Recently, Feng Shaofeng sent nearly a thousand words of long articles, talking about the "Shi Yuan" he played in "Heart Residence":
"His efforts may not have brought good luck, he has really done his best, but he still can't change the ending." What he wants to cherish, what he wants to hold firmly in his hand, always leaves him because of all kinds of yin and yang. ”
It was Shi Yuan, but the audience was reminded of "him and Zhao Xiaodao", so the "melon-eating masses" quickly built a building:
"Zhao Reality, Feng Ideal." Just like Shi Yuan and Qingyu in the play, the growth trajectory is different, and the cognition of life is also different. ”
"It can only be said that they are both good, but it is not appropriate, a person who has tried his best and seen too many people's feelings cold and warm, so he does not know how to grow up in a good and abundant environment all the way, and he seems to be sentimental and sad and happy."
"Zhao Liying announced her marriage and children at the hottest time, that is, she really loves Feng Shaofeng, and wants to live a lifetime to old age, but one is struggling all the way up, resolute and courageous, one is the flowers in the greenhouse, sentimental... What a pity! ”
Looking back at the divorce of Feng Zhao and Feng Zhao in April last year, it was almost the quietest and most non-"big dry discussion" event in the "melon field".
Didn't expect that after a year, it became a "reflection melon"?
Feng Shaofeng's childhood and adolescence almost coincide with Shi Yuan
Is Shi Yuan like Feng Shaofeng? The answer is subtle: or experience, or state of mind, or marriage, there is always a little bit of a feeling.
In the original work of "Heart Residence", Shi Yuan is written like this——
"His grandfather was an important member of the National Government, his grandfather was in business, in the silk business, in the children of large families... Temperament, treatment of people and things, unspeakable appropriateness... Like a bouquet of orchids in a weed. ”
Shi Yuan's origin, childhood, and temperament are highly coincident with Feng Shaofeng.
The Feng family is also considered a "big family" in Shanghai, his father's "weaving industry" is all over Jiangnan, and his mother is from a family of scholars and loves art.
The almost perfect "wealth + art" family combination allowed Xiao Feng Shaofeng to enjoy the rare "warehouse-style quality education" of that era - as long as he was interested, his parents would spare no expense to cultivate.
Feng Shaofeng's growth path is also outstanding: junior high and high school has always been the backbone of the school's literature and art and academic bully, in the third year of high school, he was sent to the Shanghai Theater Academy by the Shanghai Key Middle School Education Middle School, and even did not have to participate in the college entrance examination...
Such a growth process is simply zhao Liying's "antonym".
Zhao Liying's father and grandfather are farmers, and when she comes to middle school vacation, Zhao Liying will follow her parents to the field to do farm work;
Feng Shaofeng was sent to the drama without test insurance, but Zhao Liying struggled to be admitted to the secondary school, and after graduating from the secondary school, she also grasped the practice of making money.
Feng Shaofeng's future, the most conservative is also to inherit her father's company and be the chairman; and Zhao Liying's biggest dream was to be a flight attendant, and after finding that her education was not enough, she did beauty salon sales...
If it were not for the favor of fate, so that she was excavated by Feng Xiaogang as an actor in a competition, Zhao Liying's life would never have any intersection with Feng Shaofeng.
It is said that grassroots actors, with only a fame rate of 200,000, is equivalent to buying a lottery ticket and winning the jackpot.
Interestingly, Zhao Liying won this "lottery". Not only that, but in one in 200,000, she is still the one percent - in just 7 years, she has become a small flower and top traffic from the dragon set.
Like Wang Baoqiang, she is the role model for countless "grassroots actors" to change their destiny.
When she was both famous and wealthy, she met Feng Shaofeng, who was "sitting firmly on the Diaoyutai".
The beginning of love: He has seen famous flowers fall into the country, and he has never seen Zhao Liying, who is like a small grass
Once Li Jing interviewed Feng Shaofeng and read a letter written to him by Feng Shaofeng's mother.
