Guangxin paper-cutting: intangible cultural heritage of Jiangxi Province
Guangxin paper-cutting originated in the Tang Dynasty, prevailed in the Ming and Qing dynasties, and has been passed down from generation to generation and has continued to this day. The theme of Guangxin paper-cutting has also developed from the original primitive folk paper-cutting to realistic and freehand paper-cutting, taking the daily production and life of the people as the theme, and then adding rich imagination and unrestrained nature, presenting the freedom and randomness of customs and the pure affection of the peasant people in the works. Guangxin paper-cutting art adheres to tradition and innovation, and is mainly distributed in 48 towns in Guangxin District.
1 Tool:
All kinds of paper, scissors, homemade knives, dyes, irons, wax plates, whetstones, binding machines, etc.
2 Representative inheritor: Ye Songqing
3 Works:
"God of Wealth", "Tengwang Pavilion", "Qi Baishi", "Mother", "Dream Water Town", "Sanyang Kaitai", "Four Great Inventions", "Beautiful Shangrao Set", "Victory of the War of Resistance", "Jiangxi Humanistic Set", "SanqingShan Wonderland"
Guangxin Root Carving: The fifth batch of municipal intangible cultural heritage in Shangrao City
Guangxin's traditional root carving techniques can be traced back to the last years of the Qing Dynasty and have a history of more than 100 years. Guangxin root carving takes the root as the body, the meaning as the soul, and the beauty as the foundation, and is divided into round carving, relief carving, through carving and other art forms. The themes of the works involve people, flowers and plants, landscapes, birds and animals, etc. The root carving process pays attention to "three points of artificiality, seven points of nature", which means that in the creation of root carving, the natural form of the root material should be mainly used to express the artistic image, and the auxiliary artificial processing and modification, therefore, the root carving is also known as "root art" or "root art".
1
steps
1. Material selection (root-seeking, material extraction, requirements); 2. Conception (liqing, root examination, imagination); 3. Root material treatment (interception, descaling, anti-corrosion disinfection, dehurning); 4. Carving (meaning, essentials, methods, modification); 5. Splicing (meaning, ingredients, splicing, gluing); 6. Polishing (basic methods, grinding); 7. Coloring and painting (natural color, oiling, waxing); 8. Use of tools: hammer, round knife, oblique knife, triangle knife, flat knife, cutout saw, electric drill, high-speed drill.
2
Representative inheritors
Le Zhengping
3
opus
"Dragon Tenghua", "Maitreya Buddha", "Happy Eyebrows", "Dharma", "Stilt House", "The First Shot of the Revolution"
Guangxin Clay Sculpture: The fifth batch of municipal intangible cultural heritage in Shangrao City
Guangxin clay sculpture has a history of more than 700 years, and is an ancient "strange flower" left over from traditional Chinese culture. As one of the traditional folk arts, it has a profound cultural heritage and high aesthetic value, and can be called a "living fossil" in the fields of art, history and folklore.
Material selection and process: The material comes from the deep riverbed in Guangxin District, and after soaking, precipitation, filtration, pounding and other processes, and then integrated into the traditional ancient formula mixture, can be embossed, round carving.
Features: no firing, not easy to crack, strong hardness, suitable for permanent preservation
Representative inheritor: Chen Daojun
Works: "Lovely China", "Years", "Fancy Years", "Poverty Alleviation Road"
Kiln mountain pottery jar
The traditional wood kiln firing technique of pottery cylinders in Guangxin District has a history of more than 300 years from the Qizhen period to the present. There are many kinds of clay pots, which are used in various fields such as life, gardening, decoration and so on.
Clay, smelting mud, stacking mud, rubbing mud strips, coiling mud strips, beating and forming, decorating, drying, glazing, baking ceramic jars.
Chen Shengyou
use
In ancient China, the clay pot has always been used as a container for storing wine, and with its storage wine, it can keep the wine quality from being affected by the outside world during the cellaring process, so that the wine quality can maintain the original taste after many years of cellaring, and enhance the original taste.
In addition to the above-mentioned traditional crafts, Guangxin also has many, such as: aluminum wire weaving, traditional hairpin and winding flower making, empty bamboo, cloth dyeing and other traditional crafts. However, with the rapid development of mechanization, these traditional crafts are on the verge of disappearing, and I hope that everyone will continue to innovate on the basis of inheriting the tradition and make the traditional craft revitalized.