The Red Chamber
Beauty
Opening words
● "The Beauty of "Dream of the Red Chamber" Writing". The author Wang Xiong accurately interprets the beauty of the writing of "Dream of the Red Chamber" from the aspects of the beauty of structure, the beauty of words and the beauty of artistic conception in humorous and simple language.
Excerpts from the book are excerpted and shared with friends on the ten-meter balcony in the form of continuous broadcasting. Hope to help your writing and enjoy the joy of writing together.
Lecture 2
How does "Dream of the Red Chamber" use details?
Issue 7: What is Xue Pan's "busyness"?
3. The characters are diverse
The character's demeanor shows the character image, including the character's movements, expressions, postures, etc.
The twenty-fifth time, the uncle and sister-in-law met the five ghosts, alarming the Rongning Second Mansion from Jia Mu down to the slave maid, and the garden was chaotic.
"Others are panicked and needless to say, the only Xue Pan is busier than everyone else: I am afraid that Aunt Xue will be squeezed down, I am afraid that Xue Baochao will be seen, I am afraid that XiangLing will be embarrassed,—— I know that Jia Zhen and others are doing work on women, so I am too busy. Suddenly, I caught a glimpse of Lin Daiyu's graceful demeanor, and she had collapsed there. ”
In the midst of the chaos of Jia Fu, Xue Pan's demeanor and performance are unbearable. Like a close-up shot in a movie, pushing it away layer by layer:
First, xue pan's "busyness" was written with three "fears", and Xue Pan's "busyness" set off the "chaos" in the Grand View Garden. Tangtang Jia Mansion, which was originally a quiet place where the daughters lived, actually made Xue Pan so worried?
Second, the illness of Sister Feng and Bao Yu caused the people of Hefu to turn over on their horses, and there were people like Jia Zhen who "worked on women" who stole chickens and dogs.
Third, the irony is that Xue Pan is afraid of this and that, but he himself has "collapsed there." Xue Pan's demeanor is both dirty and ugly, as well as his concern and love for his family. This kind of look detail is very natural and worth savoring.
In fact, the detailed expression of the demeanor is sometimes a word.
The Red Chamber
Beauty
The sixth time, Grandma Liu went to Jia Fu for help. "Zhou Rui's family said, 'If you don't have much to say, if you have anything, just go back to the second grandmother, it's the same as your wife.'"
While speaking, he handed over his eyes to Grandma Liu. Grandma Liu will understand, before saying a word, the face of the flying red, want to wait and not say, why did she come today?
I had to bear the shame and said: 'Theory is the first time I see my aunt and grandmother today, but I shouldn't say it, but I just ran to you from afar, and I can't say much about it.' ’”
A "red" character puts Liu Grandma's embarrassing appearance, the mixture and entanglement of dignity and poverty, into three points. The simple countryman's demeanor is three-dimensional to the character image of Liu Grandma.
The eighteenth time, the Grand View Garden test was correct, and Jia Baoyu performed very well. Outside the courtyard, "a few of the little squatters came up and hugged them, and they all said, 'It's time to reward us with such a lottery head today.'" ’......
Saying, one came up to untie the purse, and the other one unspacked the bag, not to be divided, and the things that Baoyu was wearing were all removed. ”
Lin Daiyu heard about it, came to see, and sure enough, there was nothing left, because she said to Bao Yu: 'The purse I gave them was also given to them?' You can't think of my stuff again tomorrow, but you can't do enough! ’
After saying that, he went back to the room and took the sachet that Bao Yu had bothered him with the day before--only half of it was made.
Baoyu saw that he was angry... Busy untied the collar, untied the purse that Dai Yu had given him from the inside of the red jacket, and handed it to Dai Yu and said, "You see, what is this!" Did I give someone your stuff that time? Dai Yu regretted herself and was reckless, ashamed and angry, and bowed her head and did not say a word.
The things they were wearing were robbed, Baoyu and Daiyu showed a very different look, Baoyu was happy, and Daiyu was angry, which could be described as three points into the bone. Although Baoyu is generous and arrogant, he takes good care of Daiyu's things and hides them in the innermost layer of his clothes.
This is his love for Daiyu. Dai Yu is also very generous, she does not care that Bao Yu's things are robbed by the small people, she cares about her own feelings, her love for Bao Yu. With different looks and different destinations, how can the word "love" be obtained?
tradition
mores
The seventy-third time, the handmaiden xiao que in Aunt Zhao's room secretly reported that Jia Zheng was going to take Baoyu's studies tomorrow. Yihong Courtyard was suddenly in a panic. Bao Yu read all night, and a few big men cut candles and poured tea next to him.
Those small ones, all sleepy-eyed, folded up and folded back. "Qingwen scolded: 'What hooves, one by one black and white nights are not enough corpses, and occasionally once they sleep late, they pretend to be this tone.'
Again, I'll poke you twice with a needle. The words were still there, only to hear a grunt outside, and when I hurried to look, it turned out to be a little girl sitting and napping, and crashed into the wall.
When he woke up from the dream, it was exactly when Qingwen said this, and the only thing that was scared was that Qingwen hit him, so he cried and said, "Good sister, I don't dare anymore." The crowd burst into laughter. ”
Baoyu read all night and expressed his fear of his father; Qingwen's scolding expressed her loyalty to Baoyu; the little girl snoozed against the wall, which is the true disposition of a child who sleeps a lot, simple and unpretentious, naturally interesting.
The characters are diverse, making the life picture full of interest and movement.
The Red Chamber
Beauty
About the Author:
Wang Xiong is a member of the Chinese Writers Association and a scholar of Hanshui culture. He is currently the chairman of the China Railway Writers Association, and an adjunct professor of Southwest Jiaotong University and Suzhou University of Science and Technology. He began to write literature in 1989 and has written many novels, essays, reportage, and academic treatises, totaling more than 5.8 million words. Many of his works have been published or reprinted in key newspapers and periodicals such as People's Daily, People's Literature, Chinese Writers, Youth Literature, Selected Novels, and Selected Novellas. Representative works include the novels "Yin and Yang Monument", "Passing on the Ancients", and "Jin Kui Yin Lou" (collectively known as the "Hanshui Culture Trilogy"). Long-form reportage works such as "China Speed" and "China Power" have been translated into English, French, German, Spanish, Russian, Arabic, Japanese, Romanian and other languages, and published by foreign language publishing houses or foreign publishing houses, and distributed to the world.
Image | Excerpt from the Web Edit | Gold handkerchief