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Leaving was premeditated, no one would want to marry in, and The good son trapped in the palace was eager to go out

In the Japanese court, where men were inferior to women, women lived a life of repressive talent and nature, and even Hirohito's sister-in-law bluntly stated in the book "Silver Drum" that she was forced to marry into the imperial palace.

Leaving was premeditated, no one would want to marry in, and The good son trapped in the palace was eager to go out

It seems that few women in this palace will want to marry in, and the women in the palace can't wait to go out.

"I don't want to stay in Japan," Princess Yoshiko has said more than once.

Leaving was premeditated, no one would want to marry in, and The good son trapped in the palace was eager to go out

With the marriage of her sister Princess Mako, this desire of Jiazi has become more and more intense, and compared to her sister's introverted and implicit, Princess Jiazi prefers an outspoken way of expression, so the family is always inevitably in a fierce quarrel.

Surrounded by various scandals, the current situation of the Qiu Shinobu family is difficult, so Akishinomiya wants to let the second daughter replace the position of the eldest daughter and assist her brother until he grows up.

Leaving was premeditated, no one would want to marry in, and The good son trapped in the palace was eager to go out

If the two of them alone could not support the heavy responsibilities of the entire imperial family, it was obvious that the Akishinogu family would not receive Naruhito's support and help, at least active help.

Moreover, the relationship between the two companies has long been strange because of their interests, so it is simply a fantasy to want the two to cooperate for a win-win situation.

Leaving was premeditated, no one would want to marry in, and The good son trapped in the palace was eager to go out

However, Princess Jiazi has great opinions about her parents' preference for sons and daughters, and she has different views on her sister's marriage, so now Princess Jiazi is like a bird that goes against the wind, and her desire for independence is even stronger in the case of isolation and helplessness.

In addition, Princess Jiazi is a maverick child, and many of her practices are too out of line and deviant in the eyes of her parents.

Leaving was premeditated, no one would want to marry in, and The good son trapped in the palace was eager to go out

It is said that every time Yoshiko wants to do something, she will inevitably be criticized by her parents, and over time she will have a very strong resistance to her parents.

Unlike her sister's anfen and self-preservation, Princess Jiazi does not shy away from her identity, she is in the circle of friends left and right, exquisite, so she can meet more friends, but also have more "gossip" boyfriends.

Leaving was premeditated, no one would want to marry in, and The good son trapped in the palace was eager to go out

Or since she was a child, she knew that only marriage was the only excuse for her to "escape" from the palace.

It is rumored that the reason why Princess Jiazi did not take the examination was not only to retaliate against her parents, but also to let herself find a "Ruyi Langjun" as soon as possible at the marriageable age.

Leaving was premeditated, no one would want to marry in, and The good son trapped in the palace was eager to go out

In order to educate their children, Akishinomiya and his wife used Kei Komuro as a negative teaching material, but Princess Yoshiko was very disgusted by this.

Even Qiu Xiaogong did not educate her daughter on any occasion, and in many cases, Princess Mako and Princess Jiazi could only silently bear this heavy fatherly love.

Leaving was premeditated, no one would want to marry in, and The good son trapped in the palace was eager to go out

As adults, Princess Yoshiko and Princess Mako also complained about their parents, both of whom had said that their father had done anything to them, and that they would tolerate the same mistakes when they put them in their younger brothers, while their sisters would be scolded by their parents.

From a very young age, the two sisters have the closest relationship, they are friends who talk all the time, and they are also sisters who hug each other for warmth.

Leaving was premeditated, no one would want to marry in, and The good son trapped in the palace was eager to go out
Leaving was premeditated, no one would want to marry in, and The good son trapped in the palace was eager to go out

Therefore, in the matter of marriage, Princess Jiazi has always been on the side of her sister.

In the face of parental criticism, although the sister will not refute or resist, the unaccustomed Jiazi will always stand up for her sister.

Princess Mako has now escaped from the gold-encrusted "cage", but Princess Yoshiko has to endure all this.

Leaving was premeditated, no one would want to marry in, and The good son trapped in the palace was eager to go out
Leaving was premeditated, no one would want to marry in, and The good son trapped in the palace was eager to go out

All the departures were premeditated, just like Princess Mako, in fact, Princess Jiazi also had the wish to leave, but she was now free.

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