This issue is about· May Fourth" with the press
It is another spring year, and it is the time to commemorate the "May Fourth". If we say that among the many major events in modern history over the past 180 years, which are extremely topical and enduring, "May Fourth" is definitely listed. This is of irreplaceable and decisive significance in China's history, politics, culture and even the process of civilization.
May Fourth was like a kaleidoscope, giving researchers an endless perspective on the horizon, as was the case with the new press at the time. The Canadian scholar Harold Inis, in his treatise Empire and Communication, argues that "the subject of communication can give people many possible enlightenments, and I have always had the impression that in the organization and implementation of politics, communication occupies a key seat; in the countries of the past and Western civilization, communication also occupies a key seat." ”
The dissemination and sharing of information, the mobilization and alliance of the public, is undoubtedly a basic way for human society to survive and develop. Around 1915, the role of the press as a daily medium of communication became increasingly apparent. If we return to the historical scene of "May Fourth", we suddenly feel that the situation at that time is that the press and the movement are closely related, and it is simply the newspaper and periodical under the drumming of "May Fourth" and "May Fourth" in the rendering of newspapers and periodicals.
The rise of "New Youth" actually has a successive and competitive relationship with the "Youth Progress" publications promoted in Shanghai, and this kind of karma seems to have not been paid much attention to in the past. The May Fourth New Culture Movement was first launched in the big cities of Beijing and Shanghai, but it does not mean that other regions of the country are not important. Chen Wangdao, the translator of the Communist Manifesto, once recalled that during the May Fourth period, "higher education institutions were the most active in Peking University, and in secondary schools, they were considered to be the First Normal School in Hunan and the First Normal School in Hangzhou." It can be seen that at that time, the "localized May Fourth Movement" had blossomed in the national stage, and the national scale and influence of the "May Fourth" can be seen from this. Choosing the cases of the monthly magazine "Zhejiang New Wave" and the Zhejiang Provincial First Normal School, it is not difficult to understand the surging scene of the whole country at that time. At the same time, the New Culture Movement has spawned a number of very high-quality publications, and supplements have gradually risen from the fringes to become the main force, which can be seen from the "Morning News Supplement" and "Beijing News Supplement" in Beijing, which are known as the "four major supplements of the Republic of China", and the "Enlightenment" and "Xuelan" in Shanghai.
At present, we have been fully immersed in the era of new media or all-media, and the dissemination, sharing, screening and use of information have become daily "homework". In contrast, at that time, it seemed that the mirror value of "May Fourth" was once again highlighted.
——Wang Xuebin (Professor, Department of Literature and History, Central Party School of the National Academy of Administration, Director of the Department of Chinese History)
Zhang Zhongmin: Starting from the fact that "Youth Magazine" had to be renamed "New Youth" - "May Fourth" and "newspapers and periodicals"
Wang Xuebin: Zhejiang New Wave and zhejiang people in the new cultural movement - "May Fourth" and the newspapers and periodicals No. 2
Yue Liang: The third part of the literary and art supplement that traveled through the glorious era - "May Fourth and newspapers"
Author's note
Zhang Wanlin: Looking for "The Light in the Sky" in the Annotated Translation of "Xunzi"
Prologue and Trek
Zhan Furui: "Having to choose" has given birth to academic characteristics - I read "Selected Poems of the Tang Dynasty and Research on Poetry Criticism in the Ming Dynasty"
Cultural interviews
Shu Xin: Wang Anyi: I am more wary of naming
Promote
Liu Liu: Fourteen Years of a Writer and the "Question of the Patron"
Cultural Perspectives: Traveling with Classical Literature
The motherland is vast in size, the wind and materials are numerous, and different regions have bred their own distinctive geographical landscapes in the long historical process, such as the familiar "iron horse autumn wind plugged north, apricot blossom spring rain Jiangnan", similar geographical and cultural combinations have become part of our cultural memory as an inseparable symbol. Once the geographical landscape meets excellent writers, it will inevitably produce a colorful movement that complements each other and adds to the cake, playing a string of beautiful notes with round and jade, which makes people have to lament the magical charm of the mutual achievement of nature and people.
