Internal entertainment began to love Pumen?
The first beta of internal entertainment, the top husband in the entertainment industry.
Guess who?
Unexpectedly, he is a king sledgehammer.
Misplaced, start over.
What other counterattack, comparable to the funny man once on the beauty route?
In particular, it is also the spokesperson who has ruled a generation of Internet memory.
At first, when I heard that Baike had a face powder, my heart was shocked:
Everyone's appearance threshold is too low, right?!
Until I opened the famous scene of the bloodbath B station -
"Jiang Zhao Dawn", Wang Cheng opened the door to Li Xiaonan and opened a warm smile;
"You who saved 10,000 times", Bai Zhenzhen collapsed because he couldn't save Li Duomi;
"Door Lock", Shunmao Zhengfei exposes his dark side...
Coupled with the vivid BGMs, beauty filters and copywriting of the dream girls, my face gradually burst into a smile.
After eating a few mixed cuts, the more Baike looks at it, the more eyebrows are clear.
What's going on? My aesthetic rebellion!
Although these works have different reputations, they accidentally let people get the other side of Baike -
The body is well managed, and the handsomeness flickers and flickers.
It looks a little more Su than Lei Jiayin, less colory than Zhu Yawen, and the good-looking degree and hormone content are just right in reality.
Especially when the glasses are paired with formal wear, Sven is refreshed and shining, like my husband who is working hard in the workplace and loves his wife and daughter when he goes home.
Ten years ago, Wang Sledgehammer carried a straight male fantasy -
"Become CEO, win Bai Fumei, and reach the pinnacle of life."
Nowadays, white customers open in the opposite way -
He is not funny, he looks like a tall climber, and his personality is IKEA.
An affordable fantasy for contemporary independent women:
Turn in your paycard on time every month, go home and take the initiative to cook, and know how to provide emotional value.
After all, going home with a warm embrace that knows the cold and the heat is far more realistic than those empty dolls with handsome faces and billions of properties.
Image source: Up "Aoki Xiaomo"
It's not just beta male lovers who spoil white guests.
Throughout the big screen in recent years, the number of white customers has soared -
In "The Door Lock", the evolution of the veterinarian, the glasses are removed, exposing the madness and nervousness under the gentle epidermis.
In "More Than Ending", he turned into an ordinary and embarrassing idealist, using a pen to speak for 100 million people.
"Gentle Shell", he is a family member of a mentally ill person, seemingly healthy and decent, but overwhelmed by the burden.
Character completion varies from high to low, but you can already see the potential for changing temperament.
There is no shortage of heavy works in the upcoming release -
"It's Not Worth the Trip" and Hu Ge play brothers, and "Looking for Her" and Shu Qi play husband and wife.
He returned to being a voice actor in Liu Jian's animated film "Art Academy" and was shortlisted for the main competition in Berlin.
There is also the screenplay killing movie "Welcome to Log in Again" starring with Jia Jingwen and produced by Chen Zhengdao.
Commerce, literature and art are blossoming, and anyone with good resources (including Baike himself) has to sigh:
Neiyu really loves Baike!!
Without the blessing of traffic awards and his ordinary appearance, how did he become a fragrant food favored by the market?
This is similar to his popularity among women:
"Pu Nan" Baike is also an affordable actor.
First of all, the general male face has a wider range of dramas and can adapt to more types of roles.
Just in case, let's start with the limit:
1. This general is only applicable to the entertainment industry or actor profession.
Second, the appearance can be general, but the acting skills must be strong.
Neiyu likes to use Pu Nan to mock his brothers' "handsomeness that only fans can see", and in film and television works, Pu Nan represents a grassroots sense that can interpret the fate of ordinary people.
What is the strongest role in domestic movies all along?
The answer must be: little people.
Whoever can play a good little person can quickly capture the audience and the market, even if they don't have the best appearance conditions -
Peng Yuchang and Guo Qilin, the best at enthusiastic teenagers and small people in the workplace, blowing warm and optimistic fireworks in daily life in the wind;
Huang Xuan and Zhang Wanyi have a positive drama on their bodies, as if no matter how turbulent and difficult the environment is, they can maintain a naked heart;
The native dog male actors represented by Jiang Qiming and Aruna are suitable for playing bad guys or marginal people, breaking strong vitality in dark corners and sliding to a brittle and fragile fate.
