The dispute between Beijing and Tianjin in the cross talk world: The grievances are so deep that even Ma Sanli can't hold it down
The competition and contradictions in the Beijing-Tianjin cross talk industry can be seen from the history of cross talk. Tianjin has been one of the birthplaces of cross talk since ancient times, and Nanshi cross talk was once brilliant. However, as time passed, the differences between sects in the cross talk world gradually emerged. Beijing and Tianjin have always had their own unique styles and characteristics.
As a representative of Beijing-Tianjin cross talk, Beijing Tianqiao cross talk has a long history. It is rumored that Tianqiao cross talk originated from the drum book in the Jiangnan area, and was later improved and inherited and developed in Beijing. The world-famous cross talk masters Hou Baolin and Ma Ji have taken root here and made great contributions to the development of Tianqiao cross talk.
In contrast, Tianjin Nanshi cross talk is known for its funny, lively, and funny style. The development of cross talk in Nanshi is closely related to Tianjin's geographical environment and cultural atmosphere. Nanshi cross talk master Ma Sanli has won the love and praise of the audience with his unique performance style and humorous lines.
However, the difference in the style of Beijing-Tianjin cross talk has also led to competition and contradictions. The cross talk industry between the two places is not harmonious, and there have been many "Beijing-Tianjin disputes" in the history of the development of the cross talk industry. This battle involves many cross talk actors and groups, including Ma Sanli, many Nanshi cross talk actors have been excluded and suppressed by the Beijing cross talk industry.
This kind of contradiction and competition not only exists on the stage, but also penetrates into all levels of the industry. On the one hand, there is an obvious gap between the sects and genres in the cross talk world, and they are constantly disliking each other, and even publicly attacking each other. On the other hand, due to the regional differences in Beijing-Tianjin cross talk, there are also unfairness in the distribution of resources and market competition between the actors in the two places.
The competition and contradictions in the cross talk industry not only reflect the differences and collisions between the two cultures, but also reveal the development of the cross talk industry. As an important part of traditional Chinese culture, cross talk should be developed with a harmonious and innovative attitude, rather than crowding out and suppressing each other. Only by working together can we promote the prosperity and development of the cross talk industry and let more people understand and love cross talk culture.