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Year of the Beam Tree
（1911—2005）
Meidou Village
Famous art educator
Theoretician, seal engraver and poet
Mr. Liang Shu's paintings were once known as "Liang's Huangshan Mountain", which is the embodiment of the perfect combination of the majesty of nature and the magnificence of the spirit; the "Tree Year Pine", named after the world, shows a vast ode to life.
Liang Shunian once said: "Mountaineering is not a road, the valley is beautiful and cloudy, after all, the high and wide eyes, good mountains and good waters are now countless." Liang Shu Nian inherited the traditional landscape painting "full of food" style of creation method. His view of life is very different from many people's.
He went to nature, rarely sketched, even if he painted, it was minimalist, but mainly to observe, feel, and understand the situation of mountains and rivers, the weather at four o'clock, the yin and yang to the back, the virtual reality near and far... Discover the beauty of nature and experience the charm of the mountains and trees.
Therefore, his landscape paintings can be born out of tradition, so that the swimming changes of pen and ink are in harmony with the life order of nature, and his mastery of traditional pen and ink makes his works very charming in both technique and temperament.
Throughout the history of Chinese painting, the success of those masters who founded the sect is always inseparable from two factors: one is the ancient master, and the other is the creation of the master. The ancient shi is embodied in the inheritance of tradition, and the master is based on the objective material world as the source of artistic creation.
Mr. Liang Shunian, a professor at the Central Academy of Fine Arts, is a late-blooming painting master who follows this creative law. In his creative career of more than 60 years, he has been quietly working hard, regardless of fame and fortune, and adhering to his painting ideals. He was humble and thick-hearted, and finally reached the peak of his career in his later years, becoming a generation of masters in the contemporary Chinese painting world. His success has also once again proved that artistic innovation should be based on the ancients, traditions, and creations, and the transformation of the ancients. It also proves that art is the sublimation of the artist's life spirit.
Appreciation of Liang Shu nian Huangshan works
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