Text/Photo By Zhang Yaozhong
Chinese calligraphy and painting, as the name suggests, is China's calligraphy and painting, but also the pride of China, but also the pride of Chinese, in the fusion of Hanmo and classics, understand the way of life, pursue a quiet, simple, calm inner state, and welcome a new life.
Ma Shuxia has been painting for many years, attaches great importance to the feeling of sketching, and makes good use of the form of multiple works to capture and recall the ever-changing moments in the light, and express her feelings for the real society. Ma Shuxia donated Chinese paintings in the second "Pomegranate Cup" Exhibition of Ethnic Calligraphy and Paintings in Gansu Province, and the works of "Flower and Bird Series" also added a sense of layering.
The flowers are colorful and very contemporary, and the beauty lies between the similar and the unlikely.
Ma Shuxia's paintings use ancient colors and condensed lines, and paint lifelike roosters next to the curtains to present the taste of nature, especially the work "Grapes" hanging in the long sky before the scorching heat, the jade beads of the Gouzo Canyon are hanging. It is difficult to find a glitter in the boudoir, and it is full of color under the shelf.
Ma Shuxia, female, Hui, Zixia, the master of the second Miao. Born in November 1962 in Pingliang City, Gansu Province, he is a retired cadre of the Tianshui Civil Affairs Bureau. He is a member of the Gansu Muslim Calligraphy and Painting Association and a member of the Tianshui Beauty Association. Since childhood, he loved to draw, but due to the compulsion of work and life, he has not been able to pick up the paintbrush, and in recent years he has begun to work with famous artists, seeking the guidance of painters, observing sketching in the field, and gradually forming small paintings based on poultry and grapes.
If compared with landscape painting and figure painting, the expressive subject matter and depicted objects of flower and bird painting obviously have a more real and specific objective basis. Therefore, paying attention to shape, paying attention to sketching, and respecting the inherent laws of natural physical state and ecology are the proper meanings of flower and bird painting creation.
Life is like a painting pen, and life is the pure white rice paper, in this colorful world, I only want to paint the color of the heart, a quiet and beautiful poetry and distance, a picture of life without regrets.