Re-reading the familiar works with classic significance since the founding of New China and appreciating the creations of the artistic talents who grew up during the reform and opening up period made us feel proud and proud of our cultural self-confidence.
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At the beginning of the 20th century, Great social changes took place in Chinese society, and how did fine arts adapt to social progress and meet the aesthetic needs of the broad masses of the people. Comrade Mao Zedong published "Speech at the Yan'an Forum on Literature and Art" in 1942, on art from life, higher than life, art serves the people, on the basis of popularization, under the guidance of improvement, popularization, ancient for the present, foreign for the Chinese use and other expositions, only to point out the direction for the development of Modern Chinese art.
After the founding of the People's Republic of China, the "two for" direction and the "double hundred" policy formulated by the Party Central Committee are the basic principles for promoting the development of art. In the 1950s, in order to enable the masses of the people, including hundreds of millions of illiterate and semi-illiterate people, to enjoy fine arts, and in accordance with the spirit of the instructions of the Party Central Committee, the fine arts circles and publishing departments decided, after investigation and study, to vigorously develop comic strips, New Year paintings and propaganda paintings that were easy to disseminate among the masses. Among them, comic strips, which are mainly pictures and supplemented by words, can not only disseminate cultural knowledge, but also popularize aesthetic education, which are especially welcomed by the masses.
In the mid-1950s, Li Keyan, Fu Baoshi, Shi Lu, Zhao Wangyun, Guan Shanyue and other famous artists went out to sketch, setting off a wave of sketching in the national art circles, creating many new works that reflected the appearance of the mountains and rivers of the motherland, and promoting the progress of Chinese painting.
In the early days of reform and opening up, Chinese art was impacted by Western modernist art, and the academic discussion on how Chinese art should move towards modernity in the art world made everyone realize that the modern innovation road of Western art is worthy of our study, and some of these concepts and techniques can be appropriately borrowed, but it is anti-traditional radical ideas and some practices that violate the laws of art, should not become a model for us to learn, Chinese modern art should be based on traditional culture, starting from the aesthetic needs of people in real society, with reference to international vision. Explore your own way forward. Chinese artists treat them with a peaceful and calm attitude, and pay attention to and absorb some of the new achievements of their use of new information media to enrich the means of artistic creation, which are used by me. They firmly believe that traditional artistic expressions that emphasize both reason and feeling have more eternal value. The art creation that belongs to the visual art relies on the form to carry thoughts and feelings, stimulate people's vision and move people's hearts, and only the creator uses the heart, eyes and hands to cooperate in the creation, the work can have a moving and heartfelt artistic appeal.
The reason why New Chinese art can be unique in the world art world is precisely because the artist has a deep understanding of the history of art development and has the self-confidence of national culture with strong traditional Chinese culture as the backbone. China's thousands of years of excellent art tradition is a fertile soil for cultivating fine arts with the characteristics of the Chinese nation and the times, as long as we take root in national traditions, face the surging real life, adhere to the "two for" direction and the "double hundred" policy, adhere to creative transformation and innovative development, China's art theory research and creative practice in the new era will achieve greater achievements. Today we come to share the paintings of Wu Zuoren, a famous painter in modern and modern times.
Wu Zuoren (November 3, 1908 – April 9, 1997), male, a native of Xuanchengjing County, Anhui Province, was born in Suzhou, Jiangsu Province, joined the Department of Architecture of Suzhou Industrial College in 1926, and studied at Shanghai University of the Arts, the Fine Arts Department of Nanguo Art College and the Art Department of Nanjing Central University from 1927 to early 1930, where he studied under Mr. Xu Beihong and participated in the Southern Reform Movement. In his early years, he studied sketching and oil painting, and in his later years, he specialized in Chinese painting, with a broad realm and far-reaching meaning, integrating Chinese and Western art with a condensed and accurate image, and was another leading figure in the Chinese art world after Xu Beihong.
Wu Zuoren served as provost, vice president and dean of the Central Academy of Fine Arts, and vice chairman of the China Artists Association. He was elected as a deputy to the First to Sixth National People's Congress, a standing committee member of the Sixth National People's Congress, a standing committee member of the Seventh Chinese People's Political Consultative Conference, a member of the Standing Committee of the Central Committee of the China Democratic League, and the director of the Cultural Committee. He was formerly a professor and honorary dean of the Central Academy of Fine Arts, and the chairman of the China Artists Association.
