Mainland wine culture has been developing along with human civilization, one of which is "no wine, no table". Lanling wine tulips, jade bowls filled with amber light. During the Annual Festival, when the "table" is eaten every day, the wine is deservedly the "group favorite".
Of course, the table ate more and drank more drunk. Talented people are inspired after getting drunk, such as "Li Baidou Wine Hundred Poems"; people with lofty ideals are full of ambition after getting drunk, such as "drunkenly picking up lights and looking at swords, dreaming back to blow horns and camping". However, these "drunks" in "Dream of the Red Chamber" have their own drunken attitudes and drunken "intentions".
One of them is jiaoda. Jiao Da is the earliest and most "famous" "drunkard" in "Dream of the Red Chamber", and "Jiao Da Drunken Scolding" is one of the classic scenes in "Dream of the Red Chamber". Jiao Da was an old servant of the Ningguo Mansion, who had followed the ancestors of the Jia family to fight on the battlefield, and then "carried the grandfather out of the pile of dead people and got his life", thus getting the blue eyes of the old master. When the old master was there, the crowd had some respect for him. The old master is gone, the people are cold, Jiao Da's situation is getting worse, Jiao Da is very depressed, so "he himself is old again, and he does not care about decency, blindly eating wine, eating drunk, no one does not scold."
"Jiao Da's drunken scolding" occurred when Feng Jie returned with Baoyu as a guest in Ning Province, and Jiao Da, who was drunk again, was very dissatisfied with the errand of being sent to send Qin Zhong, the younger brother of the young grandmother of Ning Guo Mansion, from Lai Er, the general manager of Ning Guo Mansion, to Jia Rong, the young master, and also exposed the thrilling drunken scolding - "There is hope that these animals will be born now!" Every day the family steals dogs and plays with chickens, climbs ashes and climbs ashes, raises little uncles and raises little uncles."
Jiao Da's drunken sentence "no day" was exchanged for "tie him up and fill his mouth with soil and horse dung." Why did the old servant's drunken words make the people of Ningguo Mansion "scare their souls and lose their souls" and hurriedly block their mouths with horse dung? Li Yanzhai replied to the side comment - "A red chamber, where the adultery is revealed, just in Jiao Da's mouth."
Jiao Da's drunken words were like a sudden wind, inadvertently lifting the fig leaf that covered the unbearable side of ning guofu. Jiao Da's "drunken scolding" also echoed Liu Xianglian's later sentence "Except for the two stone lions in your East Mansion, I am afraid that even the cats and dogs are not clean", and one old, one young, one inside and one outside all refer to the "obscene place" of Ning Guo mansion.
The second is Baoyu. The eighth time that "drunken" Baoyu appeared, the eighth time of the fat batch version was "Xue Baochao Xiaoqi Pear Xiangyuan, Jia Baoyu drunken Daiyu Xuan". Bao Yu went to LixiangYuan to visit Bao Chao, and was left to eat by Aunt Xue, and drank alcohol to make him slightly drunk. When he returned to his residence, because the nursing mother Grandma Li took the tofu skin bun left for Qingwen and drank her own maple dew tea, Baoyu lost his temper under the catalysis of alcohol, "Threw the teacup in his hand to the ground, smashed it, and spilled the tea of Xi Xue's skirt." Jumping up again and asking Xi Xuedao...", Xi Xue was also thrown out.
As we all know, Baoyu has always been pitiful and cherishes jade, but the "drunken" Baoyu inadvertently reveals the arrogant side of the rich man, although the "human design" of The Bao Yu Nuan man is contrary to peace, but it coincides with the image of the rich man, so that the character of The treasure jade is more plump and true.
The Xi Xue here is not a flash, according to Li Yanzhai's comment here: "(Xi Xue) to the Prison Temple square is the main text." Yu only saw that once when he was transcribed, he and the 'Prison Temple Comfort Baoyu' and other five or six drafts were lost by the borrower, sighing! It shows that after the Jia family was raided later, Xi Xue went to the prison temple to comfort Jia Baoyu, who was imprisoned, regardless of his previous suspicions, and the small people at the bottom were instead shining with the brilliance of humanity.
The third is Ni II. Ni Er is Jia Yun's neighbor, who usually makes a living by "exclusively putting heavy debts, eating at the gambling ground, and loving to eat wine", and is a "pimp" and drunk King Kong in the crowd. Jia Yun, who went to his uncle's house on credit and touched a nose of ash, walked down the street with his head down and accidentally bumped into a drunken Ni Er. This collision actually knocked out good luck, and Ni Er generously lent Jia Yun more than a dozen pairs of silver to solve his urgent need.
