Xinmin Evening News (reporter Song Ninghua) Recently, the online exhibition "Tall Branches and Solid - Wu Changshuo Art Heritage Exhibition" sponsored by Shanghai Trust Bund 111 Art Space has received widespread attention since its opening. With the inheritance of the art of jinshi calligraphy and painting of Wu Men IV of the Haipai over the past century, the exhibition collects more than 80 paintings, calligraphy, seal carvings and related documents of Wu Changshuo and Wu's descendants, comprehensively showing the national temperament and spirit of the times contained in the Haipai calligraphy and painting and haipai culture, including the earliest Wu Changshuo calligraphy works found so far.
The picture says: "Tall branches are fruitful - Wu Changshuo Art Heritage Exhibition". Courtesy of the organizer
Poetry, calligraphy and painting are integrated into the four masterpieces of art
Mr. Wu Changshuo has a high degree of achievement in the four major fields of "poetry, book, painting and printing", and is known for his "four perfections of integration". This exhibition exhibits 21 fine works of calligraphy and paintings and 13 pieces of seal engraving seals and yantais of Mr. Wu Changshuo, whose works span the artistic creation career of the master for more than 60 years, and at the same time exhibits more than 20 precious documents such as Mr. Wu Changshuo's personal letters, poems, ledgers, etc., comprehensively restoring the real life state and artistic concept of the master.
Poet Wu Changshuo, whose poems activated the art of seal engraving, calligraphy and painting. Wu Changshuo's paintings, whose painterliness, painting interest, and painting style such as tender gold, Xiu Tie, Gu Teng, and Lao Ke, suddenly frustrated nature, penetrated the back of the paper, and when he waved to the point where his expression drifted, he vividly showed that "painting to the extreme is to write, and writing to the extreme is to paint", rising to the realm of no difference, and in modern times, he established the epoch-making "Miaolu School". Taking the "Wind Bamboo Diagram" exhibited for the first time as an example, Mr. Wu Changshuo uses the brushwork of the golden wrong knife to write bamboo leaves in thick ink and paint bamboo branches in light ink, perfectly showing the rigidity, flexibility, toughness and upward posture of bamboo in his hometown. In the side oblique out of the bamboo branches and bamboo leaves, thousands of angles are born, with the blank space of the upper and lower two diagonals, the virtual reality is born, the yin and yang are harmonious, so that the composition of the painting reaches a dangerous situation.
Wu Changshuo calligraphy, pen with changfeng, paper Xisheng Xuan, Gu Mao Xiongxiu, when the stone drum text achievements the highest, melted the previous generations of bells, pottery, stele text in between. The "Seal Scroll" exhibited this time is considered to be the earliest Wu Changshuo calligraphy work found so far, with a distinct Deng Shiru seal book style, which is Mr. Wu Changshuo's first-time study of seal calligraphy. Fine works such as "Stone Drum Literary Axis", "Seal Book Eight Words Lian", "Seal Book "Poetry Classic, Tianbao" Poetry Axis" and so on, are suddenly frustrated and brilliant, and the golden stone atmosphere is like a beautiful atmosphere, showing Mr. Wu Changshuo's superb stone drum calligraphy skills at the peak of his art.
Wu Changshuo seal carving, creating a new appearance in the field of seal carving, the ancient clumsiness, the strength of the spirit, the vigor and the long affection, Wu Changshuo is also the first president of the Xiling Printing Society. This exhibition selects 12 seals of Wu Changshuo, including the common seals of masters such as "Miaoji", "Wu Junqing", "Miaolu Lord" and "Miaoweng", which can be enjoyed together with the stamps on the calligraphy and painting works exhibited at the same time.
Wu's One Gate Iv Art Is a Great Gathering
"The tall branches are thick, and the mountain rain is falling. When bai yu tang, cui pan recommended golden fruit. This classic inscription poem by Mr. Wu Changshuo also reflects the inheritance and development of Wumen art over the past hundred years. This exhibition concentrates 28 fine works of calligraphy and painting by the three generations of Wumen after Wu Changshuo, which not only reflects their artistic achievements in passing on their brush and ink and continuing to follow the martial arts, but also shows the new exploration, new development and new appearance of Haipai Wumen in the new era.
"Bitter iron painting qi does not paint shapes" and "directly from the calligraphy method", this is Wu Changshuo's summary of his own painting achievements, but also his requirements for the descendants. Wu Dongmai, as the younger son of Mr. Wu Changshuo, inherits the appearance of his works from his father, the style is heavy and old, and the calligraphy seal carving is part-time, which obtains his father's golden stone qi and reveals grace in the golden stone sonorous. Wu Changye is the young grandson of Mr. Wu Changshuo, since childhood Chenghuan's knees, deeply favored by his grandfather, young Chengting training, good at writing flowers, not only the spirit of gold and stone does not fall, but also bold, pen and ink smooth. Especially after the reform and opening up, Wu Changye's works have become more enthusiastic and unrestrained, full of the atmosphere of the era of "thriving and thriving".
"The body of the changeable, the spirit of the unchanging." The exhibition also selects the calligraphy and painting works of Wu Youfei, Zheng Hanjian, Wu Chao and Wu Yue, descendants of the contemporary Wu men IV. A wind flow, Pegatron has a queen, for a long time to inherit the art of Master Pegatron four masterpieces.
It is reported that in the 6 years of operation of shanghai trust Bund 111 Art Space, Bund 111 Art Space has brought many classic works of art to the public. Through the careful planning of "High Branches and Solid Branches - Wu Changshuo Art Heritage Exhibition", Bund 111 Art Space hopes to restore the traditional culture of Wu Changshuo era and the artistic creation situation of the constant impact of new ideas, show how the masters of Haipai have shaped traditional artistic elements and aesthetic ideals into unique artistic styles and customs, and cultivated and influenced many modern artistic masters such as Qi Baishi and Pan Tianshou.
The exhibition will run until February 25, 2022. In order to meet the requirements of epidemic prevention and control, the offline visit adopts an advance reservation system, and the public is invited to make an appointment in advance before the exhibition and obtain relevant reservation information.