laitimes

He was a typical literati calligrapher| works were not allowed to leave the country in principle

He is one of the founders of modern literature, historian, calligrapher, chinese new poetry, one of the founders of Chinese historical drama, known as one of the "Four Great Masters of New China", and an encyclopedic cultural giant.

He is Guo Moruo, an important standard-bearer of the new cultural movement.

He was a typical literati calligrapher| works were not allowed to leave the country in principle

Guo Moruo is a famous archaeological calligrapher who has studied oracle bones. His biographical works are rich, and he has published the Complete Works of Guo Moruo. His calligraphy is proficient in grass, taking many methods and transporting his own intentions, thus forming his unrestrained, agitated and heroic style of writing, which was once respected by the world.

He was a typical literati calligrapher| works were not allowed to leave the country in principle

Winter Wind Guo Moruo

In terms of artistry alone, Guo Moruo's calligraphy inherits from Yan Shu, the pen is refreshing and free, the luck is transformed, and the form and spirit are both, which is very commendable and worthy of learning. And the four words "Bank of China" inscribed by him on this point are proof of this.

In line with his solid learning, Guo Moruo has also achieved brilliant achievements in the art of calligraphy and occupies an important position in the history of modern calligraphy.

Guo Moruo's exploration and practice in the art of calligraphy has lasted for more than 70 years. The calligraphy of the young Guo Moruo was recognized by society and began during the Xinhai period. Ten years later, his famous collection of poems, The Goddess, and other collections of works came out, making his book style visible to a wider audience. After the founding of New China, Guo Moruo engaged in richer calligraphy creation in addition to heavy state affairs. Especially in the 1950s and 1960s, he left countless ink marks for places of interest and historical sites, industrial and mining schools, as well as friends from all walks of life and at home and abroad. His calligraphy works are numerous and influential.

He was a typical literati calligrapher| works were not allowed to leave the country in principle

Wing Wu Zetian Guo Moruo

To some extent, If Guo Mo is an all-rounder, writing with a brush in his time is the mainstream. Therefore, Guo Moruo has also achieved high achievements in calligraphy, and the world calls it "Guo Body". He took "turning back to the front, reversing the inward and flat exit" as the key to writing the book. Its book style is both heavy and innovative, showing a bold creative spirit and vivid characteristics of the times.

Guo Moruo is known for his grass, his pen power is refreshing and free, and his luck is transformed; although his calligraphic works do not survive much, they also see their skill, and they are full of qi and pen ends, and they have both form and spirit. Some people commented that his calligraphy style is both heavy and innovative, showing a bold creative spirit and vivid characteristics of the times.

Leader Ode Guo Moruo

From the perspective of style, Guo Moruo's calligraphy has the style of "Song Sijia", whether it is used in pen or knot, it has the meaning of Su Shi, Huang Tingjian, Mi Fu and Cai Xiang, but it has its own unique personality. During the War of Resistance Against Japanese Aggression, Guo Moruo studied a large amount of calligraphy, and gradually formed his own style of calligraphy.

From the perspective of a calligrapher, Guo Moruo can be described as a model of literati calligraphy. In his calligraphy works, there is a cultural atmosphere and bookish atmosphere everywhere, with hills and ravines in his chest and a trickle at the end of the pen. His calligraphy and his poems, texts, etc. are integrated with each other, complementing each other and full of endless charm.

He was a typical literati calligrapher| works were not allowed to leave the country in principle

Chinese bookstore Guo Moruo

In 1930, he wrote "Research on Ancient Chinese Society", which proved that China had also experienced primitive society, slave society and feudal society by citing historical documents of the time and Marxist assertions on the development law of human sociology, and Guo Moruo thus created the materialist school of history in China, which has since occupied the mainstream position in Chinese academia.

On March 21, 1962, Guo Moruo published an article in the People's Daily: "The Lord of the East was born, the emperor was shocked, so Taishan was well-known." Since the Qin and Han dynasties, successive emperors have been enshrined in Zen, that is, worshipping Mount Tai, which is one level higher than the emperors, so no one dares to despise Mount Tai... Taishan should be said to be a partial microcosm of Chinese cultural history. Taishan culture has been properly summarized historically, and Guo Moruo has also been described as the "god of Taishan" by Zhou Yang, a famous literary and art theorist on the mainland.

He was a typical literati calligrapher| works were not allowed to leave the country in principle

Guo Moruo (1892-1978) was born on November 16, 1892 in Tonghe Shawan, Leshan County, Sichuan Province. In 1914, Guo Moruo studied medicine in Japan and studied medicine at Kyushu Imperial University.

In 1921, the first new collection of poems, The Goddess, was published. In 1930, he wrote Studies of Ancient Chinese Society. In 1949, Guo Moruo was elected president of the All-China Literary and Art Society. He once served as a member of the Central People's Government, vice premier of the State Council and director of the Cultural and Educational Committee, vice chairman of the Standing Committee of the National People's Congress, president of the Chinese Academy of Sciences, director of the Department of Philosophy and Social Sciences of the Chinese Academy of Sciences, director of the First Institute of History, chairman of the Chinese Committee for the Defense of World Peace, honorary president of the China-Japan Friendship Association, president of the University of Science and Technology of China, chairman of the China Federation of Literary and Art Circles, and was elected as a member of the Ninth, Tenth and Eleventh Central Committees of the Communist Party of China, and vice chairman of the Second, Third and Fifth National Committee of the Chinese People's Political Consultative Conference.

He was the chief editor of the "Manuscript of Chinese History" and the "Oracle Bone Collection", and all his works were compiled into 38 volumes of the "Complete Works of Guo Moruo".

He was a typical literati calligrapher| works were not allowed to leave the country in principle

Rong Baozhai Guo Moruo

He was a typical literati calligrapher| works were not allowed to leave the country in principle

Construction Guo Moruo

He was a typical literati calligrapher| works were not allowed to leave the country in principle

Guo Moruo

He was a typical literati calligrapher| works were not allowed to leave the country in principle

Works by Guo Moruo

He was a typical literati calligrapher| works were not allowed to leave the country in principle

Works by Guo Moruo

He was a typical literati calligrapher| works were not allowed to leave the country in principle

Works by Guo Moruo

He was a typical literati calligrapher| works were not allowed to leave the country in principle

Works by Guo Moruo

List of works of famous calligraphers and painters after 1949

In principle, works are not allowed to leave the country (25 people):

He was a typical literati calligrapher| works were not allowed to leave the country in principle

Chasing deer in the painting world, who can make the list

The list of "2021'Art Weekly" Painting World Awards:

Read on