It is said that sungai spring is still good, and it is also intended to pan a light boat. I am only afraid of the Twin Streams Ship Boat, and I can't carry many worries.
—— Li Qingzhao, "Wuling Spring"
This Song Dynasty female lyricist Li Qingzhao's love poem, the lyricist borrowed the twilight spring scene to chat about the thoughts, and then vividly expressed the deep bitterness and sorrow in the depths of the heart. The whole word is blended, the language is beautiful, the reading is touching, and there is a beauty that is exhausted and inexhaustible.
Love, parting, and lovesickness are the eternal themes in the creation of ancient Chinese poetry. However, before Li Qingzhao, it was rare to truly come from the hand of a female lyricist, and it was rare to be able to express the emotions in the boudoir with pure emotion and elegant style.
Li Qingzhao put forward the creative concept of "words are one family", and she even said that "the world makes plum words, and the next pen is customary." To try to write one is to know that the preface is not presumptuous. Commenting on Liu Yong's words, she bluntly pointed out: "Although the consonant rhythm, the words are dusty." ”
It can be seen that Li Qingzhao is well versed in the techniques of filling in the word composition, whether it is the language content or style, she especially advocates elegance and rejects vulgar word styles. In the era when male lyricists occupied the word scene, Li Qingzhao could really be said to be a maverick big lyricist.
In Li Qingzhao's lyrics, there is a very chic small word "Butterfly Love Flower", although this song is also written in the boudoir, but it is a poetic description of the living environment, and the emotions in the words flow out from the subtleties of women's lives.
Although the meaning of this poem is not shocking, calm as water, it is blended in the silk and filled with delicate emotions, which is refreshing and moving to read. The original words are as follows:
Warm rain and sunny wind first broke the freeze, willow eyes and plum cheeks, has felt the spring heartbeat. Who shares wine poetry? Tears melted the powder and the flowers were heavy.
At first try the jacket gold strand seam, the mountain pillow is oblique, and the pillow is damaged. Alone with thick sorrow and no good dreams, the night is still cutting the lights and flowers.
In the opening three sentences, the lyricist looks outside and writes from the spring scene. But in the early spring, the spring wind and rain, the spring light is pleasant, the earth is revived, the tender willows are beginning to grow, such as the eyes are slightly open, the plums are blooming, like fragrant blush, and everywhere is a beautiful scene of spring harmony and harmony.
"Warm days and sunny winds break the first freeze", revealing the climatic characteristics of spring. The change of seasons is the most likely to touch people's sensitive nerves, causing drastic changes in emotions, how many poetic masterpieces, how many famous sentences that have been sung throughout the ages, all of which are born through this object.
The same is true of the amorous female lyricist Li Qingzhao, who keenly perceives the arrival of spring, the drizzle flutters in the air, the courtyard and the terrace have fallen on a layer of fine raindrops, and some raindrops have also fallen on the tip of her hair and ears, which is a feeling of "wet clothes". At this time, the spring rain does not have the cold and cold of the late autumn, but there is a little more warmth, and this warmth is buttoned and haunts the heart.
In the spring, not only the rain, but also the wind is infected by the spring light, has to slow down its speed and rhythm, has to weaken its strength and intensity, at this time, the spring wind, into an empathetic little cute, with the slightest sweetness and warm thoughtfulness, tempting the female lyricists in the boudoir.
Spring is coming, the spring rain is silent, the spring wind is a light breeze, and the outdoors seem to be a gentle sunny weather. But the turning point of "first break", a "first" word, reminds the unexpected emotional experience brought by the spring that arrives as scheduled, and a "broken" word further reveals the alternation of seasons and natural phenomena from winter to spring.
In this way, this turn after the warm rain and sunny wind seems to be really what the writer deeply feels, and it is also what she wants to say and rest. The mood of the whole word and the mood of the lyricist are all inexplicably and uncertainly related to this warm and cold spring.
Although the weather is warm and cold at first, spring has overwhelmed the sky, the glaciers have melted, and even the hardest barriers can stop the breath of spring.
The vitality of spring is unstoppable, she is always inadvertently, showing people a smile and releasing the message of spring - willow eyes plum cheeks: the willow tree has just sprouted, the buds are like the hazy sleeping eyes of the beauty, and the soft petals of the plum blossom are more like the shy cheeks of the beauty, the shyness revealed in the pink, intoxicated and not self-sustaining.
"Willow eyes and plum cheeks" and "warm rain and sunny wind" are the lyricists who use their talents and feelings to delicately depict her aesthetic feelings for the recovery of all things with an anthropomorphic rhetorical techniques. "Willow eyes" means that the young leaves of the willow are like the sleeping eyes that have just opened; the "plum cheeks" creatively portray the vivid image of the opening of the early plum.
