Those who are familiar with poetry must have read Li Qingzhao's wonderful and ancient order:
Last night the rain was sparse and the wind was strong, and the heavy sleep did not consume the wine. Try to ask the curtain people, but the begonias are still the same. Know it or not, know it or not? It should be green fat red thin.
Li Qingzhao's "Like a Dream Order" can be called a small and exquisite model of Song Ci, in this short 33 words, there is time, place, characters, dialogue, emotional outpouring, clever language, fresh and timeless meaning, its superb generalization power is amazing, and what is even better is that Li Qingzhao can create a very beautiful mood for us, let us read the whole word, not only feel the infinite artistic charm, but also like the lyricist, it will leave a faint spring sorrow.
Li Qingzhao this word, no sentence is not good, no word is not good, any sentence, are worth playing with, such as the end of the "green fat red thin" phrase, but also the whole word finishing touch of the wonderful pen work, deeply loved by posterity, Li Qingzhao used "green" instead of branches and leaves, with "red" refers to flowers, with "fat" to show the branches and leaves after the spring rain, with "thin" to indicate the flowers after being infiltrated by rain, one red and one green, one fat and one thin, forming a sharp contrast, vivid image, attracting people's infinite imagination, at the same time, "green fat red thin", this and the other It also implies the taste of spring's fading footsteps, and this kind of clever pen cannot be written by a talented poet.
Li Qingzhao's "Ru Meng Ling" is naturally a good product, but before Li Qingzhao, Qin Guan also wrote a sad "Ru Meng Ling Chun Jing", in a short length, it also contains infinite deep meaning, undoubtedly a good word, but the circulation of this word is not as good as Li Qingzhao's, the reason may be that its words are not natural enough, the carved traces are too heavy, and compared with Li Qingzhao's words, we can see the difference between the two, and make a judgment, but Qin Lang's word is much higher than that of ordinary poets. Words:
The warbler's beak pecks red, and the swallowtail dots are green and wrinkled. Refers to the cold jade sheng cold, blowing through the small plum spring. Still, still, people and poplars are thin.
The first two sentences describe the spring scenery, the song and swallow dance, the red flowers and green water, full of the infinite vitality of the spring scenery: "the warbler's mouth pecks at the red slip, the swallowtail dots the waves are green and wrinkled", the infinite beauty of the spring light is expressed in these two sentences, and the magic of Qin Guan is to select the typical things in the spring scenery, concentrate a little, so it is more shocking and infectious.
However, in the next two sentences, the feelings turned straight down, making people feel faintly sad, "referring to the cold jade sheng cold, blowing through the small plum spring thoroughly", you know, spring is a good time for a hundred flowers to be bright, but the heroine has no sense of joy, but refers to the cold heart, which is incompatible with the bright and bright scene of the outside world, and li Jing, the lord of the Southern Tang Dynasty, once wrote a famous sentence "Drizzle dreams back to the chicken saiyuan, and the small building blows through the jade sheng han", which has similarities with Qin Guan's artistic conception here. From the vigorous vitality of red flowers and green water to the jade sheng falling plum in the spring of Xiaolou, the mood of the writer has undergone a great change, which has also caused a gap, which makes us feel the lonely feeling in the heart of the writer.
However, short words cannot be played by the lyricist, so the lyricist can only sigh at the end: "Still, still, people and green poplars are thin." Red flowers and green water, small building spring plum, everything is like last year, however, the beauty in the building has become extremely emaciated, like the willow branches outside the window. I believe that needless to say, we also know why this heroine has become emaciated, hurt spring, but also pregnant, unforgettable acacia, youth is easy to pass away helpless, creating her haggard posture.
The place where this word is criticized by people is that it is too carved, losing the nature of "clear water out of the hibiscus, natural to carve". For example, the word "slip" writes the bright and dripping appearance of the safflower, and the word "wrinkle" writes the rippled appearance of the water surface, which is indeed appropriate, but when we carefully taste it, we find that these two words are finally some carved traces and not natural enough. Therefore, some critics have pointed out that it is not unreasonable to say that these two sentences are "similar in shape, but less vivid, and 'red apricot branches' are like Xu's strength" and "it is dangerous and beautiful, and the axe marks are still there".
Of course, this is a bit of a nitpicking feeling, but it is not to deny the best point of this word, such as the word "thin" at the end, and it is vivid and difficult to change, Li Qingzhao's words use the word "thin" in a wonderful way (here "green fat red thin", and "people are thinner than yellow flowers") and other words), it is difficult to say that it is not influenced by Qin Guan!