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Moving my gaze away from Chen Xiao, the 5 actresses of this drama caught my eye as soon as they appeared

The TV series "The Road of Life" has been extremely popular recently.

"News Network" warmed up in advance, CCTV's set of golden strong files was broadcast, and it won five ratings firsts in a row;

Social media is hot, frequent hot searches, and the circle of friends is also full of its news.

Judging from all indications, the fire of "The Road of Life" has the potential to reproduce the glory of period dramas.

The breakthrough of the starring Chen Xiao in the play is eye-catching.

Chen Xiao has always been famous for the role of "beautiful man".

But this time, he subverted his previous image and starred in Gogarin, who came out of the countryside and eventually changed his fate.

As soon as he debuted, he had dark skin, wore linen clothes all year round, and did things openly and closely, like a rural baby in northern Shaanxi.

In the inner expression of the characters, you can not only see the habits and limitations of rural youth, but also the passion and ambition of enthusiastic youth.

Chen Xiao interprets this complex role vividly and three-dimensionally.

No wonder director Yan Jiangang said bluntly: Chen Xiao is Gao Garin.

However, the highlights of this drama are far more than a Gogarin.

After brushing 20 episodes, Pico found that there were still 5 female characters in the play, which made people remember and caused heated discussions among the audience.

These 5 female characters with different characteristics reproduce the most authentic side of that era from different angles.

Let the drama come to life and raise it to another level.

01, "golden" Liu Qiaozhen

Pi Ge always felt that Liu Qiaozhen, played by Li Qin, was a golden female character in "The Road of Life".

Liu Qiaozhen has both the simplicity and strength of a rural girl and the bravery and openness of a woman in the new era.

She has a character like iron, an attitude to life, but always positive.

If you understand Liu Qiaozhen, you may be able to read the characteristics common to most excellent women of that era.

In fact, Liu Qiaozhen has some tragic colors on her.

Her tragedy, not created and tricked like Gogarin, but tried her best but could not love.

Due to the large number of children in the family, Liu Qiaozhen voluntarily gave up the opportunity to study.

She left her precious only hope out of the mountain to her sister Liu Qiaoling.

He drove a tractor to do farm work and became his father's right-hand man.

In the choice of fate, the selfless Liu Qiaozhen took the initiative to choose to become a farmer, marry and have children in the future, and stay in the ravines and ravines all her life.

In the choice of love, the brave Liu Qiaozhen is not afraid to express her love.

Her love is obvious, passionate, and passionate.

She almost wrote "I love Gogarin" on her face, and her own tractor almost became "Gogarin-only".

When Gao Garin failed the college entrance examination, she accompanied silently;

When Gogarin lost his teaching qualification, it was she who painstakingly comforted her;

Every time Gao Garin consciously or unintentionally expressed his love for her, she would shout out to the Yellow River and to the mountains in the northwest.

Some viewers said that Liu Qiaozhen was "upside down", and some people said that she was "the licking dog of love".

But Pico doesn't think so.

If a young person begins to weigh the pros and cons when dealing with the first relationship, he is afraid of the end, does not look at the present, but only looks at the material.

That only shows that she is too deeply immersed in society and worldliness.

And Liu Qiaozhen, who is thinking about Gao Garin, precisely has the ultimate simplicity of love.

This simple short-term view may bring uncertainty to her fate.

But stretched to the perspective of the whole life, it is the most valuable experience and memory in Liu Qiaozhen's life.

Without Gogarin, she would not have known the love of her life.

Without Gogarin, she would never have been able to understand what true love is.

Although Liu Qiaozhen has no culture, she is smart and motivated, and she has never complained about any injustice.

She has a lot of action that contemporary young people lack, and she will never fall into endless internal friction and inferiority, but always go up, never waste her years.

With Gogarin, she can afford it, and without Gogarin, she can put it down.

Moving my gaze away from Chen Xiao, the 5 actresses of this drama caught my eye as soon as they appeared

The scene of "freeing" Gogarin to give himself a red silk scarf on the top of the mountain is one of the most impressive shots in all Chinese dramas this year.

Resolute and romantic.

Between the green mountains, this red seems to be Liu Qiaozhen's compromise.

But from another perspective, this is not her abandonment of her own shackles.