Plum blossoms first bloom and then grow leaves, and often two flowers come out together, or pale red, or pink, Li Qingzhao uses the girl's cheeks to compare the early blooming plum blossoms, which can be described as ingenious and unique, with both shapes and gods.
Although the willow eyes and plum cheeks are the anthropomorphic of natural scenes, but also involving puns, clearly set off the same mood and beautiful vision of the woman in the word, this is the most nostalgic and unwilling place of spring, spring can always bring hope, no matter who it is, even if it is instantaneous, so there is spring heart.
What are the consequences of spring heartbeat? No one knows, but it must be an emotion that makes people's hearts extremely anxious and depressed because of multiple feelings and more hopes. Good things are short-lived, or they are more beautiful because they are short, so that people have no time to mourn, and it is enough to quietly perceive its beauty.
Standing at the beginning of spring, immersed in the haunting life of spring, as far as possible to see, to feel, to have, a warm current like a gushing spring, flowing through the whole body, through the place, spring wind and rain, and finally converged into a pool of spring water, this pool of spring water in reality is also the depths of the soul.
How do you describe the beauty of spring? It is the visual experience of "grass warblers flying on February days, blowing willows drunk with spring smoke", or the subtle feeling of "wet apricot blossom rain, blowing noodles and not cold willow wind". When this grass is long and the warbler is flying, when this miscellaneous peanut tree is planted, the good people and the good hearts are eager to enjoy the good times, and the premise is to spend a good time with the beloved.
At this time, the weather is the most suitable for outings to step on the spring, once you go outdoors, you can easily harvest a good mood, lakeside, pastoral, spring mountain, a close stroll within the line of sight, you can feel the immersive spring experience, which is a worthwhile experience in the world. Because in this immersive experience, the eyes are full of spring colors, and the spring colors are full of vitality.
In this beautiful spring light, if there is a loved one by his side, it will be even happier. Spring is more meaningful because of the company of a lover, otherwise, even if there is a beautiful scenery, no one shares, it is all fiction; even if there are a thousand customs, no one tells, it is also a one-way rush. In a relationship, only one partner is trying to maintain, moving closer to the other, unilaterally giving without getting a response.
Therefore, the female lyricist who stayed alone in the empty boudoir saw the willow color and suddenly felt emotional, Li Qingzhao, because of the arrival of spring, had the hope of witnessing the romance and beauty with her husband Zhao Mingcheng, and also gave birth to the romantic idea of going to drink and enjoy the literature and poetry together, and her beautiful romantic emotion could not attract a response.
Because it is too romantic and too beautiful, and it is rare to be satisfied in reality, the person in her heart cannot appear beside her when she is flooded with lovesickness, when she needs companionship.
The love between Li Qingzhao and Zhao Mingcheng was originally two-way. At the beginning of the marriage, Zhao Mingcheng was still studying hard in his career, and every time he took a vacation, he would bring surprises to Li Qingzhao, because on his way home, he would buy antique books at Xingguo Temple, and he would also buy some gifts for Li Qingzhao. After returning home, they appreciated antiques and read ancient books together. It was a qianying with eyebrows raised, it was a life of mutual affection, such a life was Li Qingzhao's favorite, and it also made her reminisce about her life.
Later, Zhao Mingcheng went to work in other places, and Li Qingzhao stayed alone in the empty boudoir, how could this temporary interruption of life not make the lyricist feel unbearable spiritual loss?
The delicate and sensitive thoughts and perceptions of the female lyricist are further strengthened, and in the face of such a good spring light, they naturally think of themselves alone in the deep boudoir, lonely and lonely, which is in strong contrast with the warm atmosphere of playing with golden stones, cooking tea and boiling wine, and appreciating poetry in the past with Zhao Mingcheng.
A sentence of "who is with the same" expresses the bitterness in the heart of the writer at this moment; then the lyricist uses a detail to further describe his inner bitterness, tears flow, the incense powder on his face dissolves, and the mood is so heavy that he feels that the flowers worn on his head are also heavy.
Beautiful scenery leads to beauty, and beauty leads to beautiful wishes, and the only thing that greets beautiful wishes is disappointment or even despair. Therefore, the unspeakable anxiety of the writer is not only due to the husband's long journey, but has a universal nature, and what she regrets is that her husband is not around, and she cannot complete the spiritual journey and emotional resonance with her.
Therefore, Li Qingzhao will issue the question of "who is with whom the wine is poetic". It is not so much a question as a rhetorical question and self-pity, a sentimental statement that knows that no one has shared this romance of drinking and enjoying spring with him.