The mother described her son's struggle in the entertainment industry as a "wolf fighting" [covering his face]...
It was supposed to be a sensational part, but because the idiom was used too exaggerated, the atmosphere was awkward.
Feng Shaofeng had to explain: her mother always thought that the environment was very harsh and harsh.
In the eyes of Feng Shaofeng's mother, probably the son did not inherit the family business, and running out to make a living for himself was to suffer hardships. As for acting injuries and being blackmailed because of fame, they are all considered "life blows".
For Zhao Liying, the same thing can only be called "opportunity" or "springboard".
Once when filming "The Legend of Lu Zhen", Zhao Liying wanted to "jump off the building" and shouted "We will see you in the next life".
At that time, Xiao Zhao did not have a stand-in, nor did he have "martial arts" experience, and he was injured after jumping, leaving a bone that always protruded in his waist.
These vignettes, in Zhao Liying's view, are the "normal price" of survival.
Because acting is the "sixpence" for her livelihood, unlike Feng Shaofeng, acting is a hobby, an ideal, and a "moon" for him.
As for how to secretly amaze everyone with a simple and cute image among the 200,000 actors, winning the first place, and becoming one of the top entertainment flowers after 85, this kind of planning, perseverance or sophistication... "Shanghai Gongzi" Feng Shaofeng may be difficult to understand.
Therefore, as soon as the two met, Zhao Liying became Feng Shaofeng's "idol".
"What attracted me most to me was that she was clear and very clear-
"Her innocence and agility give people that very good feeling."
Feng Shaofeng, who was born with a golden key, may have seen famous flowers fall into the country, but he must not have felt the shock of a small grass breaking through the cracks in the stone.
Zhao Liying surprised and shocked her.
Hugo said that the human mind needs ideals more than material things.
After a person reaches a certain age, the importance of spiritual experience will be far greater than the importance of material experience.
Therefore, what we see is that Feng Shaofeng, whose "material experience" is rich enough, is "conquered" by Zhao Liying, who has rich spiritual experience.
The world in feng zhao's eyes is different, just like Shi Yuan and Qing Yu's "same bed and different dreams"
Although they walked together, the world in Feng Zhao's eyes was different, just like Shi Yuan and Qingyu loved each other but "shared the same bed and different dreams".
In Qingyu's eyes, Shi Yuan's casual work, being a teacher, and a celebrant are superfluous, and he "can't make much money" anyway.
(In Feng Shaofeng's eyes, Zhao Liying probably doesn't have to work hard after marriage.) ）
But for Shi Yuan, these "insignificant" jobs are hard-won opportunities and the only way for him to get close to his dreams.
Shi Yuan playing mahjong and Lily chatting about fish and shrimp have affected his image in Qingyu's heart.
And Zhao Liying desperately acted, gave up her family for her career... In Feng Shaofeng's eyes, these are probably "overreacting".
After marriage, what should be said and what should not be said, Feng Shaofeng must also ask Liying. Because of the importance of "artists getting married, which will lead to a decline in popularity and commercial value", he can't get it and doesn't want to worry about it.
The "hue" in the eyes is different, and the troubles are also different.
Zhao Liying's troubles, in her own words, are anxiety about "progress", and she wants to find someone to make up for herself and let herself be fully charged with "Fighting Sky Fighting Wolves" [covering her face] anytime and anywhere.
But Feng Shaofeng's troubles may be how to spend the "inner emptiness" and how to find the "head of life".
After marriage, if the filming encountered unpleasantness, Feng Shaofeng held his head and cried unreservedly in front of Zhao Liying, and Zhao Liying just looked at him quietly and then told him to "see the child".
Feng Shaofeng probably felt that his family should become the spiritual dependence of the other party in this way.
He did not expect that if a man did this from time to time, his image was likely to change from "white moonlight" to "white rice grains" in women's minds.
In "Knowing or Not", the second uncle said to Minglan humbly and anxiously:
"I just want you to hurt me, why don't you take me seriously?"