His major works include: "Peony Flower", "Lilac Flower and Spring Flower", "Yellow River Sanmenxia , Mainstay of the Mainstream", "State Farm Workstation on the Outskirts of Beijing", "Qingdao Seaside Park", "Battlefield Yellow Flowers Are Extraordinarily Fragrant", "Plateau Evening", "Autumn in the Tianshan Mountains", "Tibetan Women", "European Little Girls", "Meeting", "Sewing", "Reading to Grandma", "Porter", "Tibetan Girl Negative Water", "Portrait of Women", "Hatred", "Peasant Painter", "Old Man Portrait", "Qi Bai Stone Statue", "Little Girl Playing Arrow Furnace", "Grassland Cloud Rain", "Flower Bird", "Camel", "Panda", "Snow Mountain Thousand Miles", "Thousand Miles of Snow Mountain", "Thousand Miles of Snow Mountain", " Liberation of Nanjing Outside", "Jialing Riverside", "Peony Flower", "War", "Dalian Xinghai Park", "Grassland Scenery", "Yellow River", "Running Bull", "Cursive Turtle Although Shou", "Ganzi Snow Mountain", "Mao Zedong", "Ship Dock", "Port", "Eagle Yang WanliTu", "Qi Forge Ahead", "Goldfish Map", "Wuyi Mountain", "Heavy And Far", "Heaven and Earth", "Ren Chong Tread a Thousand Journeys", "Qiancheng Desert North", "Sun Yat-sen and Li Dazhao", "Over the Snow Mountain" and so on.
The famous Chinese painting master Wu Zuoren's "Peony Flower" appreciation
Wu Zuoren, Peony Flower, 51×40.5 Oil on canvas, 1957, National Art Museum of China.
The famous Chinese painting master Wu Zuoren's appreciation of "Lilacs and Spring Flowers"
Wu Zuoren, Lilacs and Spring Flowers, 77×91 Oil on canvas, 1955, National Art Museum of China.
The famous Chinese painting master Wu Zuoren's "Yellow River Sanmenxia , the Mainstay of the Mainstay" appreciation
Wu Zuoren, "The Mainstay of the Yellow River Sanmenxia", 117×150 Oil on canvas, 1956, National Art Museum of China. "The Yellow River Sanmenxia : The Mainstay of the Mainstream" is the first painting he plans to create the Yellow River Trilogy. In the painting, the river is stirring among the steep mountain rocks, the pillar stones are towering against the wind, the rugged riverbed is rushing with mud and sand, countless whirlpools and dangerous shoals, and the roaring sound can be heard for dozens of miles.
In this painting, the painter calmly writes a flood realm with infinite vitality with a comfortable and confident tone and concise technique. The method of painting with pen color and drawing with a knife has achieved excellent results in expressing the flow of the Yellow River. The yellow water swirls in the near distance, the long streams in the distance, and the sprinkling of foreign water are all vented from the tip of the knife. The reason why he likes to use knives in these places is to better paint the objects more fully, more vividly, and more infectiously.
Wu Zuoren, a famous Chinese painting master, enjoyed the "State Farm Workstation on the outskirts of Beijing"
Wu Zuoren, "State Farm Workstation on the Outskirts of Beijing", 40×53cm, 1955 Oil on canvas
Appreciation of "Qingdao Seaside Park" by wu Zuoren, a famous Chinese painting master
Wu Zuoren,"Qingdao Seaside Park"
Wu Zuoren, a famous Chinese painting master, appreciated "Yellow Flowers in the Battlefield"
Wu Zuoren, "Battlefield Yellow Flowers Are Extraordinarily Fragrant", oil on canvas, oil on canvas, 118×175.5 cm. Mao Zedong's poetic intent. We seem to see that between battles, poets and warriors stand on the battlefield filled with gun smoke, with joy, looking at the yellow flowers all over the mountains, after the baptism of artillery fire, still blooming in the autumn wind and frost, full of vitality. This kind of heroic spirit of striving for ideals with high and uplifting pride and revolutionary romanticism arouses what a noble aesthetic choice and heroic and open feelings.
The famous Chinese painting master Wu Zuoren's "Plateau Evening" appreciation
Wu Zuoren's "Plateau Evening" by 1944.
The famous Chinese painting master Wu Zuoren's "Autumn of the Tianshan Mountains" appreciation
Wu Zuoren's "Autumn of the Tianshan Mountains" was written in 1955.
