"Generations" has always been a controversial topic in the cross-talk industry, and the discussion of seniority is considered to be the dross of the old society, on the other hand, it is extremely vital, like a virus that constantly splits and multiplies.
While denying and inheriting, cross-talk artists have learned the essence of traditional culture, and the "dual-track system" is played more than anyone else.
In the 1950s and 1960s, all walks of life sought new changes, and the whole society was making the most violent cuts with feudal dross. As a traditional industry, cross-talk is of course not to be accepted, and traditions such as "generational division" and "worship of teachers" have become the objects of key criticism.
It is no exaggeration to say that people with a little status in the industry have expressed the same view, that is, worshiping teachers and discussing seniority is a traditional bad habit and should be banned. Worship does "disappear" for a while, replaced by the teacher's relationship with the student.
However, "generational division", sorry, no one can solve it.
The two most prestigious masters in the cross-talk industry, Ma Sanli Hou Baolin, had no choice but to take the "generation points". These two gentlemen are highly respected, and when they respond, neither of them can do anything, and the others can't count on them.
Hou Baolin finally compromised on this issue. On the stage of the Spring Festival Gala in the 1980s, Hou Baolin pointed at Ma Ji and said, "This is my apprentice", acknowledging the existence of generations; in 1984, he accepted the apprentice Sheng Jie and also held a grand ceremony to receive apprentices.
What about Ma Sanli? Elder Ma has always opposed the seniority ranking, and he does not look at the generations at all. The old man thought so and did this, and he almost never took the initiative to accept apprentices in his life except for inheriting affection.
Opposition to opposition, in front of the mountain of "generation division", Ma Sanli also had a weak heart.
Until 1992, Ma San Lilao was still openly denying the generational division. In 1992, Bai Quanfu received apprentices, Su Wenmao, Li Boxiang and many other artists went to the scene, and the biggest wrist was of course Ma Sanli.
The disciple prostrated his head and bowed, and the elders had to speak two sentences in ear, spurring and spurring, pointing in the direction. Who speaks? Everyone unanimously recommended Ma Lao. Ma Lao was almost 80 years old at the time, 78 years old, and in excellent physical health.
The old man said for three or four minutes, and the main topic was generational division. Ma Sanli's logic is very clear, first of all, he said the phenomenon of seniority ranking in the cross-talk world.
The cross-talk circle in the old society is too important, and the younger generations have to call out to the elders, the masters, and the masters, and the ordinary generations are also very clear, and the teachers who worship in which year are compared. The most typical is the "total door chief" system.
Ma Sanli called the "chief of the gate" a certain generation of the head of the family, similar to the emperor's saying that one is not the same. The chief of the writing generation is Li Boxiang, and he has the final say in the theory of affairs of this generation; the previous generation is Zhao Peiru, and the chief disciple of my generation (Shou Zi generation) is Zhang Shouchen, and further up, the Dezi generation Yu Delong.
Yu Delong was the chief disciple of the German generation, and the first of his peers to worship the teacher, the master brothers had to listen to him. idol? All the fans must also listen to him, and they must consult him about anything. There is a church meeting to go to, you have to ask Yudlon. Church meetings? Whose congregation? Syngman Rhee's, Rhee's not going.
Ma Lao called this phenomenon something "feudal guilds", which is now out of date. The shouting of The Master Uncle of the Song Art Troupe was so ugly.
Ma Lao advocated that artists learn from each other, and anyone can be a teacher of whom, and there is no need to be commensurate with master and apprentice.
Is ma Sanli right? It makes sense, but it doesn't work. In fact, Ma Sanli also knew that he was participating in the "discipleship ceremony"! Before speaking, Elder Ma made a little joke and said"
Today is a special care (referring to the apprentice), just entering the door to become a master.
”
On the other hand, Ma Sanli is also "exonerating" the once-abolished worship ceremony, saying that this is an activity for the unity and gathering of artists in the industry. This also shows that although Ma Sanli doesn't like it, he really can't do it.
The key to this problem is that everyone only one-sidedly talks about the drawbacks of "generational division" and selectively ignores its role. In the small circle of cross-talk, "generational division" actually assumes the role of "order", which is accepted and uniformly observed by insiders. Similar to the skeleton of a human being, if you dismantle the skeleton, the person will be destroyed.
To explain this phenomenon from the current point of view, "generational division" is equivalent to the "infrastructure" of the cross-talk industry, similar to the Internet to a certain extent. It can be denied but not without it, without which the Internet may be paralyzed.
As a result, the branch continued to exist until the demise of the industry.
The bad habit that should really be banned in this industry is actually to recognize the father
。 Some people recognize their fathers as addicted, recognize seven or eight in one breath, and are ridiculed by netizens while humiliating the industry. This phenomenon should be rectified.