The "enmity" between the Ma family and the Li family has a long history, stemming from ma Sanli's naming and criticizing Li Jiechen at the acceptance ceremony in 1988, saying that this person's humanity is not good, not united enough, the artists of the same generation are reluctant to cooperate with him, and several apprentices do not have a good relationship with him.
Li Jiechen was the master of Jiao Shaohai (stage name Jiao Shouhai, Shou Zi Generation), and Jiao Shaohai's father was Jiao Dehai, one of the Eight Virtues of Xiangsheng. This is very interesting for the master and apprentice, the ability is very large, the popularity is very secondary, and no one is willing to partner with him in the middle and late stages of his career.
Li Jiechen smoked a big cigarette, and he smoked two mouthfuls with Liu Baorui, so that his body was not good early, and he drove to hexi at the age of 56. People are gone, and it doesn't mean much to talk about those past grievances.
Ma Lao's speech in 1988 gave Li Jiechen's popularity a thoroughfare, which led to some right and wrong. It is rumored that the Ma family and the Li family have been in bad relations, so that they have reached the point where they will not interact with each other in old age and death. In order to make this grudge more "vivid", someone also made up a very vivid story.
It is said that there was a performance of Ma Sanli to save the bottom, Li Boxiang fell two. In order to make Ma Lao ugly Li Boxiang use all his strength, after the performance, the audience left the stage satisfactorily, and Ma Lao's performance was "mud".
Ma Zhiming knew that the fire was great, and secretly vowed to avenge his father with "one arrow of revenge". In a later performance, Li Boxiang saved Ma Zhiming to the second, and the young horse master "dried" Li Boxiang like a cannon.
This story is very vivid, and many cross-talk fans are convinced. Is it true? The discord between Li Boxiang and Ma Zhiming should be true, and the two performances should be fake.
The relationship between Li Boxiang and Ma Zhiming can be seen from Hou Yaohua's "smashing and hanging" some time ago, and the discord between the two is probably already open.
But Li Boxiang's "grudge" with Ma Lao, or "heart knot", is probably not as deep as imagined.
Li Boxiang still has respect for Ma Lao. A few years ago, Li Boxiang went to Qiu Yingjun's program "Heroes of the Crowd", and the host posted a group photo of the 1948 cross-talk artists and asked Li Lao if he could still recognize the people in the photo. The first artist Li Boxiang pointed out was Ma San Li Lao Zu, who was honored as "Mr. Ma Lao".
Introducing other artists such as Hou Baolin, Bai Quanfu, Chang Lian'an, Li Boxiang is directly called by his name, only when introducing Zhao Peiru added the word "my master", it can be seen that Li Boxiang has respect for Ma Lao.
On the other hand, Elder Ma is also very protective of Li Boxiang, and the two people really don't look like they have a grudge. In 1992, Bai Quanfu received apprentice Wang Fengyou (then vice president of tianjin qu artists association), Ma Sanli and Li Boxiang rarely shared the same stage, and Chang Baoting and Su Wenmao attended the ceremony together.
After Wang Fengyou finished bowing, the host proposed that Elder Ma speak two sentences, and Ma Sanli talked about some rules in the cross-talk industry. Elder Ma said that in the past (in fact, it is now) the cross-talk industry values generations, and the generational division is particularly important, and the younger generations must be respectful and respectful when they see the master, the master, and the master, and they must be discussed according to the generation.
The most typical example is the term "chief of the door". Artists of the same generation, the first to worship is the chief of this generation, equivalent to the leader of the martial arts film, and he has the final say in the cross-talk industry.
The chief disciple of the German generation is Yu Delong, and he has the final say in the affairs of this generation. "Ten thousand fans" Li Dezhuo's so powerful and patient things have to ask Yu Delong first, Yu Delong said that this church can not go, Li Dezhuo is unwilling to obey. This is the prestige and power of the chief of the gatekeeper.
Shou Zi generation is Zhang Shouchen's decision. At that time, the ban on Zhang Jieyao by the whole bank was initiated by Zhang Shouchen, and the cross-talk artists did not dare to follow, so that some of Zhang Jieyao's apprentices could not continue and changed their careers.
Baozi generation Ma Lao did not mention, directly jumped to the text generation. At this time, Elder Ma named Li Boxiang and said that Li Boxiang was the chief of the door, and he had the final say in this line.
The chief of the written generation has always been very controversial, some say that it is Su Wenmao, some say that it is Zhao Xinmin, and some say that it is Li Boxiang. As far as the formal worship of the teacher is concerned, Su Wenmao was the earliest (1943), and according to the "KouMeng" worship master, Li Boxiang was the earliest, and when he beat the mother's womb, he recognized Zhao Peiru as the master (1938). Mr. Zhao Xinmin's time of worship is unknown, and it is estimated that it is not earlier than Li Boxiang.
Therefore, it is still very reasonable for Ma Lao to say that Li Boxiang is the chief disciple of the written generation, of course, it is also reasonable to support Su Wenmao, and Li Boxiang's official worship was in 1949, which was 6 years later than Su Wenmao.
The head of the general door is a bit controversial, but Li Boxiang's position in Zhao Peiru's door has no suspense, and he is the first apprentice of Zhao Peiru, the master brother of the top door. Li Boxiang had the final say in Zhao Peiru's door, and others could not speak well. At that time, Hou Yaowen's teacher Zhao Peiru was brought by Li Boxiang.
Having said that, Elder Ma recognized Li Boxiang's identity as the chief of the literary generation, indicating that Li Jiechen's evaluation of Li Jiechen was a matter of fact, without personal grievances. The old man loves and cares for the younger generations, and there is no prejudice against Li Boxiang.
Of course, Ma Lao's foothold is still to break the view of the portal, to unite within the industry, not to engage in the master and uncle of the set, and to call each other "teacher" is the best. Unfortunately, Ma Lao's wish was ultimately disappointed.