Appreciation of "Tibetan Women" by the famous Chinese painting master Wu Zuoren
Wu Zuoren, "Tibetan Women"
Appreciation of the famous Chinese painting master Wu Zuoren's "Little European Girl"
Wu Zuoren "European Little Girl"
The famous Chinese painting master Wu Zuoren's "Meeting" appreciation
Wu Zuoren", "Meeting", 1933, 110× 140cm oil on canvas.
The famous Chinese painting master Wu Zuoren's "Sewing" appreciation
Wu Zuoren, "Sewing", 1933, sackcloth oil paint, 69×60cm.
Wu Zuoren, a famous Chinese painting master, appreciated "Reading for Grandma"
Wu Zuoren, "Reading to Grandma"
Appreciation of the famous Chinese painting master Wu Zuoren's "Tracker"
Wu Zuoren "Tracker", 1933, 150× 100cm oil on canvas.
The famous Chinese painting master Wu Zuoren's "Tibetan Girl Negative Water" appreciation
Wu Zuoren,"Tibetan Girl Negative Water", 1946, 61× 73.5cm oil on canvas. This oil painting generally makes people feel that the light is particularly strong, as if everything is exposed to this clear air, the scenery is relatively brief, and the author feels the unique charm of Tibetan customs and customs with his whole heart.
Appreciation of "Portraits of Women" by wu Zuoren, a famous Chinese painting master
Wu Zuoren, Portrait of a Woman
Appreciation of "Hatred" by the famous Chinese painting master Wu Zuoren
Wu Zuoren "Hate" (1964).
Appreciation of the famous Chinese painting master Wu Zuoren's "Peasant Painter"
Wu Zuoren Peasant Painter 114×147 Oil on canvas 1958 Collection of the National Art Museum of China.
Appreciation of the famous Chinese painting master Wu Zuoren's "Portrait of the Old Man"
Wu Zuoren", "Portrait of the Old Man", 1953.
Appreciation of the famous Chinese painting master Wu Zuoren's "Qi Bai Stone Statue"
Wu Zuoren, "Stone Statue of Qi Bai", 90×40.5 Oil on canvas, 1954, National Art Museum of China. This work is a portrait created on the basis of sketching, and Wu Zuoren chose Qi Baishi as a model, obviously with his intentions. Because Qi Baishi was the most representative traditional art master of the 20th century, Wu Zuoren chose the old man Bai shi to enter the painting, of course, related to the nationalization proposition he wanted to express. However, unlike many ways of expressing national oil paintings in a rigid way, Wu Zuoren neither borrowed the freehand way of traditional ink painting nor adopted the creative methods of New Year paintings used at that time, but vividly showed an old Chinese man with a traditional literati temperament in pure Western expression. Wu Zuoren's move transcended the narrow concept of nationality, not only highlighting his background of once studying in Europe, but also leading the proposition of "nationalization of oil painting" into the open context of cultural reconstruction, and combining it with later Soviet-style oil paintings, laying the foundation for the modeling of Chinese academy painting.
The famous Chinese painting master Wu Zuoren's "Little Girl in the Arrow Furnace" appreciation
Wu Zuoren, "The Little Girl in the Arrow Furnace", oil painting, wooden board, 30×22cm, 1944.
Wu Zuoren, a famous Chinese painting master, enjoyed the analysis of "Grassland Clouds and Rain"
Wu Zuoren's "Grassland Clouds and Rain" This work is 53 cm long and 40 cm wide. The dense layers of clouds in the sky have accumulated together to turn into a downpour, sprinkling recklessly on this grassy land.
Appreciation of "Flowers and Birds" by Wu Zuoren, a famous Chinese painting master
Wu Zuoren's "Flowers and Birds" this work is 162 cm long and 82 cm wide. The delicate red flowers emit a refreshing fragrance that makes the two cute little birds linger.
The famous Chinese painting master Wu Zuoren's "Camel" appreciation
Wu Zuoren's "Camel" this work is 62 cm high and 35 cm wide. In the picture, the camels in a cute state are walking tirelessly on the long road with many heavy goods.
Appreciation of "Panda" by the famous Chinese painting master Wu Zuoren
Wu Zuoren's "Panda" This work is 96 cm long and 82 cm wide. In the picture, a mischievous and cute "national treasure" giant panda is climbing and playing on a large rock. In order to show a kind of childish interest, Mr. Wu boldly discarded the true portrayal of the small red eyes with blood pens, and summarized the panda as a combination of black and white color blocks. It fully embodies the composition principle of formal beauty and embodies the interest of calligraphy art. In this way, from life to art, it has undergone a qualitative leap. Mr. Wu's panda image is a typical example of his creation that expresses the beauty of cuteness, childishness and simplicity.
