"The World of Man" finally opened, 8.1.
Word of mouth explosion is not counted, the series is really hot, the ratings continue to break 2, refreshing the TV series record of CCTV1 in the past 3 years, and even expected to continue to challenge the historical championship.
The popularity of the ratings is not counted, this was thought to be the parents love to watch the period drama, has been the first in the whole network for 19 consecutive days, a family has appeared after 00 and our father and mother to chase a drama of family drama harmony.
The drama and acting skills have been discussed, and today I want to talk about another magical point of the play: the actresses in the play are almost all plain-looking and light makeup, but in recent years, under the lens of the rare zero beauty filter of the national drama, the actresses have been praised by the audience for their beauty.
Comparing Huang Xiaolei, Sui Junbo and Sarina at the Lantern Party, you can find that the actresses in modern costumes can be said to have changed a person in the play.
But after entering the play, the actresses, whether in good shape or the naturalness of shining, are so beautiful that people can't open their eyes.
Girls naturally sculpt, many middle-aged actresses are also beautiful, other domestic dramas desperately use filters to cover the passage of time on the actors, but the branding of time in this drama adds color to the actresses.
When combined with their own atmosphere, the sense of age becomes a remarkable feature, and the beauties are not impeccably beautiful, but beautiful.
Compared with the uniform, beautiful industrialized beauty of many Chinese dramas, the actresses of "The World of Man" have made the beauty recognizable and flexible.
In the end, those real faces always have flaws, but they do not prevent them from being beautiful to the hearts of the audience.
It turns out that acting is the strongest value filter.
9. Xu Baihui (as Yu Hong)
The 39-year-old Xu Baihui has a kind of beauty of "not letting the eyebrows be shaved", her body is both sexy and cold, rigid and soft, and the aura can be quite powerful.
She plays Yu Hong, who does not have many scenes, but it is vivid and natural enough, and it is cute enough, and the cuteness of the female characters in the play definitely ranks in the top five.
She treats her friends righteously, gets along with her husband sweetly and truthfully, and as Chunyan's apprentice, Chunyan does her best to help her when she is down.
Xu Baihui has dark and beautiful hair, smooth facial lines, full forehead, affinity and femininity, but a pair of eyes with the shyness and sweetness of a girl.
Although the character is tough, but there is light in the eyes, extremely affinity, no aggression, a cheerful and frank character is portrayed to life.
Some actors are like this, beautiful looking, acting skills, have acted in many works such as "The Legend of Mi Yue" and "Children of the Qiao Family", that is, they are not very popular, not red, but each role is properly acted, and every appearance is unforgettable. Such an actor is also very beautiful.
8. Fang Yueqiao (as Sun Xiaoning)
Sun Xiaoning, played by newcomer actor Fang Yueqiao, is called the last to catch up in the play.
She plays the sister of the male protagonist Zhou Bingkun's brothers, knows that Zhou Bingkun has a family, and blatantly rubs next to Bingkun.
Fang Yueqiao's own eyes are pure and her face is clean, like a quiet girl who came out of an oil painting. But she played out the character's characteristics of not being immortal, and completely brought out the feeling of "pain" of the role for the sake of obsession.
She looks at Bingkun's eyes in the play seems to be calm, but when she looks closely, it contains surging affection, and the more so the audience wants to buy a ticket overnight to send her to Shenzhen and not come back.
It is worth mentioning that the actor himself is a "face value blogger",
In the play, it is obvious that there is not much makeup, acne and small acne are clearly visible, and dark circles can be seen.
Although the character's personality is not beautiful, the actor's authenticity is beautiful.
7. Xu Xiaosa (as Tao Junshu)
A beautiful actress who does not have many scenes but makes the audience unforgettable.
Tao Junshu is a girl that Dongmei met when she was a Zhiqing, originally a rich family, dreaming of becoming a pianist, working in the countryside to change the law and being lazy, just to protect her hands.
Xu Xiaosa's appearance is very gentle, with a classical beauty, but the modern outfit is very sassy.
The face is like a peach blossom, the lips are red and the teeth are white, and the eyes are soft like water, and the most performed in the past is the period drama. Although the shape of the play is simple, it reveals a weak and uncontrollable beauty. Beauty out of the character traits.
Tao Junshu's fate is not good, he can't stand the cold in the north, and he is also ruined by the leader surnamed Dai, but in the misery, the role is still particularly elegant. Gentle with poignant, sweet with arrogance.
She had always been sour with Dongmei, but Dongmei gave up the quota to return to the city, which made her deeply moved, and finally disregarded her own reputation and exposed the evil deeds of the leader surnamed Dai, which was the highlight moment of this character and the most beautiful moment of the character.
