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The middle-aged actress let go of herself, after Jiang Wenli, Ma Yili also don't want word of mouth!

Middle-aged actresses dressed up tender have been quite popular in the past two years!

For an actor, playing young and old, this is all a thing, but it also needs to be suitable, and you can't take it for granted and do nothing. For an actor, each age group also has a corresponding character to play. In fact, it is easy to play old, but it is difficult to play tender, but some actors do not know it, and they have to do embarrassing things at the wrong age.

The middle-aged actress let go of herself, after Jiang Wenli, Ma Yili also don't want word of mouth!

Zhang Ziyi, Liu Tao, Jiang Wenli, Ma Yili and other actresses have already entered middle age, but they still want to play tender and perform idol dramas. Period dramas are good to say, after all, there are age reasons, which is understandable, but modern urban dramas are a little too much.

Not long ago, in "Love at the Corner", Jiang Wenli, who is more than half a hundred years old, dressed up as tender and fell in love with Ming Dao, which was criticized for being criticized. In the play, there is no mother-daughter relationship with his mother, and his girlfriend is not an age group at all, and he Mingdao has no sense of CP at all, which can be described as spicy eyes.

The middle-aged actress let go of herself, after Jiang Wenli, Ma Yili also don't want word of mouth!

It is understandable that Jiang Wenli wants to try new types of characters, but such a disregard for the audience's feelings, unaware behavior is somewhat self-deception.

As the queen of the three major TV awards of Magnolia, Feitian Award, and Golden Eagle Award, or the queen of the Golden Rooster Award, I didn't expect that Jiang Wenli also began to let go of herself, and this time it can be said that she planted a big heel. Full of bad reviews, this drama is enough to make her have a good memory.

The middle-aged actress let go of herself, after Jiang Wenli, Ma Yili also don't want word of mouth!

Unexpectedly, Ma Yili, who now also has multiple behind-the-scenes bodies, has also begun to play a young girl.

"Dragon City", this is Ma Yili's first TV series in three years.

The last time the public saw her play "Cheongsam Beautiful Detective", her performance was eye-catching and her reputation was good. After that, the starring movie "Love Myth" was also a word-of-mouth box office hit. I thought that she would go down this route, that is, to interpret film and television works suitable for herself like "Love Myth", but she didn't. Obviously he is nearly fifty years old, but he acted from 26 to 30 years old in "Dragon City", playing a young girl.

The middle-aged actress let go of herself, after Jiang Wenli, Ma Yili also don't want word of mouth!

Ma Yili, who is old herself, has an even more obvious makeup in the play.

That set of wigs did not make her look younger, but more like an aunt. In particular, it is necessary to scratch the head and make the posture feminine, which is really pretentious and annoying. The whole performance state is extremely unnatural, and it dissuades people alive.

In particular, the actor Liu Lin, who plays his third aunt in the play, is only three years older than Ma Yili, and Jiao Gang, who plays his father, is one year younger than Ma Yili. In such a group of actors of comparable age, Ma Yili is even more abrupt and not suitable at all, no one will think that she is playing a girl, thinking that it is another urban life drama of middle-aged men and women.

I never expected that in the play she played a girl, and now she is a college student in love, obviously only 30 years old, the difference is only 6 years old, but it seems to be the difference between mother and son.

Sibling love has been played into a mother-son love, even if it is now open and free enough, but seeing such a plot is still unacceptable.

The middle-aged actress let go of herself, after Jiang Wenli, Ma Yili also don't want word of mouth!

An actor chooses the wrong character, even the best acting skills cannot save the reputation.

In the play, Zheng Dongni, played by Ma Yili, is a crazy beauty, and for the audience, what they see is not "crazy criticism", not "beauty", but middle-aged women who will only go crazy, making a big fuss when they don't agree. And the character in the play is also amazing, she flashed marriage and gave birth to a daughter during college, and then sent her daughter to a relative's house, and began to run around to earn money to raise her daughter. After mixing for a few years, there was not much improvement, and I fell in love with a doctoral student, married and had children again, and soon there was a noisy divorce.

Of course, the trauma caused by her native family is too deep, but this is not a reason for her to squander her life.

It was not until the unexpected death of her mother and her father's paralysis in a wheelchair that she sobered up a little, took the initiative to leave the house, and started again to take care of her half-paralyzed father.

Zheng Dongni's life is not fake, but like her, there is also Zheng Xizhi, who is not so presumptuous and unscrupulous like her.

Although I got out of school and mixed society very early, my mind has always been immature. Fortunately, after nearly a decade of tossing, it has finally stopped.

The blood on the plot, coupled with Ma Yili's tender appearance, made the play not gain too good reputation, this time to appear in the TV series again, Ma Yili also planted a big heel.

The middle-aged actress let go of herself, after Jiang Wenli, Ma Yili also don't want word of mouth!

After the divorce, Ma Yili's career is not too bad, although due to various reasons, she has slowed down, but among the post-75 Mesozoic actresses, she still has a certain strength and influence, and no one can deny her strength and status. But as an actor, in the end, you have to know yourself, recognize yourself, and not be led by others by the nose.

A middle-aged actress like her is obviously not short of resources and has the ability to play various types of roles, so it still depends on her own choice.

In short, when choosing roles and interpreting roles, actors need to consider their own image temperament, as well as the image of the role, as well as acting skills, market demand and other factors, rather than whimsical, or wanton, after all, as an actor, the first thing is to pursue the suitability of the role, and need to be fully prepared and communicated to present the best performance effect. Otherwise, it is self-destruction.

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