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Du Fuxiong's majestic seven-word poem begins with an extraordinary atmosphere and a tragic and touching jaw

In the first year of the Great Calendar, Du Fu lived in Xige, Kuizhou, when the government was not in power, the Warlords of Xichuan were fighting for many years, and there were Tubo troops constantly invading Shudi, and Du Fu himself was also a cruel and poor man, and some of his friends also passed away one after another, and Du Fu, who was alone, naturally had a very heavy heart.

One day in the winter of this year, Du Fu saw the gloomy sky, knew that heavy snow was coming, felt the state affairs, family affairs, and life, and could not help but burst into tears, and on this night, he wrote an unusually painful seven-law poem, which is the following famous "Pavilion Night".

Cabinet night

Du fu

Twilight yin and yang short scene, the end of the world frost snow Ji cold night.

The sound of the five drums and horns was tragic, and the shadow of the Three Gorges Galaxy wavered.

Wild weeping thousands of families heard the war, Yi Ge several fishing trees.

The Crouching Dragon Prancing Horse ends up in the loess, and the personnel music book is lonely.

The first link points out the time and weather, "the twilight yin and yang urge short scenes, the end of the world frost and snow Ji cold supper", the first half of the link is to say, it is time to twilight again, the winter days are short and long, making people feel that time flies, as if the day is quickly over; the second half of the pen sharply turns, writes about the vast frost and snow, and turns the gaze to a more grand and abstract scene, making people feel a sense of loneliness in the fall of the world, which is Du Fu's state of mind at this time. The poet faces the bleak and sad twilight scene, waiting for the arrival of the new year in the cold wind, but it is too heavy and low.

Du Fuxiong's majestic seven-word poem begins with an extraordinary atmosphere and a tragic and touching jaw

The jaw union continues to undertake the night scene and send, writing about what the poet sees and hears at night, "the sound of the five more drum horns is tragic, the shadow of the Three Gorges Galaxy is shaken", the poet first starts with the sound, writes the five more drums, the drums in the ancient army play a great role, not only can tell the time, but also can cooperate with the trumpet to issue military orders, the winter night is more lonely, so the drum sounds more dull, at the time of the five more, it is the sky will be bright, the horns and drums at this time, more tragic and touching, Du Fu can hear the drums here, hinting that the area around Kuizhou is not peaceful, The frequent activities of the army add to the tragedy.

After the drumming, Du Fu then wrote about the scene of the galaxy full of heaven, which is strange, the sky after the twilight wind and snow appears clearer, and the stars in the pre-dawn sky are more jagged and brilliant, reflecting on the Three Gorges, as if floating in the river, swaying, it is spectacular! Later generations evaluated this sentence, using the word "WeiLi", which can be said to be very graphic.

Du Fuxiong's majestic seven-word poem begins with an extraordinary atmosphere and a tragic and touching jaw

The beauty of the jaw connection lies in the poet's organic combination of concern for the current situation and the magnificent night scene of the Three Gorges, which is vividly painted and untraceable for us, and can bring people a desolate and vast, tragic and magnificent feeling, which is extremely impressive.

The scene when the Buddha dawned on the scene of the neck link "Wild Weeping Thousands of Families Hearing the War, Yi Song Several Fishing Trees" wrote about the scene when the Buddha dawned, because the war drums sounded, the battle was about to start, so it caused thousands of families to cry, and this cry spread throughout the four fields, how miserable! Kuizhou was originally a place where ethnic minorities lived together, Du Fu lived here, and the local fishermen and natives heard bursts of "Yi songs" from time to time, together with the weeping of thousands of households, spread to Du Fu's ears, adding several times the sense of tragedy and grandeur, and also making the poetry in his later years more sad.

Du Fuxiong's majestic seven-word poem begins with an extraordinary atmosphere and a tragic and touching jaw

Therefore, the end leads to the poet's infinite feelings, "Wolong Prancing Horse ends in the loess soil, the personnel music book is lonely", the sky is bright, the poet looks far away, vaguely seeing the Wuhou Temple in the western suburbs of Kuizhou and the White Emperor Temple in the southeast, zhuge Liang, Gongsun Shu and other heroic figures, who have established a vigorous and great cause in Shudi, which can be called heroes, but where are they now? It's just a piece of loess, a pile of dead bones, a story! It can be seen that everything in the world is ultimately returned to dust, and it has to be left lonely, such as the heroes of ancient times, but also a lonely posthumous affair, so what is the loneliness of the poet at this time?

Reading Du Fu's two sentences, there is really a kind of deep pain in the heart like dead ashes, but sadness and indignation, low sorrow, and sorrow are only superficial phenomena, and Du Fu's bones undoubtedly still have a great ambition of "to Jun Yao Shun", but the helpless reality is frustrated, "Zhi Shi Yu Ren Mo complains, and the ancient materials are difficult to use" is Du Fu's mood.

Du Fuxiong's majestic seven-word poem begins with an extraordinary atmosphere and a tragic and touching jaw

Du Fu's poem is a model of his seven laws of speech, the poet through the description of what he saw and heard when he stayed in the West Pavilion at night, he embodied his thoughts and feelings, from the night snow at dusk to the five drum horns, from the Three Gorges Shadow to the Personnel Music Book, the kind of desolate mood and majestic weather that looked down on the present and ancient times, as if to include the entire universe, so Du Fu's poem has always been highly evaluated, Lu Shi believes that this poem "has infinite thoughts outside the meaning of words", and Gui Tianxiang of the Ming Dynasty believes that "the whole poem is tragic and majestic, and there is no discomfort... Hu Yinglin praised this poem "Meteorological majestic universe, law into the millimeter", and praised it as the "originator of the thousand autumns" of the seven-word poem, which shows the high evaluation!

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