However, after all, spring has come, and the body that has been wrapped in winter also needs to breathe and absorb a hint of spring, so the writer also has the move to change spring clothes: "At first try the jacket golden seam.". The jacket is a kind of Spring and Autumn house clothes often worn by aristocratic women in the Tang and Song Dynasties, and the outer fabric is slightly thicker, different from the summer thin as light gauze robes, the inside is made of silk, the straight collar is placket, long and knee-length, and decorated with a pattern.
Spring clothes sewn with gold wisps were undoubtedly a must-have for the upper class at that time, and this style of clothing was worn on the fabric according to the pattern of the pattern embroidered in advance.
Wearing a spring dress sewn with gold wire shows the status and identity of the female lyricist. Li Qingzhao is everyone's bridesmaid, the pursuit of exquisite life, although her life is rich and leisurely, but it can not drive away the inner loneliness and lovesickness. So, she walked alone and was bored.
"Mountain pillow oblique, pillow damage phoenix", mountain pillow, is the ancient boudoir women's bed must be bedding. The mountain pillow is actually shaped like a mountain, with a small upper width under the pillow surface, a low upper and a low side of the upper middle, and a downward arc.
The reason why it is called a mountain pillow is also because it is made of ceramics, crystals, gemstones, etc. The shape of the mountain pillow is ruyi-shaped, leaf-shaped, etc., and its small and large shape is just to support the woman's cloud-like hair, and it will also play a role in supporting the hairstyle.
Plutonium phoenix, is a more popular female hairstyle at that time, the bun is large and spread to both sides, when sleeping, with the hair pin fixed, not pressed under the pillow. Therefore, the words describing the woman's boudoir are also often mentioned, and the gentle tapping sound made by the hair and the mountain pillow touching was once the boudoir scene that the lyricist was keen to describe.
The writer cannot sleep, because of the heavy heart, because of the reclining, because of the reclining, because of the reclining, As a result, the phoenix-shaped pliers broke when it hit the hard mountain pillow. The spring is warm and sunny, and the spring clothes are first tried, but the writer does not leave the house to enjoy the beautiful spring scenery, but reclines on the mountain pillow, so that the exquisite plutonium is crushed.
This is the girl's spring sorrow and lovesickness, cold, lonely, blank, bitter. In addition to lovesickness or lovesickness, except loneliness or loneliness. In the words, the woman cannot bear the torment of lovesickness and loneliness, and until the night is quiet, she still cuts the lantern flowers to dispel sorrow.
The sorrow is so intense that even in her dreams it is a sad sorrow, and this torment of the woman makes her feel afraid, she is afraid of falling asleep, afraid of dreaming. And she has a deeper understanding of this constant sorrow than others.
Sorrow is a mental activity, invisible, unable to capture, difficult to describe, and the lyricist regards it as
Tangible and weighty objects can be held, which also reflects Li Qingzhao's super-flying talent and extraordinary talent from one side, and I remember that in another prime minister's poem "Wuling Spring", he once used a wonderful metaphor "only afraid of the Sungai ship boat, can not carry many sorrows" to describe and express the sorrow of the belly.
The writer is tired of sleeping day after day, and she may have thought of escaping. So, in the dead of night, she is still cutting candle flowers, and when the candle burns for a certain time, there will be a black twister, and only by cutting it will the candle shine again.
But cutting the lamp flower undoubtedly takes time, and the lyricist uses a "get" word to vividly portray a kind of boring behavior and the consumption of time: the lonely image of the female lyricist crouching in front of the lamp in the middle of the night and cutting the lamp flower once and for all comes to mind, which is moving.
This is a woman who cherishes spring, a romantic and sensual woman, a woman with culture and elegance, and a woman who strives to work side by side with men, otherwise, how can she have the luxury of wine and poetry?
But she is also a woman who has a meticulous feeling for life and exquisite requirements for her place, and she has tried on spring clothes, the embroidery on her clothes, the exquisite mountain pillows and phoenixes, all of which convey such a message to the reader.
In particular, it is worth mentioning that the lyricist uses the three typical details of life, namely trying on spring clothes, leaning on a mountain pillow, and making lights at night, to portray her lonely feelings in layers and in many ways, and turn the inner loneliness of "wine poetry who shares" into a vivid visual image. Especially in the last two sentences, cutting the lights late at night is not only to dispel the sorrow, but also to reveal the ardent expectation of the husband's early return.
Li Qingzhao's love words, through the familiar scenes and things in daily life, coupled with fresh and natural language, with timeless and gentle rhythms, showing subtle and profound thoughts and emotions, her melancholy art has pushed to another peak.
In the words, Li Qingzhao is even more delicate in the feminine delicate emotions and thoughts, with her flying talent and flying talent to add a plant of Qihua Yao grass to the fragrant Song Ci Hundred Garden.