Moving my gaze away from Chen Xiao, the 5 actresses of this drama caught my eye as soon as they appeared

This also laid a solid emotional foundation for Liu Qiaozhen to suffer from her daughter's illness in the back and go to Shanghai with Ma Shuo to treat her daughter's illness.

Liu Qiaozhen is the most beautiful poem written for the yellow land in "The Road of Life", and is also a typical representative of excellent women in the north.

Because of Liu Qiaozhen, "The Road of Life" has become half.

02, Hua Xiaojuan with a long aftertaste

The brilliance of "The Road of Life" lies in its group portrait.

And this kind of group portrait drama, in reality, is every character that seems to pass by, but it has a long aftertaste.

The female character who shocked Pico the most in the play was none other than Hua Xiaojuan.

Hua Xiaojuan, Gao Jialin's colleague when he was a private teacher in the village elementary school, is the only female teacher among the three teachers.

Because her husband went out to work, she took the baby alone, and usually had to not only run the family, but also take care of the teaching of the village primary school, which was very hard.

Even so, Hua Xiaojuan rarely complained, and she did her best to do her job.

There is a scene in the play that moves Pico.

After giving birth, Hua Xiaojuan was weak, but she still insisted on carrying the child on her back and came to elementary school to attend classes.

Because she accidentally flashed her waist, she had to hang a rope on the beam in front of the blackboard, pull the rope to relieve her back pain, and then endure the pain to teach the children the nine-nine multiplication table.

This shot may only pass by, but it reflects the suffering of most private teachers at that time, especially the difficulties of the life of part-time teachers for single mothers.

Although Hua Xiaojuan does not have Gao Garin's knowledge and Zhou Xinchu's qualifications, she is one of the greatest teachers in this elementary school.

Although she finally chose to go to Shenzhen to develop with her husband, her contribution is worth remembering by all the children of Madian Primary School.

03. The fragrance that disappears into the dust

Compared with Liu Qiaozhen, Xiangxiang's tragic color is stronger.

But Pico does not think that Xiangxiang is a "negative teaching material".

On the contrary, her awakening of consciousness is something that all women in the 80s should learn.

Xiangxiang is an ordinary girl in the village, because she was abandoned by her father since she was a child, she and her mother lived a difficult life.

But Xiangxiang still has good expectations for love, and she silently likes the boy who sings for her on the other side.

Liu Qiaozhen saw Xiangxiang's thoughts.

With the help of Liu Qiaozhen, Xiangxiang and Xixi eloped and went to live in Xi'an.

But Xiangxiang did not expect that during the refugee investigation, Xixi fled alone, leaving her alone and sent back to the village.

Although he was less than 20 years old, in the folk environment of the time, Xiangxiang was considered "unclean".

She was then forced to marry a disabled person.

No bride price, no wedding, not even decent clothes.

A group of three, Xiangxiang was thus decided for the fate of her life.

When she lifted the hijab, Pico thought she would cry.

But Xiangxiang's eyes were determined, as if she was declaring war with fate.

Later, Xiangxiang's husband died, and she was kicked out of the house by her in-laws and disappeared into the dust with her children.

Xiangxiang's fate is undoubtedly tragic.

But the biggest reason for Xiangxiang's fate is not her own choice.

It is irresponsible men, backward feudal ideas, and inhuman in-laws.

As a branch of the entire drama, this story is extremely critical and gives the audience a strong impact.

Times are progressing.

The misfortunes that Xiangxiang has experienced, some of them have become the dust of history, and some are still wandering in the world.

This is also the reason why the role of Xiangxiang can give people a long aftertaste.

04, the Gaoyang clan like water

In "The Road of Life", even many people do not know that Gao Garin's mother is named Gao Yang.

Because the name appears only once.

But in the early stage of the entire drama, Gao Yang represents the most gentle and water-like trait in female motherhood.

Some viewers said that Gao Yang's tolerance of Gao Garin was almost a kind of "doting".

Because she always considers things from her son's point of view unconditionally, always supports her son's decision, always gives her son the best, but suffers herself.

But looking back, which of our mothers wasn't?

Being able to understand the child's emotions is in itself the most commendable merit of a mother.

Compared with the current tiger mother who is flooded with chicken babies, Gao Yang in the 80s did a good job of providing emotional value and emotional support for children.

Gao Garin participated in the pre-examination and the college entrance examination, and Gao Yang did not hesitate to kill his own egg-laying hen and made two bowls of steaming chicken noodle soup to replenish Gao Garin's body.

