Seven high-definition calligraphy long volumes, delicate and vivid, vigorous and plump, charming, absolute visual impact, the ultimate aesthetic enjoyment, this is the reason why pen and ink have been passed down for thousands of years!
Mi Fu "Shu Su Ti"
▼
Mi Fu's "Shu Su Ti" was praised by posterity as the first beautiful post in China, one of the top ten famous posts in China, and the eighth in the top ten books in the world. This post is the masterpiece of Mi Fu's early years, and Dong Qichang describes it as "the lion catches the elephant and goes all out". The speed, weight, start and turn of the pen, eclectic, easy to retract. The knot body is inclined to the longitudinal length and is flexible. The same word is written in different ways, and it is possible to change as much as possible. The style of writing fully reveals the personality trait of Mi Fu who is "not occasional".
Yan Zhenqing's "Sacrifice Nephew Manuscript"
What the "inkblot" of the "Sacrifice nephew manuscript" reveals is the natural beauty of the five tastes of art, such as "theory, law, technique, feeling, and meaning", and the shock that reaches the heart. Understanding the "Sacrifice nephew manuscript" allows us to step into another heavy door of the aesthetic temple.
Zhang Xu's "Four Ancient Poems"
The reason why Chinese calligraphy has become art or has artistic beauty, from a higher level, is because it has the expressive function of enriching people's emotions and inner world. Words such as people, calligraphy and painting are of the same origin, etc., these sayings all explain the reasons why calligraphy has continued as an art for thousands of years from different angles.
Su Dongpo's "Huangzhou Cold Food Post" -
When Su Dongpo was young, the writing was very beautiful, and the cold food post came out after a big fall in life, and at this time he did not care about beauty, but wrote very naturally. Others said that this word was ugly, and Su Dongpo laughed at himself that it was 'stone pressure toad body'. This is the highest state of life, what does it matter if others laugh?
Huang Tingjian"Songfeng Pavilion"
The Ninth Book of Heaven
This work is the work of Huang Tingjian in his later years. The whole book is full of vigorous strokes and the wind god is sprinkled. Huang Tingjian learned Yan, using Yan Zhenqing's large character strokes, and the shortened strokes of yan (often the main horizontal, vertical or apostrophes) stretched and extended, and the force became dangerous, and then sought stability from the structure of the word and the whole chapter method, forming its unique style. It is free to use the pen, the strokes are condensed, and there is no frivolous brush. It can be said that huang Tingjian wrote so many works in his lifetime, but the "Songfengge Poetry" is the most famous. Its wind god sprinkles, long waves, Teton undulating, a wave of three folds, full of rhyme, does not reduce the yiyi "Lanting", directly close to Yan's "Sacrifice Nephew", can be called the best of the book.
The First Book of the World "Orchid Pavilion Preface"
Wang Xizhi's "Orchid Pavilion Preface" some say that it is like the beauty of the flowers and trees in the spring wind and the beautiful day of the sun, some say that it is like the beauty of the beautiful women who are raccoon yarn by the babbling stream, some say that there is the beauty of "the breeze comes out of the sleeves, the bright moon enters the heart", and some say that there is the beauty of "floating clouds, delicate like a dragon, waves and clouds, endless changes". The characteristics of calligraphy abstraction determine that a calligraphy work will have multi-directional associations, multi-directional imaginations, and multiple beautiful feelings in people's appreciation
Zhao Mengfu "Former Chibi Fu"
Zhao Mengfu's "Front and Back Chibi Fu" is a book on paper, with a total of 11 openings and 21 pages, each page is 27.2 cm long and 11.1 cm wide. The post consists of 81 lines and 935 words. Collection of the National Palace Museum in Taipei. At the end of the signature, "On the eighth day of the first month of the Great Dexin Ugly, Ming Yuandi used this paper to ask for the second gift of the book, and wrote the book in Songxuezhai and made a statue of Dongpo at the beginning of the volume." Zi Ang. Zhao Mengfu was 48 years old when Xin Ug was in the fifth year of Dade (1301 AD). Only the "Former Chibi Fu" part is selected here. The post is white and calm, with a round and vigorous pen, like a beautiful flow, the wind and bone are contained, the charm is ethereal, and the wei and Jin dynasty are all left behind
"Before and After Chibi Fu" is a rare treasure of the Yuan Dynasty calligraphy master Zhao Mengfu Xingkai. Yuan Dynasty calligraphy, on the whole, is an era of retro innovation, and the Yuan Dynasty families based on Tang Dynasty calligraphy have tried their best to scale up the second Jin Dynasty and formed a generational atmosphere.