Zhang Daqian's paintings are almost the same as Qi Baishi's style, that is, there are too many imitators in the back, but in the end, no one can really imitate them.
No matter how the people behind imitate, they still cannot complete the substantive transcendence. In fact, behind this kind of imitation, it also fully shows that the painting characteristics of Zhang Daqian and Qi Baishi are unique, and it is difficult for ordinary people to imitate well.
Let's take a look at Zhang Daqian's admirable work, which is now estimated at more than 720 million, a work of Zhang Daqian and Huang Junbi and many other masters, named "Treasure Island Changchun Map"!
The so-called treasure bird is known to everyone, that is, the lost "pigeon" at the opening ceremony of the Winter Olympics directed by Zhang Yimou a while ago. If it is still lost, I hope that one day it will truly return home.
Zhang Daqian and Huang Junbi and many other masters together with this work, belongs to the typical Chinese traditional pen and ink landscape painting, from the theme of the painting, there is no special slippery head, that is, the charm of the landscape embodiment.
However, unlike in the past, this work is a fusion of the painting efforts of many famous artists, especially the master style headed by Zhang Daqian, which is reflected in the entire work. Take the design and pattern of the entire ink, this work can be worth 720 million yuan, which shows the unique characteristics of landscape pen and ink behind it.
Today, it is treasured by the Museum of Taiwan History, and this picture is completed by Zhang Daqiankai's first stroke, and then on the basis of the first stroke, it is completed by Master Huang Junbi and other famous painters. The content on the entire scroll can be called a modern version of the Qingming River Map. It's just that the Map of the Upper River of the Qingming Dynasty is about the life scene of people and the market, and this map of Baodao is about the integration of the landscape environment and the city.
The scroll begins with a small wild willow tree in the North Sea of Keelung, and then slowly unfolds to the waves and landscapes of Jinshan, and the detailed paintings are the dabajian mountain steamed by the clouds, especially the paintings of Qilai Mountain and the transverse highway, all of which are presented. This work integrates the artistic conception of Chinese landscapes, and it is obvious that this one is the characteristic embodiment of Zhang Daqian's pen.
But also integrated into the realistic painting realism, from the paintings of Lishan and Taroko can be fully reflected, the super sense of artistic sense of the work, the combination between the virtual and the real, the entire treasure island beautiful scenery under the eyes, quite spectacular.
Netizen message: The masters cooperate together, and the works integrate the different cultural understandings of the two sides of the strait in traditional Chinese pen and ink, and there is no doubt about the wonderful work.