In the Mesozoic Era, Zhang Songwen and Wang Xiao evolved into chameleons, and the long-term crawling not only did not make the acting skills oily, but opened up the second vein of the performance of Ren Du.
You will find that the actors who have suddenly emerged over the years and those who have produced steadily are increasingly coming from these non-standard handsome faces.
They use the light of characters to expand the aesthetic spectrum.
Instead of using medical beauty to make up for acting skills, we would rather see ordinary men use acting skills to make up for acting skills.
Just pleading: don't believe the beauty of the dream girl, don't try the idol romance path.
Nabi and Baby who are stunned by Teacher Zhang
Secondly, the market uses ordinary men from comedy backgrounds to produce the most effective results.
In addition to their own grassroots feel, their comedy labels also give the character a bonus.
In the past, funny images accumulated a lot of popularity for them, and once they were not funny, there would be contrasting surprises.
So comedian + transformation = the urge to watch.
Recently, Dapeng Zengfei starred in the robber in "The Eighth Suspect" and won the first actor award of his acting career at the Shanghai Film Festival.
Even if you don't know the specific performance, just seeing the opposite look and appearance, you have the desire to rush into the cinema to inspect the goods.
Transformed comedians, has always been rich in domestic entertainment actors.
"I Am Not the God of Medicine" has been praised by many as the pinnacle of domestic films in the past 20 years.
In my opinion, it is also the pinnacle of the shaping of small characters in domestic theaters in the past 20 years, as well as the peak of Xu Zheng's acting skills.
Looking back and savoring Xu Zheng's performance, the most powerful thing about him is not to complete the transformation from a greasy and selfish little citizen to the final sanctification of the flesh.
But as a comedian, he can turn this bitter medicine into a silky mouth.
Those tearful highlights, the heart-grabbing lines of "He's only 20 years old, what is his crime", even if it is the touching effect of a commercial comedy star dissecting himself.
But these for other actors, it is estimated that they can also achieve the same impact.
Xu Zheng's irreplaceable place is the process of him using the excellent rhythm and observation and imitation ability of a comedian to release the character's cordial and landed shining points little by little.
For example, he was aggressive about Huang Mao's robbery of medicine, but the medicine bottle in his hand was thrown back into Huang Mao's hand.
For example, she moved her heart for Sihui, but she kept her bottom line when she was in her specific situation.
He has flaws, he has bad habits, but he is vivid, he is also lovely.
How to express such contradictory little character characteristics is Xu Zheng's specialty, and it is also the specialty of producer Ning Hao, or the housekeeping ability of creators who have been immersed in comedy for many years.
They never make heroes and gentlemen, embarrassed kindness, forced to stand up, but make ordinary people more empathetic and substitute.
Fan Wei, perhaps the ceiling of the comedian's transformation.
From Zhao Benshan's royal green leaves, to the Internet philosophy master Fan Debiao, to Ding Wuyuan, who is left and right, he stepped into a deeper worldly dust.
Until the deep pain of losing a son and yesterday's glorious Wang Xiang, all faded the comedy color, and used the old body to convey the delicate and complex life situation.
At the end of the comedian, even if he is silent, the corners of his eyebrows and eyes can show traces of fate crawling and combing.
On the road to advancement of Pu Nan, Hu Ge can be regarded as the opposite.
Constantly grind away his star flavor and idol atmosphere, and constantly challenge the genre field that he has never stepped into.
The criminal Zhou Kenong, the secretary of the county party committee Mei Xiaoge, the eulogy writer Wen Shan...
Every effort to get out of your comfort zone is to get closer to "ordinary people."
Finally, in "It's Not Worth the Trip", the lead is washed away, so that we forget Hu Ge and enter a period of life of the frustrated screenwriter and his path.
Compared with the Houtian Pu Nan Hu Ge, the innate Pu male white guest has the advantage.
He played the oily, shrewd funeral home staff next to Hu Ge, which seemed much more logical.
Because the audience does not need to overcome the "drama" and "distrust" from his face.
To borrow the core of the movie "It's Not Worth the Trip": "Ordinary people can also become the protagonists of the story."
I think this is also and should be the aesthetic trend of internal entertainment creation.
There are more and more stories from ordinary people, and the demand for "ordinary faces" will also increase.
If I want to say, in the entertainment industry, appearance is not a derogatory term.
Ordinary or even unacceptable acting skills should get out of our field of vision.