6. Hu Lianxin (as Feng Yue)
Feng Yue is Zhou Rong's daughter in the play, and she is full of girlish feelings that are almost overflowing the screen.
Hu Lianxin, who was admitted to the Central Academy of Drama in 2018, her pure and sweet image and agile girlish atmosphere have added a lot to the role of Feng Yue.
Previously, she starred in Qi Yue in "The Ideal Life of Love" and worked with Yin Tao.
However, this time, her role is absolutely full of hate, and it can be said that Zhou Rong, played by Song Jia, has supported most of the female annoying roles in the whole play.
This character is selfish and willful in the play, and the girl who jokes about sending love letters to his brother is an ugly girl, and the first reaction when he hears that his grandfather returns is "how long to stay".
Such a nasty role depends on the actor's appearance to support the audience to watch.
Hu Lianxin himself is beautiful and youthful, completely plain face, air bangs on the eyebrows, which is a big challenge to the value of the face, but it is rare to perform the hollow, shallow, and beautiful role of the role, this shallow beauty, even more difficult to perform than the clear beauty of life of Zheng Juan and Dongmei, can be performed to make the audience hate, is good acting.
But the actor himself is actually cute, exquisite eyebrows and clean face, with two pear swirls looming around the mouth when laughing, revealing a little girl's charm and shyness, as long as he does not play such a disgusting role, he is definitely an elegant and fresh, naturally friendly beauty.
Among the awl-faced actresses produced by today's assembly line, the small and fresh beauty has become a feature and the beauty has become a clear stream.
5. Huang Xiaolei (as Qiao Chunyan)
The 41-year-old Huang Xiaolei played the young girl Qiao Chunyan, who was originally very easy to overturn, but it was not at all.
The setting of the young girl Chunyan in the play is a big grin, true temperament of the tiger girl, the first half of the wear of a big red jacket, two thick braids, looks very festive, but the plain face is also easy to expose the fatigue of the actor.
Fortunately, Huang Xiaolei used the spirit of the character to support the appearance, the eyebrows were dark and verdant, the eyes were bright and pure, the smile was bright and bright, and there were charming dimples, and the whole person was beautiful and delicate, full of vitality.
Huang Xiaolei played the character's spicy astute, playful and cute, Chunyan three days at both ends of the enthusiastic confession to Bingkun, natural acting skills to Lei Jiayin played Bingkun's kind of instigation and kindness, provoking people to laugh temperament set off more interesting.
Many viewers who follow the drama think that Huang Xiaolei is from the northeast, but in fact, she is a standard Chongqing girl.
In the past, she played Zhu Kaishan's third daughter-in-law in "Breaking into the Guandong", played the underworld sister-in-law in Ning Hao's movie, and played the underworld sister in "The Crowd", and her body and body were full of wild beauty and hot. It is reminiscent of her years as a soccer girl stunning straight man.
But in the play, she performed the change of the role from playful to dignified atmosphere, and occasionally showed a few vicissitudes in the later stage of modesty.
The director of the whole drama was stunned that he did not give any skin polishing, but the audience could feel the beauty of Chunyan, which was enough to prove that Huang Xiaolei was an underrated good actor.
4. Song Jia (as Zhou Rong)
Song Jia has always been praised as a temperament goddess, and her face in the play is also particularly attractive, which is the type that looks better and better the more you look at it. The whole person has a straight nose and deep eye sockets, and looks aggressive.
At the beginning, this character ignored the opposition of her family, sneaked away from home, abandoned her relatives, and followed love; because her family was caught and caught, paralyzed and paralyzed, she returned to her mother's house after everything was over and shed a few tears, that is, she and Feng Huacheng returned to the hotel to live, leaving the old mother alone.
She has a successful career and a happy marriage, and behind her are relatives who carry the weight for her, which she takes for granted. In the end, there was Cai Xiaoguang to give her the bottom.
The character of this character is really annoying, and the best part of Song Jia's performance in the whole play is that there is no avoidance of the character's dislike, and the real human nature is sometimes annoying, but this is the human world.
And Song Jia's beauty has done a good blessing for the role, she is heroic, her eyes are clear and determined, and her beauty is particularly distinctive, because this face audience reluctantly accepts Cai Xiaoguang's half-life waiting for Zhou Rong.
Many people summarize Zhou Rong's life as an independent woman, but I prefer to call it the purity of self-interest. But selfish people also have moments of vulnerability.
Her anger when she was betrayed by Feng Huacheng was very calmly conveyed, but with textbook-level "resentment". Pain, remorse, lack of love, but the audience's heart is still vaguely painful for this role.
