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Text | Three babies
The results of the survey report on the status of marriage and love in China are enough to prove that "marriage is indeed the graveyard of love and literary and artistic youth", and the happiness and marital satisfaction of both husband and wife in 3-5 years after marriage have reached the lowest value and even directly shortened the crisis period to "five years of itch", of which 11.1% of them said that they would not be with each other in the next life and 8.9% of them decided not to marry at all in the next life. However, the survey also shows that as long as the feelings will slowly "warm up" after passing this hurdle, that is to say, it is still possible to achieve a happy ending of "white head and old age" with psychological preparation in advance. In fact, there are many ways to express love at first sight to acquaintance and love, and different directors also have their own means of interpretation, James Cameron (James Cameron) with a cruise ship to meet and love each other's young men and women but because of the glacier accident and yin and yang separation story will express this feeling of ups and downs, a few years later, she is finally about to reunite with her lover wearing the suspender pants when they first met.
But if it was the American director Richard Linklater who wrote the story, it would be a different story: she and he met on the train in Vienna, dressed in raging spirits, and the result of the two being separated without asking their names was to disappear into the sea of people. Nine years later he was a husband and she was displaced on the road to love, and when they suddenly reunited in Paris, she slowly sang a song for him. Nine years later, they took their common daughter on vacation to Greece, and some things changed and some never changed. Familiar friends probably know that this is the content of the "Love in" trilogy, in 1995, the first film about the beginning of love, "Love at dawn and dawn", was called amazing after its release, and "Love Before Midnight", which was re-launched in 2013, was still well received after its release in North America. If there is no preparation for the first two parts, it is probably just a couple in a middle-aged crisis who constantly cycle the bedside and quarrel with the bedside and the end of the bed, and if there are only the first two parts of you and me, it is not in line with the truth of the world, and the reason why Sanwa prefers the third part with a slightly higher Douban score is probably because it is related to marriage.
The longest love trilogy comes to an end
The film was inspired by the director's own experiences as a young man, and if you insist on watching the credits at the end of "Love Before Midnight," you'll find that the director dedicated the film to Amy Lehrhaupt, and although Linklater rarely mentions the name in the media, he can piece together the complete story that inspired the film from the multiple interviews he has participated in. Linklater, who had just finished "Urban Ronin," spent the night with Raihaupt, a few years younger than him, on his way home from New York, at a toy store, and like "Love Before Dawn," most of what they did was talk about art and science. Unlike Jesse and Celine, who had agreed to meet 6 months later, the real-life two exchanged phone numbers and tried to stay in touch during their separation, but the exhaustion of "long-distance love" eventually made the relationship go viral. Unfortunately, the director's old lover did not see the trilogy that was continued by their love affair, and the director also learned that Lai Haupt died as early as 1994 after shooting two films.
As one of the most successful independent filmmakers in the American film industry today, director Richard Linklater is purely self-taught, and his film stories mostly take place in 24 hours a day, and even often focus on rebellious young people and give rare sympathy and understanding, this kind of shooting of the same group of people at different ages, in addition to the "boyhood" also written by the director, is probably only the British growth series and François Truffaut's Antoine series. Laterally, his contemporary independent film director Soderbergh has announced that Quentin is addicted to plasma and cannot extricate himself from it, and David Lynch is now doing nothing but not making films. The film's story is set in the music capital vienna and the romantic capital of Paris to the holy land of love, Greece, basically inheriting the first two long shots of more dialogue plus the background soundtrack is simple to the extreme but just right "talking" narrative style, although the topic involves literary love is slightly loose but eventually returns to the theme of gender relations, so that after "Love at Sunset and Dusk", it was nominated for the Academy Award for Best Adapted Screenplay again.
Of course, films depicting middle-aged life abound and there are often actors who can use makeup to act in movies with a large time span, but time is the best makeup artist, and Julie Delpy, a once beautiful French chick, has fat thighs made of muscles and fat accumulated over several years, and a bulging abdomen. This person officially entered the film industry as a "detective" directed by Gordier and then became a high-profile rising star in France for two consecutive years with the César Award for Best Newcomer Awards with "Bad Blood" and "Evil Sea Affection", and since then starred in the anti-fascist masterpiece "Europa Europa" for her to win international fame and "Glass Rose" has helped her successfully break into Hollywood and be active in Europe and the United States. The male protagonist Ethan Hawke (Ethan Hawke) has been devoted to stage plays and film scripts, this person's performance is very temperamental and even known as "the most sensual young male star" because he is good at capturing his complex inner world through the appearance of the characters.
After many years of siege, it is still the same as in the past
Time is the shining point of the "Love in" series and the most important element of director Linklater's best works, "Love Before dawn" meets at a time when they are still exploring the world and the possibilities of self in their early twenties, so that it seems logical that American young men and French women have developed from accidental encounters to wandering the streets of Vienna hand in hand, as if this is what strange young men and women should happen when their eyes meet on a European train. Since then, two attractive souls have deepened their understanding of each other through dialogue, from poetry and song to the philosophy of life to open the indispensable bridge of love. If the first part basically outlines a little self-clever but basically harmless literary and artistic young men and feminist and neurotic politically correct young women, then the description of the reunion of "love at sunset and dusk" is more vicissitudes and helplessness than the romance and beauty of the first encounter, both of them are absent from each other's or large or small life encounters so that when they talk again, they have their own disguises and guards, but the sincerity of foolishness is not suppressed by worldly politeness but rolls upwards.