The famous Chinese painting master Wu Zuoren's appreciation of "A Thousand Miles of Snowy Mountains"
Wu Zuoren's "A Thousand Miles of Snowy Mountains" is 55 centimeters long and 28 centimeters wide. The bird in the picture gathers its plump wings, its sharp gaze firmly casts into the distance, its sharp claws clinging to the boulder under its feet, and its body emits a lonely and proud atmosphere.
The famous Chinese painting master Wu Zuoren's "Liberation of Nanjing Outside" appreciation
Wu Zuoren's "Outside the Liberation of Nanjing" oil paint, cloth, 89× 116cm, can be roughly divided into three orderly unfolding picture levels of close-up, medium-scale and long-range: close-up, is a group of Beijing citizens gathered together to read outside the number; medium-shot, centered on the image of the citizens running around to tell each other, thus creating a more exciting atmosphere; long-term view, with the description of the archway of Beijing's East Chang'an Avenue as the content, through the well-known Beijing landmarks, further highlights the location background of "Beijing" (where the event occurred). Realistic expressions are reinforced.
The famous Chinese painting master Wu Zuoren's "Jialing Riverside" appreciation
Wu Zuoren,Jialing Riverside, oil on canvas, 70×100cm.
Wu Zuoren's "Peony Flower" on canvas, oil painting, 40.5×51cm, the flowers are delicate and bright, as if they have just been transplanted from the soil into the clay vase, the pure colors are arranged in the order of light and shade in Wu Zuoren's strict control of the picture, a cluster of white peony flowers are some pure as snow, some are integrated into a light light blue, and some show warm yellow, three pink peony flowers or pure white, or ripe to purple, in almost similar colors contain different tendencies of hue components, Wu Zuoren makes the colors with various tendencies of the picture firmly subordinate to the large tones, without losing the stable and differentiated personality between the hues too single color blocks, thus showing the subtle color effect and presenting a rich sense of rhythm.
The famous Chinese painting master Wu Zuoren's "War" appreciation
Wu Zuoren's "War" oil on canvas oil frame, mirror heart. 50×60cm, this work generally makes people feel that the characters moving forward in the backlight, the scenery appears relatively brief, the whole picture is skilled, concise, in place, with the pen to retract freely, the characters in the painting with the pen are relaxed, skilled, but the structure is rigorous, and the control of the virtual and real relationship and the effect of the space before and after the overall picture In the 1960s, only Everyone like Wu Zuoren could paint so well.
Appreciation of "Dalian Xinghai Park" by the famous Chinese painting master Wu Zuoren
Wu Zuoren's "Dalian Xinghai Park" oil paint, canvas, 41.5×53cm, picture sunshine beach, high sky, bright and open. In terms of structure, the composition is rigorous, and the two lush towering trees become the main body of the picture, and the size relationship with the formation of the stars and dots on the beach behind explains the perspective relationship of the beach. A few small trees on the left and right sides play a role in breaking the rigidity of the picture, echoing each other and balancing the picture. A touch of blue sky in the distance, with horizontal brushstrokes forming a horizontal composition, brings a calm and peaceful atmosphere to the lively beach in the foreground.
Appreciation of "Grassland Landscape" by Wu Zuoren, a famous Chinese painting master
Wu Zuoren's "Grassland Landscape" oil on canvas. 47×70cm, the style of this painting is mostly concise and calm and dignified and rich hot tones, in the dark brown background of the rich layer to support the main body, the outer outline of the theme is mostly blurred dissolved in dark brown backing, and finally the sky and white clouds are lit up points. The shape is concise and summarized, and the rhythm of the color rhythm and the light and dark rhythm of the whole painting is very strong.
The famous Chinese painting master Wu Zuoren's "Yellow River" appreciation
Wu Zuoren's "Yellow River" oil on canvas, 60×80cm.
Appreciation of the famous Chinese painting master Wu Zuoren's "Running Bull"
Wu Zuoren's "Running Bull" this work is 42 cm high and 39 cm wide. The painter is not limited to the details, his large brush stroke does not spare the ink, the ink is rendered on the rice paper, a healthy and brave cow jumps on the paper, and the running posture is very interesting and vivid.