The four articles published in this issue are all related to literary geography. With "Sui Chu Fu" as the center, "Sui Chu Fu" sorts out Liu Xin's journey from present-day Qinyang, Henan Province, through various places in present-day Shanxi under specific circumstances, not only resurrecting many historical scenes of the Homeland of the Three Jins from Liu Xin's pen, but also seeing the spiritual exchanges between Liu Xin and the ancients, so that people have a more intimate perception of the long-standing culture of various places in present-day Shanxi. "If the Sheng Tang Dynasty Does Not Have Cen Shan's Bian Sai Poem" mainly centers on the famous Sheng Tang Dynasty bian Sai poet Cen Shan, examines more than 70 of his Bian Sai poems, and reproduces cen Shan's rich Tang Dynasty weather of the bian Sai visual feast, such as our familiar "suddenly like a spring breeze in the night, a thousand trees and pear blossoms" "The wind roars in September, a river of rubble is as big as a bucket, and the wind is full of stones", etc., which makes people yearn for it after reading. "Wuzhong Famous Mountains in Yuan Hongdao's Writing" combs through the famous mountains of Wuzhong that Yuan Hongdao visited during his tenure as the county commander of Wu County, forming a tour map of the famous mountains in Wuzhong, and at the same time, through the interpretation of Yuan Hongdao's excursion essay, his sightseeing mood is integrated into the mountain stone garden pavilion in Wuzhong, and the scenery becomes more flexible and lovely. "Because the In-depth Travel of Su's Father and Son" is centered on the "Southbound Pre-Collection" of Su Xun, Su Shi and Su Rui's father and son, which completely reproduces the process of Su Shi's family's boat trip, many of which are still our tourism punching places today, and the travels and inscriptions of Su's father and son have added more moving charm to these historical sites.
——Cao Lifang (Professor, College of Literature, Liaoning Normal University)
Liu Lizhi: One of Liu Xin's "Sui Chu Fu" - "Traveling with Classical Literature"
Yan Fuling: If Sheng Tang did not have Cen Shan's Biansai poem, "Travel with Classical Literature" No. 2
Xiao Hong: Yuan Hongdao's Wuzhong Mingshan - "Traveling with Classical Literature" No. 3
Zhang Danyang: Because of the in-depth travel of the Su father and son - "go with classical literature" No. 4
Bookworm Chronicles
Xiao Zhenming: "Xiaoye" who is over 90 years old and "Lu Xun's Manuscript Sutra Eye Record"
comments
Peng Ying: Break the traditional red science history writing mode
Liao Siping Hao Yunzhi: Observe the interaction between Chinese and Japanese thought with Zhao Jinghua
Cultural Thinking, Myths and Civilizations
Tan Jia: Listen to Zhang Hongyou talk about the godfather of Hollywood mythology
Xu Yuting: Let Hollywood mythology talk to China
Zhang Hongyou: Focusing on the "Return to ancestors" of modern pop culture
Dialogue
Li Qian: Yang Rongchang's world of literary criticism does not have "can't"
Yang Rongchang: Deliberately avoid becoming an "expert"
Wang Meichun: Three points of view of Wang Zhiqing's Thirty Years and "Tang Poetry Zhenpin"
Wang Lan: It seems that I am not reading academic works
Hook fun exam
Chen Dedi: The three fathers and sons of the Two Han Dynasties
Hong Guanghua: This conclusion should be debatable - looking back at the history of Chinese historiography from Liu Jie's data
Towards the accident real
Liu Yunfeng: Sun Li's "First Record of the Wind and Clouds" and Lin Pu's illustrations
Liu Mo: Three Tsinghua Gardens in beijing's history
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