The structure and aesthetics of calligraphy and writing are still the best in calligraphy, the lishu and the seal book are more unique, the line is moderate, and too many people cannot read cursive.
Therefore, the charm of the book is actually what many people like. The reason for liking does not need to be too complicated, it is optimistic, and the first feeling is very good.
But in ancient China, the historical and cultural background of writing calligraphy was completely different from the understanding in modern communication circles. The modern understanding is that calligraphy should be written well, and the traditional chapter law plays a normative role.
But without the most basic rules, before the Jin calligraphy was formed, did the Song people continue the calligraphy from the foundation of the Tang people?
In this series of discussions, we can only study and understand with doubts from the calligraphy that has been left behind.
Of course, no one has a definite statement, in the absence of a standardized order, in the period of calligraphy and chapters, in fact, the ancients paid more attention to the artistic conception and personality of writing books. We can also feel this from the works left by each famous artist.
Let's enjoy a small post together, which belongs to the work of the famous Northern Song Dynasty artist Cai Jing, who wrote a little scribbled in this small post, but the brushwork is painful and imposing, especially the style ability is very prominent.
This work is "Sending Hao Xuanming to Qin", which is a wall scroll of poems, books and paintings belonging to Cai Jing and Hu Shunchen. Belonging to the rare paintings and poetry of the ancients, Cai Jing's characters are the highlights and have become the object of everyone's discussion.
First of all, let's look at the poem inscribed on the painting: "Send Hao Xuanming to Qin." Send the jun without folding the door willow, send the jun without setting up yang guan wine. Only take the branches of the Xiling pine tree, and look at the old cold friend with Er. ”
No other meaning, Cai Jing is written to a good friend, which is a kind of exchange between literati and inkers. But a simple poem left Cai Jing's flowing brushwork.
Looking closely at Cai Jing's font, why did we talk about the mood and content earlier? Why talk about the personality of the ancients? It is reflected in this work of Cai Jing, and the whole work is very charming. The brushwork is natural and unpretentious, especially in terms of personality, and the calligraphy is full of charm and elegance.
It seems that the penmanship is not serious, but the confidence of writing jumps on the paper, the writing is still healthy and happy, and the sense of power under Cai Jing's pen can be felt between the flying pens.
The sense of pain and composure, the personal style of the flying pen book is too strong. In the face of some traditional penmanship rules, this post by Cai Jing is very good and worth appreciating.