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After watching Li Hanxiang's Shaw film "Wind and Moon Strange Tan", it consists of three stories - catching adultery, marriage, and adulterous trees. The 70s film, it looks funny, the absolute bottom view,

author:Pure Universe A

After watching Li Hanxiang's Shaw film "Wind and Moon Strange Tan", it consists of three stories - catching adultery, marriage, and adulterous trees. The film of the 70s looks very funny, the absolute bottom perspective, the story of stealing and retribution.

The most impressive are the following:

1. After the porcelain shop owner successfully caught the adulterous wife and sledgehammer, he passed the trial in the county government lobby, and the naked woman in the bag became the adulterer's wife.

It turned out that the lawyer had colluded to arrest the fast.

What's really funny is the ending of the adulterer's sledgehammer - the wife is toyed with. The green hat was finally put on his head.

I really don't understand why the blacksmith sledgehammer should steal affection, knowing that he also has a woman and is very harmonious. It's a bit of retribution.

2. The pawnshop owner has money and lust, so he is wearing a green hat, which is purely a curse of spiritual emptiness.

Although it is important to have money, what is more important is to stick to the right life and pursuit. Materialism and lust are soft knives that kill people. Don't be careless.

3. The pawnshop guy has a lot of eyes, and is bad, stealing love with the boss lady, not to mention, but also swept away the boss's belongings.

It's hard to do business, it's hard to trust. Therefore, there is a reason why the family business can become bigger. After Zong Qinghou's wow haha, Ren Zhengfei's Huawei, will become bigger and stronger in the future, and create a steady stream of wealth on The land of China for a long time.

4. In maladjustment, a 24-year-old woman marries a 14-year-old boy, which now seems a bit ridiculous. In ancient China, perhaps it could not have been more reasonable. In order to pass on the generations, the father became a grandfather and held his grandson earlier. Four generations in the same church, or even five generations in the same church, is the pursuit of the Chinese tradition. Culture can best shape people's spirits, and wrapping small feet, concubines, and passing on generations (ancestor worship) are all cultural traditions that have influenced Chinese for thousands of years.

5. To sum up: lust hurts others and harms oneself, wealth makes people confused and degenerate, and prudence can avoid disasters.

Li Hanxiang's fengyue film seems vulgar, but in fact, it is the same as the perspective of Ling Mengchu and Feng Menglong's "Three Words and Two Beats", the bottom perspective, and the Buddhist view of retribution.

Watching the film 50 years ago, many shots are very smooth, skillful, not easy. No wonder it is called "the first person in the Hong Kong and Taiwan film industry".

Lee Han-hsiang (李汉祥, 18 April 1926 – 17 December 1996), nicknamed "Lee Hei", was a Hong Kong film director who directed films in Hong Kong, Taiwan and Chinese mainland. His works are famous for palace films and historical films, and have won many Asian Film Festivals and Golden Horse Awards. Representative works include "Xi Shi", "Liang Shanbo and Zhu Yingtai", "Burning Yuanmingyuan", "Hanging Curtain listening to the government".

After watching Li Hanxiang's Shaw film "Wind and Moon Strange Tan", it consists of three stories - catching adultery, marriage, and adulterous trees. The 70s film, it looks funny, the absolute bottom view,
After watching Li Hanxiang's Shaw film "Wind and Moon Strange Tan", it consists of three stories - catching adultery, marriage, and adulterous trees. The 70s film, it looks funny, the absolute bottom view,
After watching Li Hanxiang's Shaw film "Wind and Moon Strange Tan", it consists of three stories - catching adultery, marriage, and adulterous trees. The 70s film, it looks funny, the absolute bottom view,

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