Song Jia's most beautiful moments in the play are several crying scenes, tears can express more and more complex emotions, watching the five tastes and miscellaneous, but also let people forget the disgust of the role in a moment, at that moment the audience found that Zhou Rong, who was disappointed and hurt, had a kind of broken beauty.
3. Ma Fanding (as teenager Zhou Rong)
I don't know how many viewers are like me, sighing that there are too few scenes of the young girl Zhou Rong.
Ma Fanding, who plays the young girl Zhou Rong, is a native of Changchun, Jilin Province, and is currently studying in the Drama Education Department of the Central Academy of Drama, showing outstanding talent and aura in the play.
Ma Fan Ding's eyebrows are straight, his face is beautiful, and a pair of large eyes, which looks particularly spirited. The whole person does not apply powder, natural to carve, but bring out the 70s girls' unique simplicity and purity, a little naïve mixed with pure beauty, completely in line with the setting of "the first beauty of the light word film".
Such a Zhou Rong can let the audience understand what Cai Xiaoguang is really intoxicated with.
To say that the disadvantage is that the small actor is too beautiful, but also the young girl Zhou Rong is too beautiful, the calm and generous character, which is sincerely admirable, and also forms a huge rupture with the selfish and incomprehensible Zhou Rong when she grows up.
Can you believe that the wise girl who the family played chess pieces to send her father or the eldest brother first, and solved the problem in one sentence, and zhou Rong, who was later blocked by Feng Poet Yiye, was a person?
Next, the young actor will also play a role in "Police Honor" and other dramas, and my judgment of the future of this young actor is four words: the future is immeasurable.
Zhou Rong is young, and the tragedy that may not be good should not continue on the actor.
2. Sui Junbo (as Dongmei)
Sui Junbo is really eye-catching this time!
Who would have thought that this actress, who is now praised by the whole network, was ridiculed by the whole network at the end of last year for playing Pei Nanwei in "The Knife In the Snow". This shows how important the actors and characters are to taste.
Seeing the 43-year-old Sui Junbo wearing a double ponytail, wearing a thick cotton jacket, a soft face, a pair of clear eyes, and a watery appearance in the countryside of the play, I said in my heart: Yes, gentle, not humble, this is the role that Sui Junbo should play.
Sui Junbo's first love is Jin Dong, Xiao Yu in "Give Me a Cigarette" is the real first love face, married at the age of 34, and now the mother of an 8-year-old child, unlike many hot mother actresses who show sexy beauty, Sui Junbo's beauty is subtle and pure.
After finding the right role, Sui Junbo's beauty bloomed with the role, playing the young Hao Dongmei, without the slightest sense of violation, looking vibrant and temperamental. Sui Junbo is a long face, the face has edges and angles, but her cheeks are full, the temperament is gentle, the whole person's appearance is very oriental classical beauty, even the light from the eyes is clean, and the whole gives people a gentle and understanding feeling.
As she grew older, the greenness of her body faded, and there was a light, elegant beauty, still charming.
She and Zhou Bingyi in the play no matter the peaks and lows, do not give up, in order for the Bingyi family is really anxious with their mother, what ugly words were said, the result ate the mother played by Song Chunli a slap, that moment of dongmei is really I see pity.
When the performance of "The Knife Line in the Snow" was complained about, the audience said that she looked old, and as a result, the 43-year-old Sui Junbo almost appeared in the play, but became the immortal goddess in the audience's heart, mellow and quiet Like the precipitation of the years to make her more beautiful.
As an actor, Sui Junbo is expressive enough in front of the camera, and she is also beautiful in life, and the years have not left traces on her skin.
After watching the two plays bring different evaluations of the actor's appearance, I feel that a good actor can choose the right role interpretation to impress the audience, and beauty depends on perception.
Instead of competing to play the first beauty and relying on filters to cover up all flaws, the new generation of beauty stars should choose a role to fight for and let the real beauty bloom out.
1. Yin Tao (as Zheng Juan)
Yin Tao, in the beauty lineup of this drama, is the existence of the sea god needle, and is the most blooming peony in the kaleidoscope. Throughout the play, she is beautiful and cheerful, and she will not be compared to any character. What a god.
In the play, she plays Zheng Juan, who laughs at suffering, and as soon as she appears, she "suppresses" Bingkun.
Her appearance without wearing trousers and stringing sugar gourds on the kang is a textbook for the beauty of the characters. With slightly messy braids, staring, immersed, and flustered are all appropriate, and they are not tired of looking.
The audience can understand why Bingkun can look stupid.
