The eighth episode of the second season of "Ten Thousand Miles alone" broadcast today (6) came to Sanxingdui and Jinsha, one of the "greatest archaeological discoveries of mankind in the 20th century", to visit the ancient and mysterious ancient Shu civilization.
It is reported that the second season of the show is mainly led by Shan Jixiang, president of the Chinese Cultural Relics Society and the sixth president of the Palace Museum, to lead Zhou Yun, Xiao Yang, Niu Junfeng, members of the "Wanli Youth League", into the mainland World Heritage Site, understand the Chinese civilization behind the World Heritage, and show today's cultural self-confidence.
Stills from the show
Shu embroidery "Sun God Bird" on display
As one of the ancient cultural sites with the widest distribution range and richest cultural connotation discovered in southwest China so far, the cultural relics unearthed by Sanxingdui are not only extremely valuable human cultural heritage, but also one of the cultural relics with the most historical, scientific, cultural, artistic and social value in China. The gold ornaments of the sun god bird excavated from the Jinsha site are not only the image symbol of Chengdu, but also the symbol of Chinese cultural heritage. At present, Sanxingdui and Jinsha, as representatives of the ancient Shu civilization, are jointly applying for heritage, which has aroused the world's attention and attention to the ancient Shu civilization.
In this episode, the "Wanli Youth League" claimed a "mystery to be solved" in many "Sanxingdui Rhapsodies" and divided into two groups to find the answer. Shan Jixiang and Xiao Yang met with Lei Yu, director of the Sanxingdui Workstation and director of the Sanxingdui Museum, at the Sanxingdui Museum; Niu Junfeng and Zhou Yun learned the story behind the Sanxingdui cultural relics under the leadership of Ran Honglin, director of the Sanxingdui Archaeological Research Institute of the Sichuan Provincial Institute of Cultural Relics and Archaeology, and Xu Danyang, assistant librarian of the Sichuan Provincial Institute of Cultural Relics and Archaeology. At the Jinsha Site Museum in Chengdu, not only did Deputy Director Wang Fang lead the "Wanli Youth Group" into Jinsha to visit cultural relics, but also the Shu embroidered "Sun God Bird" pattern returning from space reappeared after many years. In the program, the guests discussed the significance of the "Sun God Bird", a symbol of Chinese cultural heritage, to Chengdu, and Shan Jixiang also interpreted the story behind the "Sun God Bird".
In 2005, the Shu embroidery "Sun God Bird" was displayed for the first time
In the program "Ten Thousand Miles Of Walking Single Ride", the Shu embroidery "Sun God Bird" was displayed again
Gao Menghe, a professor of archaeology at Fudan University, once commented on this program, he said that everyone knows Sanxingdui, but does not know much about the ancient Shu civilization, if the Three-star stack is placed in the ancient Shu civilization and the Chinese civilization in the greater time and space of the historical development process to see, many mysteries have become the bottom of the mystery, so when we do the preliminary planning, we repeatedly emphasize that the Sanxingdui is part of the ancient Shu, the ancient Shu is a part of China, they are an important part of the ancient and modern characteristics of the Chinese civilization "pluralistic integration".
Blowing the "World Heritage Wind" Again
"The form of this festival is relaxed, lively and natural, which fully reflects the new proposition of President Shan Jixiang, the general counsel of the program, to go to China's World Heritage Sites to 'walk, communicate and practice'." After participating in this program, Wang Fang told the Red Star News reporter that Shan Jixiang not only served as the general consultant of the program, but also practiced it, and also practiced a new way of cultural heritage dissemination with the expression of "no back, no performance, and no pretense", so that more people can understand the world cultural heritage and fall in love with the cultural heritage. "This program innovates the way variety shows disseminate cultural heritage, which can make more people fall in love with cultural heritage and enter cultural heritage sites." If you want the world to hear China's voice, first of all, you need to do a good job of dissemination, I think, "Ten Thousand Miles Alone" has initially realized the original intention of cultural heritage dissemination. Next, we need to bring cultural heritage home and make it a part of our people's lives. ”
Wang Fang saw shan Jixiang leading the guests from the first season to the second season, from the north to the south is very touched, she knows that this is to tell the world with her own practice, behind the mainland's good rivers and mountains there are more rich world cultural heritage, the variety show not only let the cultural and Bo variety show completely "out of the circle", but also let more people fall in love with the world cultural heritage through the program.
Program poster
Indeed, today's cultural museums are not only exclusive to cultural scholars, but also young people, children and ordinary citizens entering the museum. Wenbo, like the most important trend in the new era, makes young people willing to invest time, energy and money in it. In this context, cultural and variety shows have also come into being, such as "National Treasures", "Tang Palace Night Banquet", "China National Treasure Conference", "China Archaeology Conference" and a number of cultural heritage variety shows referred to as "Shed Synthesis" produced on the set in the shed. The reading volume of related topics exceeded 600 million, and the "World Cultural Heritage Exploration experience program" "Ten Thousand Miles Walking Single Ride", which read more than 430 million of the main topics of the program, really brought China's cultural heritage closer to the public, and also broke through the dimensional wall to blow up a "world heritage wind" in China again.
China is a veritable cultural heritage country, with 56 World Heritage Sites, accounting for about 5% of the total number of more than 1,100 World Heritage Sites in 167 countries, and more than 5,000 national key cultural relics protection units and hundreds of millions of sets of movable cultural relics of state-owned museums; if you add cultural relics protection units at all levels and non-state-owned museums in various provinces, municipalities and autonomous regions, as well as cultural relics collections in private hands, the total amount of China's cultural heritage is even more amazing. We are not only a "big country of cultural heritage", but also a "big country of cultural heritage dissemination".
Red Star News reporter Zeng Qi
Edited by Li Jie
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