If there is no "love before midnight" in fact, the series can already be a perfect ending, the first encounter with the wonderful and lucky and the old love subtle and dangerous themes have long been written tirelessly by countless literary and artistic works, but obviously people need this fictional love to assume and analyze the reality of the encounter. The finale of the previous debt is finally revealed, the two have reached middle age and have twin daughters who are tired of trivial life but thankfully love each other, but it is particularly touching to put the extraordinary romance of the first two parts within the framework of marriage. From the moment Jesse sends his son born to his ex-wife on the plane alone, a fiery quarrel is brewing with Celine, which is implicitly humorous and seems to be a tentative in-car conversation, on the one hand, Jesse hopes that Celine can accompany him to Chicago to better take care of his son's upbringing tug-of-war, on the other hand, celine, who does not want to let independence and freedom be drowned by marriage and family, hopes to start a new career in the long-awaited job.
The party in the middle of the film, which includes three generations of lovers, old, middle-aged and young, tells the core of the film in the conversation around feelings and careers: there is no perfect lover in the world, and even the soul mates who once loved each other madly will have friction and dissatisfaction. Anna's great-grandmother wrote a 26-page letter to the family before her death, but wrote only one paragraph about her husband: "He went to war, we moved because of his work, he died", so she advised not to spend too much on romantic love and even friendship and work to bring the most joy; young couples used their flirtatious words to colonize each other and even throw each other into sweetness even if they were not mentally compatible; Patrick and his wife were in a very ideal and equal state but more like two independent individuals. Natalia, on the other hand, misses her deceased husband so much that she fears losing him again in increasingly vague memories. In fact, two people in a marriage cannot be integrated and retain their own lives and personalities is the way for couples to get along, and each other's complaints and complaints can be confessed to each other by selling cuteness.
At this time, Jesse and Celine undoubtedly interpret this theory very well, from the humorous parody of the scene when they met during the banquet to the dialogue of walking to the hotel, it is not difficult to find that their marriage is far from all smooth, but the two still love each other deeply and even retain their honesty and tolerance for each other. The film also adheres to the principle of "sex and laughter are as important as heart and lungs for a good relationship", so that the scale of the protagonist's nudity is significantly larger than the first two films, and the two who have not remembered the last time without a daughter's noise to enjoy the pure perfect sexual feeling go to the warm night, Celine strokes Jesse's white beard and Jesse kisses Celine's sagging breasts. However, all the love is also accompanied by the interruption of the son's phone call and even the emotions that have been brewing for a long time, Jesse's writer's nature makes him instinctively not forget to taunt in the quarrel, and the career woman Celine also argues and directly washes away the carnal desire in the old account. In the final analysis, it is nothing more than the mentality of both of them attributing all kinds of unhappiness after marriage to each other's selfishness, so that they hope that the other party can make compromises and concessions.
Love doesn't stop at lovers eventually becoming dependents
The film has been at the top of the word-of-mouth list since its release, probably with the suspense of déjà vu secretly and may also satisfy most people's desire to build romance when imagining marriage scenes, the suspense of "love at dawn" stays at six months later whether they are reunited according to the agreement, "Love after sunset and dusk" is fixed on whether the male protagonist will deliberately miss the plane to stay in Paris, this film no longer has suspense or even the quarrel between husband and wife about trivial matters and Heelyn's "I don't love you anymore" is the ending. The always romantic trilogy has finally revealed the core of the cruel reality, and director Linklater's interpretation of love has also been sublimated: the previous happy love always ended with a lover and finally became a family, in fact, how to face a long and trivial life and constant quarrels in marriage after becoming a family member is a more severe test. The antidote given by the film depends on Jesse's rambling literary style, and he writes a "crossover" love letter to his wife and confesses that "if you want true love then true love is here, it is not perfect, but the reality is so." ”
Therefore, the love in this film involves almost all stage states and possibilities, and in the vertical development of feeling love and time interaction, it penetrates into the horizontal comparison of love understanding at different ages, from the difference in conscious thinking between men and women to the perspective and way of treating problems to the complex relationship between family members and the impact of work on the status of men and women's families. The independent heroine tries to live according to her own thinking but has to immerse herself in the traditional married life because of the child, and the male protagonist tells Celine that they are still together in her eighties through the mouth of "he who returns from the future", which undoubtedly draws a rest for this quarrel. You could argue that these words are more like clever pandering or false consolation, but there's no denying that "love before midnight" actually confronts the imperfections in love and confesses that this imperfection is destined to be part of the ideal love, so that Jesse and Celine, who want to understand this, can naturally look at each other and smile and walk hand in hand for the rest of their lives.
Remembering the first film, Celine told Jesse that she would love him more because she learned more details, and when she saw "Love Before Midnight", she couldn't help but question whether the two who saw so many details about each other really loved each other more. Perhaps for audiences around the world, they are still looking forward to a new insight nine years later, but at this moment, Sanwa's sudden idea is "can you make a film where the two are not together"...
(The image comes from the Internet, and the infringement can be deleted)
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