It's not that Xiao Zhao doesn't want to hurt her husband, there are two reasons:
First, a level 100 number, really can't understand the fragility and sadness of level 10 number;
Second, Xiao Zhao has too many difficulties to overcome, and he really does not have the strength to look at this kind of "temperament".
Shi Yuan's loneliness is Feng Shaofeng's loneliness?
After the two got married, Feng Shaofeng also thought about giving his wife an arm bend:
On her birthday, he bought tickets for three flights that day, which one to catch. He did not participate in his own crew's dinner party in order to accompany his wife shopping for clothes; Zhao Liying filmed dangerous scenes, he always contacted her assistant, heard that his wife was crying, and his heart would giggle.
This is probably like in "Heart Residence", Qingyu wants to desperately protect Shi Yuan.
After knowing what happened to Shi Yuan, Qingyu wanted to get married even more, and she wanted to treat Shi Yuan well and make up for his misfortune.
Qingyu did not want Shi Yuan to worry about the "kidney source", secretly communicated with the hospital and doctors, and paid 500,000 yuan in medical expenses in the name of charity donations.
Qing Yu spoke bitterly, cold war, and debated, trying to persuade Shi Yuan not to borrow usurious loans and calmly accept his own help.
"Now I'll help you, and when I get into trouble later, you'll help me too, right?"
But no matter how she changes roles, as long as she is "on top", Shi Yuan will feel hurt.
Hegel said: Marriage is essentially an ethical relationship.
In this ethical relationship between men and women, once there is a situation in which "one side is strong and the other side is weak" and cannot be changed, family ethics will be unbalanced. The weaker party (especially men) can easily feel that marriage deprives them of their freedom.
Therefore, Shi Yuan wants to maintain freedom, and this meaning is already at the level of personality, far higher than love.
That's why Shi Yuan would rather ride a bicycle with Lily to the wet market to sell fish and shrimp than sit in a well-cooked BMW and listen to a symphony.
From Zhao Liying's point of view, perhaps this marriage also has such a problem.
In the marriage of Shi Yuan and Qing Yu, the "three major difficulties" (difficult mother-in-law relationship, unequal economic conditions, insurmountable social class and living habits), Xiao Zhao has to face two things.
Feng Shaofeng and Zhao Liying got married, and her mother said: The son likes it; two weeks after the divorce, the mother said to her son: Don't look for the entertainment circle in the future... In the tone, the ambiguity can be seen in the parents' "reluctance".
Qingyu bought beautiful dresses for her mother-in-law to please, Zhao Liying may not lack such emotional intelligence, but with her personality and life plan, even if she is willing to bow to her mother-in-law on one or two things, she may not be able to take into account her mother-in-law's feelings at all times.
Feng Shaofeng entered the show business circle, never became popular, nor did he fight enough, but fortunately his pursuit was not high.
The three dramas "Palace", "Lanling King" and "Knowing or Not" laid a foundation for him, which is enough to meet his "professionalism", even if there is no drama to shoot one day, Feng Shaofeng has a way out.
But Zhao Liying, who has no family background, is not advancing or retreating: if she does not work hard to improve her acting skills and run her career, she will immediately lose her "jianghu status", and even the job bowl of survival is in danger.
Therefore, she cannot wholeheartedly "teach her husband and son".
Unable to rest assured of "good fate", Xiao Zhao has been struggling in the first half of her life, and she only believes in struggle in the second half of her life.
And Feng Shaofeng was lonely because of Zhao Liying's "inability to rest assured", which is probably called yin and yang.
Once there is no "female relying on male" family ethical relationship, whether it is Shi Yuan or Feng Shaofeng, it is easy to have no confidence in their marriage.
"Love is a luxury for Shi Yuan... From the moment he said goodbye, self-esteem tormented him all the time, but he responded to her love with courage, cautiously and with all his heart. ”
alas! Shi Yuan's sadness is not Feng Shaofeng's loneliness?