How to teach yourself calligraphy?
Historically, there have been different methods of scholars, and many have achieved success,
The rules for summarizing these successful people can be as follows:
The Treatise of the Sages is the basis for writing
Historically, the theories of books have been the lessons summed up by the writers of all generations, and after hundreds of years of practice by the writers, the books that have been handed down to the world are all classic laws, so as not to repeat the old mistakes.
Write first, then calligraphy
The essence of calligraphy is still writing, and at the beginning, it is recommended to study hard from a practical direction, including the basic orthography of Chinese characters, stroke order, and the elegant smoothness of the writing content, and the art appreciation is supplemented by avoiding the inversion of the cart before the horse.
Pro-postings are always throughout
Historically, the successful writers are all pro-post, the ancients' Fa-ti is the standard of calligraphy, penmanship, knots should have a history, in order to be able to enter the elegance, long-term unremitting posting and creation, is the most effective and direct trace of the ancients a shortcut. Of course, the "thesis" here is worthy of being a law book worth emulating, and there are many inscriptions of the ancients, which requires insight and learning from the best.
Start in zheng italics
The ancients' Fa Ti, true (楷), grass, li, seal variety of types, from where is the most appropriate to start? Historically, scribes (book scholars) have spoken differently and have different understandings. I think that, relatively speaking, the main book is the foundation, and it is more appropriate to start with the letter, the letter, and the seal book:
1. For beginners to learn calligraphy, they should first pay attention to the rules and laws before they can enter the right track.
The eight laws of the book (horizontal, vertical, skimming, pinching, pointing, hooking, picking, folding) are complete, the most stringent, and in this way, they can be regarded as strict teachers and strict teachings, and they will be able to improve. The strokes are steady, such as slow motion, one move and one style, all intact and in place, and standardized. Its dot painting and structure are very delicate, and they can best train basic kung fu and cultivate a non-impetuous state of mind. It is the right way to attain the Dhamma and get started. Pan Tianshou, a close friend, said it well: "When you start learning calligraphy, you must seek the law, to be formal, and to start with the right letters." ”
2. Beginners should follow the order, first static and then moving, in order to improve efficiency.
Standing in the air, the weather is calm. The line is like a line, the grass is like running, and the weather is flying. After learning calligraphy, and then learning to write and cursive, it is first static and then moving, in line with the operating procedures, more convenient for conversion. Therefore, Su Dongpo of the Song Dynasty said very philosophically: "Calligraphy is prepared in the main book, overflowing into the grass." If you fail to write the right book, but can practice grass, you have not tasted the zhuang language, and you have not been able to speak, and there is no way to do it. The Tang Dynasty man Zhang Jingxuan even said sternly: "When you first learn books, you must first learn the real books. If you don't learn the true book first, you will learn the vertical body, and after becoming the suzerain, you will learn the true body, and it will be difficult to achieve it! ”
3. Beginners should start from the convenience of calligraphy in order to see the results early.
In the timing of the formation and evolution of Chinese character scripts, italics are the last typed font, and it is the most widely used and popular font we use today. We are more familiar with its appearance, and from this point on, we have reduced the difficulty of identification than starting with the seal, the affiliation, and the grass (line). And learning immediately benefits daily practicality, and has one more result, why not enjoy it?
Brushwork is the key to learning books
"Brushwork is the method of writing dot paintings with pens" (Shen Yinmo's "On books"). "Calligraphy is based on the use of the pen, and the knot character must also be worked, and the knot character is passed down from time to time, and it is not easy to use the pen for eternity" (Zhao Meng, "The Thirteen Treks of Lanting"). "The magic of calligraphy is all about carrying pens. It should be done in all directions. The manipulation is extremely skillful, and it has its own ingenuity" (Kang Youwei, "Guangyi Zhou Shuangyi"). For the penmanship, the ancients gave it a very high evaluation and great importance, because it is the key to writing. Writing is different from the pen, or brushing, or crossword, or painting duck...
Penmanship, in the process of application, is manifested as lifting, pressing, twisting, turning or making, turning, slowing, disease, etc., and on the handwriting (ink) written, it is expressed as light, heavy, round, square or continuous, broken, moist, irritable and so on. This is the display of artistic style, it is the depth of artistic language, and the difference is thousands of miles. The exquisite, rich and complex brushwork cannot be ignored and is also very laborious. Mastering the writing method of various gestures, the dot painting is more varied, and the writing is more vivid. If you can use it freely and enter it, it can be said that you have mastered the key to calligraphy.
Pay attention to the practice of the inner work of the word
Ancient calligraphers were literati, and today's "calligraphers" can be described as overflowing. Learning calligraphy to a certain stage ultimately determines the height of the bookkeeper or the cultivation, and the richness of the learning determines the artistic height of the person. The so-called internal gong refers to the study and accumulation of traditional culture such as traditional Chinese studies and art, which need to be built with efforts.
Perseverance in learning
Mi Fu said: "A day without writing a book, I feel astringent, thinking that the ancients did not taste the piece when the book was also abandoned." "Learning books can not be exposed to ten cold, the ancients have a daily lesson of three thousand, and daily posting is a necessary way to improve their own artistic standards."
Water comes to fruition
He Shaoji said: "The scribe must set up his own portal, and its purpose is to forge the ancients and become a family of its own." The ultimate goal of learning a good tradition is to transform and apply it. This "transformation" is a natural, natural process that can be done without deliberate.
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