Man will eventually be reconciled with childhood.
Society will eventually see the past again.
After reconciliation and goodbye, it is inevitable that there will be echoes.
This echo should not be selectively forgotten by cooling, nor is it a paranoid blur of right and wrong.
This article was written at more than four o'clock in the morning, the last day of 2020, the temperature outside the window is minus 10 degrees, and the cold is striking.
Hungry in the stomach, it is difficult to sleep.
Pondering a question repeatedly: Why did Fu Cong's death cause two very different debates?
Holding it too high, degrading it too much, is unsettling.
The root cause of everything is that people today are too shallow and lazy to make thoughtless judgments out of the times and circumstances, and simply use God's perspective to infinitely enlarge a certain point in a person.
Fu Cong left on the eve of the storm, when he was only 24 years old.
However, in that storm, there were still countless people whose fates fluctuated.
The old and the young, the men and the women, intertwine their fates to restore a more credible past.
In 1955, at the age of 21, Fu Cong went to Poland to participate in the Fifth International Chopin Piano Competition.
In this competition, the famous musician Mr. Ma Sicong served as one of the judges.
During more than 10 days of living with Fu Cong, Ma Sicong put forward many suggestions for improvement.
It was this competition that made Fu Cong stand out and win the highest award, the "Maruka Dance Music Award".
After returning to China, Ma Sicong published an article in "People's Music", summarizing and analyzing the three experiences of Fu Cong's award.
It can be seen from this that if the young Fu Cong is a Maxima, then Ma Sicong is a unique Bole with unique wisdom.
Maxima is often present, but Bole is not.
Compared with Fu Cong, Ma Sicong enjoys the lofty status and prestige of a generation of grandmasters in the music industry.
He studied in France twice in his early years and was known as a musical prodigy.
As a composer, Ma Sicong's composition involves violin, symphony, concerto, chorus, chamber music, piano music, opera, dance drama, art songs, and mass songs.
His violin works are the most prominent in the history of modern music, and the well-known "Homesick Song" and "Shake Blue Song" are his representative works.
The "Young Pioneer Team Song" that everyone sang was also composed by Ma Sicong.
He also discovered and cultivated musical talents such as Lin Yaoji, Sheng Zhonghua, Fu Cong, and Liu Shikun.
The mountain rain came, and the wind filled the building.
Wood shows in the forest, and the wind will destroy it.
The more talented and outstanding people are, the more they tremble in the storm.
"Your surname is Ma, and you are not even qualified to pull grass, you only deserve to eat grass."
In the face of all kinds of humiliation and torture, Ma Sicong, who vowed to "dedicate every note to the motherland", struggled to support him, because the music he composed was still fluttering.
Until one day, the radio "Homesickness" was replaced, he knew that his musical life was over.
Whether to commit suicide by throwing herself into the lake like Lao She, or to save her life, Ma Sicong ventured to choose the latter.
Since then, the 55-year-old musician, holding a violin, has taken his family with him and gone to a foreign land.
In 1948, Stuart Redden invited Ma Sicong to teach in the United States, but he strictly refused.
Now, it is painful to return to this path.
In 1937, Ma Sicong composed "Homesick Song".
Today, this piece has become a music that will accompany him for the rest of his life.
"It is difficult to say goodbye when we meet, and the east wind is powerless. Spring silkworm to the end of the dead silk, the wax torch into gray tears began to dry. ”
Nostalgia and sorrow, sorrow and pain.
Ma Sicong borrowed the song to pour sorrow and pin his hope of "when to wash the guest's robe".
In 1971, Kissinger brought Ma Sicong a quote from Zhou Enlai, who said:
I have two things in my life that I deeply regret, one of which is that Ma Sicong left his hometown in his 50s to go to the United States, and I am very sad.
After hearing this, Ma Sicong locked himself in the room and cried bitterly.
Ye Yonglie wrote in the Biography of Ma Sicong:
<h1>In the 19th year of leaving the motherland, Ma Sicong finally received the notice of rehabilitating him, and the 73-year-old man choked and sighed: Su Wu has been shepherding sheep for 19 years! </h1>
"Etiquette and festivals, music and multitudes"
This is an inscription given by Ma Sicong on the 35th anniversary of the founding of the Central Conservatory of Music.
As the first dean, his interpretation of the liturgical way of pleasure is exquisite.
Li Li is happy and cunning.
The world is at peace, and it is not what it used to be.
The past is over, but the misery that is added to individuals, families and nations is a disaster that will never be repeated.
We have come out of our misery and do not have to dwell on the absurdity and bizarreness of the past.
Because the predecessors have reconciled, the fire cannot be rekindled.
However, it is necessary to warn those who are ignorant of lightness.
Venting hatred is simple, but who will soothe the torn scars?
If not forced, who would be willing to be an outcast wanderer?
When the whole era is making mistakes, the weak individual cannot be judged by the so-called moral delusion.
Painter Ye Qianyu said:
"Those who have been bullied and forced to die know the loveliness of the motherland the most, and their patriotism is also the most heartfelt." Only those who preach how to be patriotic while insulting good souls with their own hearts are true sinners. Ma Sicong did not owe anything to the motherland, but those who stole the country and usurped power owed him too much. ”
In a word, the husband repeats what he says.