years, Jin Chen has appeared in major variety shows, good looks, singing and dancing can be done, and there is also a woman's heart under the weak appearance, which is enough to circle fans.
It's one thing for an actor's personal charisma, it's another thing to put it on screen.
"We Who Won't Fall in Love" carries the banner of sister-brother love, the plot of the assembly line, and forcibly gives the audience "stuffed sugar", which can be called the worst sweet pet drama.
Stuffing Jin Chen into such a script, it is naturally difficult to escape the scene of the car accident.
In this drama, it is almost impossible to see Jin Chen's acting skills, only boiling water-like lines, and the expression of staring at every turn.
In the face of the office suddenly there is a stranger, staring, opening his mouth, and pretending to be surprised, which is really a drama.
The office suddenly lost power, and I stared again as if I had seen a ghost.
In the darkness, he accidentally kissed Gu Jiaxin, and his eyes were about to fall out.
When Angry, I don't stare at the eyeballs, the voice is very loud, but there is no content in the eyes, the expression is slightly larger, and the face is still a little stiff.
Zhao Jiangyue's personality is a workaholic + strong woman, looking at Jin Chen sitting in front of the computer, the appearance of light wind, there is no concentration in the eyes, there is no seriousness in the expression, and the human design is completely incompatible, but like a small staff who touches the fish in the company.
In the whole play, Jin Chen has no sense of character substitution, let alone a sense of truth, and a simple emotional transformation will only be converted with staring and squinting.
In terms of lines, she has no emotions and is basically mediocre.
Therefore, the whole character has nothing to say in her shaping, and she can't see what is behind the character.
Jin Chen wants to gain a firm foothold on the road of actors, in addition to choosing a good script, acting skills also need to take a lot of effort.
Seventh place: Chen Bige | "Heart Residence"
Chen Bige was originally a model, 179cm tall, is a natural hanger, earlier was active in many fashion magazines, and Li Zekai, Lin Xin passed on the scandal, these two or three began to transform into an actor.
Born in a non-science class, halfway out of the house, on the acting skills are naturally not much better.
Chen Bige's performance in "Heart Residence" can be called the most embarrassing in the whole drama, she plays Gu Xin's predecessor Sun Qi in it, after Gu Xin got married, she is unwilling and always pesters Gu Xin repeatedly.
Obviously, it is a complex character, and Chen Bige has no performance core at all.
Sun Qi was a subordinate of Master Gu Qingyu, and Gu Qingyu praised her for being very capable now, but she bowed her head, her eyes fluttered, and she smiled awkwardly.
You must know that Sun Qi is not stupid and sweet, she has quite a means in the workplace, and Gu Qingyu's position is not too different, even if she is brewing a plan to frame Gu Qingyu, her performance will not be so unstable.
At Gu Xin's wedding, Sun Qi pulled Gu Xin to a small room to reminisce about the past, and the scenes of the past appeared in front of her, her expression did not change at all, but she had been laughing awkwardly, and the protracted rhythm of the lines made people want to use twice as fast.
At the class reunion, Gu Xin brought her wife to attend, and when others asked about her relationship with Gu Xin, her eyes were empty, as if she was talking about other people's affairs.
Sun Qi obviously can't let go of Gu Xin, Gu Xin looked for her after getting drunk, but she put on a stinky face, the slightest impatience, this treatment makes people very confused, completely can't understand what the inner activities of the character are.
Sun Qi decided to go abroad to work to recuperate from her wounds, and when she saw Gu Xin come to send her plane, her emotions should be mixed with grievances, anger, and emotion, while Chen Bige's straight-hooked eyes had no emotion.
Overall, Chen Bige's performance is too bland, and it seems that the expression of the lines that should be said is made, but there is no sense of substitution, lack of aura, and the performance is too stiff, so that the audience has little impression of Sun Qi's character line. This bowl of rice for actors is really not something that anyone can eat.
Eighth place: Li Yifeng | "Mirror · Twin Cities"
15 years after his debut, Li Yifeng would never have imagined that a "Mirror • Twin Cities" would actually let the reputation he accumulated return to the pre-liberation overnight.
In the original work, Su G looks indistinguishable from male and female, and has a prosperous beauty, but Li Yifeng's big fat face, as soon as he looks down, he feels that his double chin is about to come out, and how can he not match the appearance of the person.
Li Yifeng is 34 years old, and then put into this kind of ancient puppet drama, from the appearance to the temperament can not stand up, actresses have appearance anxiety, male actors can lie flat?
The image can't support the role, and the acting skills are back to the state of facial paralysis, except for the two large eyeballs grunting, and there is no emotional change on the face.
In any scene, Li Yifeng maintains the same state, the clouds are light and the wind is light, and it does not matter to himself.
In the face of the beloved person unconscious, Su G should be heartbroken and anxious, but the calmness on his face seems to tell the audience that the other party has nothing to do with him.
Interestingly, the heroines of the play, Chen Yuqi and Li Yifeng, have a one-way performance, and the acting skills of each other are not different.
The actor's acting skills are too light, the natural emotion is broken, and the eyes of the two people looking at each other are hollow, and they do not show the shyness and love between lovers. Under the background music of Zhou Shenqing's singing, the embarrassment and alienation of the two are highlighted even more.
Li Yifeng reached this age, it is really time to give up the ancient puppet script, he is not without acting skills, before the performance in "Hidden and Great" and "Old Cannon" surprised many audiences, I hope that in the future, he can take the road of a powerful actor.
summary
After the beginning of 2022, these 8 actors who were "overrated" had insufficient acting skills, some of which were script problems, some of which were performance problems, and some of which were lack of talent.
Bad acting skills are a thousand people, good acting skills have a thousand faces, want to present a good performance, the test is the actor's experience, experience, as well as the understanding of the fate of the role, and the control of the performance.
The most direct criterion for good or bad acting skills is that the audience will not play when watching your performance, and believe in the characters you create.
In this fast-paced era, many actors simply can't calm down to precipitate and ponder, so that there are many assembly line-like performances, floating on the surface, noisy and dominant.
Audience criticism of actors' acting skills is a good thing, at least it can push the show business circle into a virtuous circle, allowing actors to focus on acting skills rather than other shortcuts.
The evaluation of acting is a very subjective thing, the above is just the feelings written by the girl based on her own standards, how do you think these actors perform?
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【Healing Girl】Record the sudden changes in the entertainment industry, thank you for your praise and attention!