Appreciation of the famous Chinese painting master Wu Zuoren's "Panda Bamboo Stone Diagram"
Wu Zuoren's "Panda Bamboo Stone Diagram" 1978 Chinese Painting on Paper 44.5×70cm This picture fully embodies Wu Zuoren's technique of infiltrating bones in ink, conveying the spirit with ink dot stacks, vivid and vivid and object pictograms, which are difficult to do for traditional Chinese paintings or pure Western paintings. The panda in the picture is cute and vivid.
Wu Zuoren, a famous Chinese painting master, appreciated "Cursive Writing Turtle Although Shou"
Wu Zuoren's "Cursive Writing Turtle Although Shou" is a poem written by Cao Mengde's "Turtle Although Shou", which is not limited to the inscription but to his own will, and uses the pen to put it away freely, which also shows that his artistic cultivation is different, which is quite "the martyr's twilight years, and his heart is full of courage." Shen Yun. "Turtle Although Shou" Cao Cao [Two Han] Although the god turtle is long, it is still timely. The snake rides the fog and eventually becomes earth ash. (Teng Yi Zuo: 螣) Old Ji Fu Feng, determined to be in a thousand miles. The martyrs are in their twilight years and their hearts are full of excitement. The period of surplus and contraction is not only in heaven; the blessing of nourishment can be eternal. Luckily, even Ya, the song is sung in Yongzhi.
Appreciation of the famous Chinese painting master Wu Zuoren's "Ganzi Snow Mountain"
Wu Zuoren's "Ganzi Snow Mountain", created in 1944, specification: 45.83×13cm, material: oil on cardboard.
The famous Chinese painting master Wu Zuoren's appreciation of "Mao Zedong"
Wu Zuoren Oil painting "Mao Zedong" Collection of the Central Academy of Fine Arts.
Wu Zuoren, a famous Chinese painting master, appreciates "Boat Dock"
Wu Zuoren "Boat Dock"
Appreciation of "Hong Kong" by the famous Chinese painting master Wu Zuoren
Wu Zuoren "Hong Kong"
The famous Chinese painting master Wu Zuoren's "Eagle Yang WanliTu" appreciation
Wu Zuoren's "Eagle Yang WanliTu"
The famous Chinese painting master Wu Zuoren's "Qi Zhenjin" appreciation
The author of Wu Zuoren's "Qi Zhenjin" is one of the unique pioneers and representatives of the Chinese oil painting school that is forming and maturing in this century, and at the same time, he is committed to the research and creative practice of calligraphy and ink painting in the national tradition. Yak is the subject of Wu Zuoren's paintings, and his paintings of Ben Ya pinned his own spirit and ideals. He once said: "The flocks of ben yaks on the plateau churned the silent wilderness into clouds and mist, making people feel excited."
Ben Ya shows a strong movement, and in it embodies courage and pride. "As a realist painter, Wu Zuoren's Ben Ya contains a profound humanistic spirit and the author's emotions, reflecting his love for life and praise for the strength of personality, embodying a realistic spirit of the times." This work combines calligraphic brush and ink with shape, and combines the spiritual strength of personality with the atmosphere of simple life, creating a new style of clarity, simplicity, robustness and freshness. The inscription "Qi Endeavor" pins on the artist's ideal and strong spirit of the times. Except for the two yaks, the whole picture does not have a single ink, but there is no sense of emptiness. In short, this is a Chinese painting with profound meaning.
Appreciation of the famous Chinese painting master Wu Zuoren's "Goldfish Diagram"
Wu Zuoren's "Goldfish Diagram" is 58 cm long and 35 cm wide. This painting function Of traditional ink painting method simply depicts the goldfish played in the water of the lotus pond, with ink thick and light, virtual reality is born, the color is simple and elegant, beautiful and lovely, with the Western oil painting skills combined with the Chinese painting method on paper water and ink blend perfect interpretation!
Mr. Wu Zuoren's "goldfish" has a distinct personal style and a high degree of recognition. His Chinese paintings of goldfish are precise and vivid in shape, exquisite and condensed in pen and ink, and the artistic conception is peaceful and qingyuan. He not only pointed out a new path for the development of traditional Chinese painting in the new era, but also provided more enlightenment and possibilities for the current art circles to think about how traditional Chinese painting develops and progress. Welcome all calligraphy and painting lovers to visit Tingyue Studio to appreciate!