After his son fell into self-doubt after falling off the list, he couldn't go out, so in order not to disturb his rest, Gao Yangshi sat outside the door holding a bamboo pole.

As soon as the bugs and birds in the trees began to bark, she went up and poked them, for fear of disturbing her son's rest.

This kind of most simple love has really not been seen in a national drama for a long time.

Her son's phrase "I want to eat walnut cake", she took a bamboo pole to the mountain early in the morning to hunt wild walnuts, and accidentally fell and injured her.

Although this injury changed Gao Garin's idea of repeating it, for Gao Yang, this injury was also because of the ultimate love for his son.

We all say that the love of the father is like a mountain, and the love of the mother is like water.

Maternal love, like water, embraces all things, but never ostentatiously.

Maternal love is always where we can't see, always infiltrating everything, silent but silent.

The role of Gao Yang allows us to see that no matter what era, the true meaning of maternal love seems to have never changed.

Because of her simplicity, there is Gogarin's excellence.

It is also because of her love that the word "life" in "The Road of Life" has a broader meaning.

05, the realistic Qu Jindi

He Saifei plays Qu Jindi, the mother of Chen Xiuli in the play, which is a very special female character.

This "evil mother-in-law" from Shanghai was naturally compared by the audience with the previous two female characters.

In this contrast, we can also see the thinking that collided with the contemporary mother-in-law and the concept of choosing a son-in-law.

The first one to be compared is Xiangxiang.

Qu Jindi was born into a wealthy family in Shanghai, but eventually married a poor boy.

She believes that her life is not going well, and her marriage is actually insisting on going against her parents' choice.

This is the same as Xiangxiang.

Both twisted their parents to get married, but Qu Jindi's ending is better than Xiangxiang, who was born in the countryside, because she has a family background to cover for her.

It is precisely because she has the same experience that Qu Jindi is resolutely opposed to the love between her daughter Yang Xiuli and the poor boy Gao Shuangxing.

What she is afraid of is that Gao Shuangxing likes Yang Xiuli, not out of love;

What she was worried about was that her daughter had gone her own way.

The second to be compared is the Gao Yang clan.

Qu Jindi's love for her daughter and Gao Yang's love for her son are actually the same.

Although the expressions of the two are different, in essence, they are both concerned about the next generation.

Whether from the perspective of the people in the play or from the perspective of modern people, although Qu Jindi's yin and yang strange looks unflattering, her point of view is correct.

From ancient times to the present, marriage pays the most attention to "door to door", and it is very important to choose the right person.

The breakup of Liu Qiaozhen and Gao Garin is the opposite example of "The Road of Life", which presents a negative example of marriage.

One of them is a peasant who works all day in the countryside, and the other is an intellectual who dreams of being in Shanghai, and the two have no common language and no common pursuit, and they are destined to not go together.

Xiangxiang's marriage tragedy also tastes the same.

Therefore, Qu Jindi is understandably opposed to Gao Shuangxing's "Gao Pan" own daughter from northern Shaanxi.

Because marriage is not a simple love after all.

Under the evolution of time, marriage will become firewood, rice, oil and salt, and will become endless running-in and frivolous.

It is not supported by the initial fiery emotions.

And Qu Jindi, who came over, obviously has a clearer understanding of this point.

Even today, the conditions that "mothers-in-law" have to consider are the same as they were 40 years ago.

Most of them are thinking nothing more than giving their daughters a good future and life.

Because ideals are not better than materials, not all men are potential stocks and can always be affectionate.

Before Xiangxiang eloped with Xixi, she was warned by her mother: this man is not a good man except singing sour songs.

Sometimes, to distinguish whether the daughter's love object is "Gogarin" or "Xixi", the mother-in-law's vision may be more reliable.

In summary, these five female characters are the most eye-catching and realistic expressions of "The Road of Life" broadcast to 20 episodes.

Although most of the shots in "The Road of Life" are occupied by men.

But these women still let us peek into the group portraits of people in the 80s, so as to see the full side of that era.

The characters with distinctive characteristics are the killer features of "The Road of Life", and the group portraits that are all online are the background color of the quality of "The Road of Life".

This is also the reason why many viewers continue to chase this drama and quietly wait for it to end.

© Original 丨Article copyright: Pippi Movies (ppdianying)

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