Chen Shizeng Flowers Landscape Fan Album No. 3 Chinese Painting Family members donated Lao She and Hu Xuan Qing Tibetan paintings
Fu Baoshi, Yunzhongjun, Chinese Painting, 36.2cm×48cm, 1954, National Art Museum of China
Fu Baoshi to be detailed jiangshan painting Chinese painting 100cm×111.5cm 1961 Collection of the National Art Museum of China
Fu Baoshi Yellow River Qing Chinese Painting 51.2cm×76cm, National Art Museum of China, 1960
Starting from the works of Zhao Zhiqian and He Shaoji in the late Qing Dynasty, the exhibition presents the inheritance of Chinese art for more than a hundred years - the families of Ren Bonian and Wu Changshuo of the Minchuhai School have inherited from the top and the bottom, Qi Baishi, Fu Baoshi, Ye Qianyu, Li Keyan, etc. have opened up new ways of creating flowers, birds, landscapes and figure paintings from tradition; the exhibition also shows the different exploration paths of Xu Beihong, Lin Fengmian and Pang Xuanxuan integrating China and the West, combining their inheritance and introduction, opening sects and building different academic and educational systems; Wu Zuoren and Wu Guanzhong carry forward their respective traditions. Climb to the peak of art; in addition, the exhibition also specially displays the fine works of Lao She and Hu Xuanqing tibetan paintings donated by Shu Yi. In the name of "Collection Revitalization", the audience was told about the "new era" of the 20th century, which belonged to Chinese art.
Fu Baoshi Jinling Landscape Chinese Painting 89.1cm×56.8cm 1947 Collection of the National Art Museum of China
Li Keyan Twilight Yun Figure Chinese Painting 61.1cm× 48.5cm Unknown Age Unknown Collection of the National Art Museum of China
Lin Fengmian Oil lamp flower fruit Watercolor 67.9cm×67.2cm 1960
Pang Xuanxuan Back Basket Watercolor 40cm×30cm, National Art Museum of China, 1946
The peaks of art are admirable but so intimate, transcendent but full of temperature, and it is particularly rare for many works of artists to gather together. These famous artists in the art world have faced the challenge of modernity with a high degree of cultural consciousness in the context of the transformation of the theme of the times and the integration and agitation of ancient and modern Chinese and Western art, and have re-inflated the morale of Chinese art from the traditional positive pulse and the practical innovation of Chinese and Western use, opening up a new road for Chinese art. In Chinese painting and oil painting, they all embody the spiritual qualities of Chia Tai, Zhi Gang, Zhong, and Zhi Zheng, and also express the spirit of Chinese close to nature, praising nature, discovering beauty, and creating beauty.
Qi Baishi Rooster Chinese Painting, 147.4cm×34.4cm, National Art Museum of China, 1935
Qi Baishi Hundred Flowers Bloom calligraphy 35cm× 102.5cm 1953 Family donated Lao She and Hu XuanQing Tibetan paintings
Ren Bonian Four Frames of Flowers and Birds Chinese Painting 27cm×40cm×4 1884-1885 Family members donated Lao She and Hu XuanQing Tibetan paintings
Wu Changshuo Hongmei Chinese Painting 137cm×43.5cm Family donated Lao She and Hu XuanQing Tibetan paintings
Talking about the theme of the exhibition "Beauty in the New Era", Wu Weishan, director of the National Art Museum of China, said that the purpose of the exhibition is to promote the creative transformation and innovative development of the Chinese art tradition in the contemporary era, rationally and dialectically look at the issues of inheritance and innovation, nation and the world in the macro pattern of multiculturalism in the world, find the coordinates of their own culture in gaze and dialogue, and strengthen their faith and pursuit. He said: "The National Art Museum of China is the center of collecting, displaying and disseminating beauty, and in the new era, it must unswervingly keep up with the process of the times, undertake its historical mission, build a healthy atmosphere for society, create statues for the times, and express nostalgia for the people." ”
Wu Guanzhong, Genza Nanguo Chinese Painting, 145cm×368cm, 1998, National Art Museum of China
Wu Zuoren Plateau Evening Oil painting 29cm×38cm, 1944 Collection of the National Art Museum of China
Wu Zuoren Oil painting on the outskirts of Holu, 29cm×38cm, 1944, National Art Museum of China
Wu Zuoren Spreads His Wings Chinese Painting, 136cm×67.5cm, National Art Museum of China, 1977
It is understood that in recent years, the National Art Museum of China has launched the "Collection Revitalization" series of exhibition projects, through the regular opening of major exhibition halls to display the collection of fine products, and cooperation with art museums at home and abroad to hold collection exchange exhibitions, so that more collection works can meet with the public, so that the public can enjoy public cultural services, has been widely recognized by all sectors of society. The National Art Museum of China has more than 100,000 works in the collection, with the collection of fine works as the core, digging deep into the theme and cultural value of the exhibition, "let the public enjoy the 'beauty of art', let the power of beauty gather in the hearts of the people, is our unswerving pursuit." Wu Weishan said.
Xu Beihong, Benma, Chinese Painting, 105cm×60.8cm, 1944, National Art Museum of China
Ye Qianyu Liangshan Dance Steps Chinese Painting 135cm×68cm, 1964 Collection, National Art Museum of China
Ye Qianyu Comic literary character (Lao She) 27cm×40cm era unknown Collection of the National Art Museum of China
Ye Qianyu Great Unity National Painting 123cm×183.4cm 1953