The famous Chinese painting master Wu Zuoren's "Under the Wuyi Mountain" appreciation
Wu Zuoren", "Under the Wuyi Mountain"
The famous Chinese painting master Wu Zuoren's "Heavy And Far Away" appreciation
Wu Zuoren,"The Heavy Task Goes Far"
The famous Chinese painting master Wu Zuoren's appreciation of "Heaven and Earth Is Far Away"
Wu Zuoren's Chinese painting "Heavenly Heights and Distant Heights" is six feet. The sky is high and the earth is far away. Write on the desert and be a man. Seal: Wu, Freehand, Silhouette. This painting of "Heaven highs and high earth" depicts four camels. Nearby, a camel looked up and hissed, as if beckoning its companions in the distance. The layout of the picture is near and far away, and the camels in the camel team are drawn in thick brushstrokes and light ink, and the distance between the front and back spaces is opened up with dark and light tones. The painter uses wet and relaxed brush and ink to depict the fluffy fur of the camel, and the strokes of the brush stroke conform to the body structure of the camel, giving vitality to the camel in the picture, showing the painter's profound realism skills. The camel shape is concise and the expression is rich. The depiction of the environment in the picture does not use much ink, which is in line with the geographical characteristics of the desert and desolation.
The famous Chinese painting master Wu Zuoren's "A Thousand Journeys with Heavy Responsibility" is appreciated
Wu Zuoren 1975 "A Thousand Journeys with Heavy Tasks" Vertical Scroll Coloring Paper 141×85cm.
The famous Chinese painting master Wu Zuoren's "Thousand Journeys to the Desert North" appreciation
Wu Zuoren,39×89cm on paper, Collection of Wu Zuoren International Art Foundation, 1987. Wu Zuoren's animals in the Northwest Plateau are not only expressive of beauty, but also not generally understood as "beautiful", but express "force" and "express a majestic and powerful artistic realm". Wu Zuoren's camels are intertwined with delicacy in roughness, and the camels and yaks he paints are fresh, refined, soft and beautiful, and the ink color changes delicately, elegant and intriguing.
Appreciation of the famous Chinese painting master Wu Zuoren's "Sun Yat-sen and Li Dazhao"
Wu Zuoren Sun Yat-sen and Li Dazhao, 186×140cm Oil painting, 1959, National Museum of China. Among Mr. Wu's paintings, "Sun Yat-sen and Li Dazhao" is a work of major historical themes, which inherits the traditional Chinese painting method and integrates the Western painting method, which is his successful work in the attempt to nationalize oil painting.
The famous Chinese painting master Wu Zuoren's "Passing the Snow Mountain" appreciation
Wu Zuoren's "Crossing the Snowy Mountains" 80 years ago, the Red Army's Long March through the snowy mountains and meadows was the most tragic "death march" in human history. "Over the Snowy Mountain" is a work of Wu Zuoren in the early days of the Republic, and is one of his few surviving oil paintings. The composition of the picture is stable, and the winding marching procession passes through the center of the picture, from near and far, from low to high, from large to small, which not only conforms to the principle of realistic perspective, but also has a unique formal beauty of the picture. The characters are vivid and vivid, the old Red Army and the little soldiers, the female military doctor who rescues the wounded and sick, and the old squad leader who shoulders cooking utensils, each with its own characteristics, is real and touching. The author deliberately emphasizes the huge size of the snowy mountains, the towering peaks, the majestic mountains, and the steep roads, which set off the indomitable and tenacious will of the Red Army soldiers who traveled into the snow and wind and the firm determination to win the victory of the revolution.
At the National Museum, "Standing in the East: An Exhibition of Classic Fine Art Works from the Collection", it is exhibited in the Central Hall No. 1. In May 1935, the Central Red Army overcame the first snowy mountain in the Long March, the Jiajin Mountain in western Sichuan. From October 1934 to October 1936, the First, Second, and Fourth Fronts of the Red Army and the Twenty-fifth Red Army successively carried out a major strategic transfer, breaking through the encirclement and blockade of the Kuomintang army, overcoming the dangers and obstacles of the snowy mountains and meadows, making great sacrifices, and successfully completing the Long March that shook the world and made a record of history.
Just now we have admired many of Mr. Wu Zuoren's exquisite masterpieces, it is not difficult to see that this artistic master is talented, in addition to his Chinese paintings are unique, in Western painting, Chinese painting, drawing, art education and other aspects have made great achievements, throughout his life he has tirelessly cultivated a batch of outstanding artistic talents for the national art cause. Both his talent and character are admirable. Wu Zuoren's paintings are not tired of seeing and are deeply favored by the people.