Cherry small sips, a pair of small dimples, eyes with affection, skin like gelatin, are only a part of Zheng Juanmei,
As the saying goes, "beauty in the bone is not in the skin", the bone phase is based on the facial features, the core lies in the eyes, Yin Tao is a pair of moving flower eyes purple smoke, especially in the moment of raising the eyes, it is all the delicacy of the little woman, who can think that at this time she is 42 years old.
The warm yellow tone plated her with a golden halo, and the result was that it hooked the audience's heart at once.
Yin Tao really performed the beauty of the different situations of the characters.
Zheng Juan, who boldly confessed to Bingkun, had a determination, delicacy, and deep affection for a mature woman, but it was not a girl's stupidity, but a brave expression. Even if the fiancé is sentenced for murder, pregnant with a child and becomes a "widow", there are old mothers and blind brothers in the family who need to be taken care of, and they are criticized and looked down upon, they have not worn away her perseverance and enthusiasm for life, and her beauty is full of vitality.
Say a large number of straightforward lines, the eyes are still moving enough, sometimes seductive, sometimes resolute, sometimes sincere, very textured. Acting is the best plus for appearance.
As the fate of the character continues to change, Bingkun is imprisoned, and the charm and style of Zheng Juan's body increase with age, Yin Tao constantly releases the charm of the character's maturity and calmness in the face of the challenges of the years, and still provokes people's hearts.
The two contradictory painting styles of slenderness and abundance, and the girlish demeanor of a mature woman, exist at the same time in her body but do not violate it, but have become a special charm.
Later, Zhou Bingkun was imprisoned, and she was busy taking care of a large family, but the whole person did not frown and face. Behind the beauty is the actor's understanding of the role, and Zheng Juan's fate is tragic, but this character is tough to the end.
Yin Tao is an actor from the military, after her debut, she filmed four plays of Gao Xixi in one breath, she is the real white moonlight in "The Sky of History", and the role of "Yang Guifei" is controversial.
But once she meets the right role, the acting skills and appearance after the Grand Slam vision also fully burst out, and she fully performs the persistence of Zheng Juan who does not obey fate, like a beautiful wild lily, even after experiencing hardships, it is still fragrant and beautiful.
Although Zheng Juan is an ordinary woman, Yin Tao gives the character a character other than fireworks, which ultimately makes the character shine.
After watching Luo Yuzhu in "Chicken Feathers Fly to the Sky" she played, you will sigh that a good actor is really a thousand faces.
If there is anything in common with the beauty of the two characters, that is, no matter what age, everyone will appreciate the goodness, and the kindness will also amplify the beauty of the character.
Conclusion: A good drama never defeats a beautiful person
Looking back, domestic dramas are changing, aesthetics are changing, but the standards of beauty have never changed.
One of the characteristics of "Human World" is to pay attention to reality and be close to reality. The actors dress up like a human being.
The costumes in the play are all low-key and textured. Unlike many big productions now, although the crew has money, the drama is a distorted flashy, the costume dramas are all studio photos, the actresses of the period dramas are painted with thick eye shadow, and the makeup is really tacky.
The beauties in "The World" are unforgettable because they reflect the best side of the actresses of the period drama. Each actress has a natural and fresh appearance, their beauty is real, and they have vivid and accurate acting skills.
Compared with the seemingly perfect melon face and big eyes combination, the audience's favorite is always the natural style of unadulterated. Bright or simple, beautiful or beautiful, any kind of beauty can become its own scenery, touching people's hearts.
Under the background of high-quality works, the beauties are also added because of the roles.
In the final analysis, in addition to the natural beauty of the actress, with the vivid and powerful role to bless, in order to create this "face with a story", the beauty and the role collide and blend, becoming an eternal memory.
And the acting skills make the real actors have a very multi-faceted beauty.
On the contrary, there is no beauty whose works set off their acting skills, and the beauty in the works naturally degrades to a hollow and plastic feeling.
"The World of Man" highlights morality and responsibility, lyrically expresses feelings and aspirations, and also composes the coolness of human nature, the complexity of family affection, the difficulty of friendship for a long time, and the not completely beautiful world of people, which is the real world.
Because there is no avoidance of this complexity, the beauty of the actresses in the play is also richer.
The beauty of the actress of this drama, Zi Qianhong, also told the latecomers that relying on filters and semi-permanent makeup, the beauty of the re-enactment is soulless. The beauty of a good actor is fixed in the role in order to shine for a long time.
The beauty of "The World of Man" lies in portraying the world to the extreme, the real story, the real characters, the audience gets the sense of beauty from the play, everything is so beautiful, "love like fire, the world is worth it."