"Drunk" Ni Er was "pimpy" before he was drunk, but he was a "righteous hero" after he was drunk. This is a small contrast with Baoyu's humble prince before he was drunk and his arrogant young master after he was drunk. In addition, according to the fat criticism, after the Jia Mansion was copied, Jia Yun, with the help of Ni Er, went to the prison temple to visit Baoyu, and also described the name of "Righteous Hero".
The fourth is Liu Grandma. When Grandma Liu entered the Rongguo Mansion, she feasted on the Grand View Garden. During the period, there was not only the misjudgment of "horizontal and vertical this wine honey water, it is no harm to drink more ideas", but also the teasing of Fengjie Mandarin Duck and others, and drank a lot of wine. During the banquet, it was already "more and more joyful hand dancing", and the sharp Dai Yu laughed and teased, "When the holy music is played that day, the hundred beasts dance at the rate." It's only a bull's ear now." After the banquet, he regarded the archway of the "Provincial Relatives Villa" as a big temple, and he had to climb down and prostrate. Even to "defecate on the ground", the vulgarity after drunkenness is fully displayed.
More importantly, after entering the toilet, Grandma Liu stumbled into the Yihong Courtyard and slept in Baoyu's bed in a confused way. In this process, Cao Gong made a detailed introduction to the trees and stones of Yihong Courtyard, the doors and windows of the house, and the decoration of the house through the drunken eyes of an old woman in the countryside. In the face of this room with "brocade and veil cover and golden pearlescent light", Grandma Liu felt "like when she arrived in the Heavenly Palace." "Drunken" Liu Grandma was frightened by the luxury and expenses of the rich and nobles, and "did not dare to make a sound", and the gap between the rich and the poor in class can be seen.
Its fifth is Jia Lian. Jia Lian, as the son of Jia Yu, completely inherited his father's lustful genes, one is a small wife left and a small wife when his children and grandchildren are full of eyes, and the other is "a family that steals chickens and dogs, dirty and smelly and pulls you into the house." Jia Lian took advantage of FengJie's moment of celebrating the birthday with the female relatives at Jia's mother's place, and after drinking, she summoned the wife of the male servant Bao Er to the house to fool around, and was bumped by FengJie, who came home halfway.
As the saying goes, wine is strong and courageous, and Jia Lian, who is a little afraid of Sister Feng on weekdays, "relies more and more on wine and three points of drunkenness, and rises to the wind." Deliberately want to kill Sister Feng", and even chased after Jia Mu with a sword. The "drunken" Jia Lian is very absurd, and the face of the stupid disciple is annoying.
Its sixth is Xue Pan. Xue Pan is a famous "Dumb Overlord" in "Dream of the Red Chamber", and is famous for robbing the beautiful woman Xiangling in the third time, but as a cunning prince, he not only loves beautiful women, he also has "Longyang Xing". Xue Pan, who had a relationship with Liu Xianglian, mistook Liu Xianglian, who had a handsome face and loved to string plays, for a son of the wind and moon and wanted to make friends.
At the banquet to celebrate the promotion of Lai Shangrong, the son of Lai Da, Xue Pan took the initiative to pluck Liu Xianglian after drinking, and after getting Liu Xianglian's false permission, "that Xue Pan was difficult to endure, only to see Liu Xianglian, the heart was more and more happy, the left pot, the right pot, and did not need to be let go, he ate and ate, and did not feel that the wine was eight or nine minutes", and the ugly state was forced to appear after getting drunk.
After getting drunk, Xue Pan rushed to Liu Xianglian's appointment, but who knew that he was tricked by Liu Xianglian into beating him violently in the inaccessible place, becoming "fragmented clothes, swollen face, no head and no face, all over the body, rolling like a mud pig." Xue Pan, who was already lustful, lost his mind even more after drinking, and invited the pain of skin and flesh, which was both "sin" deserved and "drunk" deserved.
Its seven are Xiangyun. "Xiangyun drunkenly lying down" is one of the most beautiful scenes in "Dream of the Red Chamber". Baoyu's birthday, everyone congratulated, Xiangyun drunk, a bag of peony petals on the head pillow, lying on a stone bench in the middle of the mountain stone, full of petals, surrounded by butterflies, and the mouth also read the wine order, so that the picture of "drunk sleeping under the fragrant tree, half buried by the falling flowers" is naturally beautiful.
Although Xiangyun is also an aristocratic lady, she has lost her parents since she was a child and lives in the house of her uncle and aunt, and her life is not very smooth. However, she is optimistic and open-minded, has a cheerful personality, loves to talk and laugh, and has an open heart, the so-called "fortunate birth to be heroic and magnanimous", this "drunken lying" is the aesthetic embodiment of her open-minded personality. Xiangyun can be called the most beautiful "intoxicating" in "Dream of the Red Chamber".
Author: Warm Forward, this article is to read less of the original works of the Red Chamber.