Doctor of Calligraphy Mi Nan Gong, in the history of books can be said to be a cowhide coaxing figure, he is one of the "Song Four Scholars" (Su, Mi, Huang, Cai), Su Dongpo praised his "truth, grass, affiliation, seal, like the wind and the horse, calm and happy"; he was born in calligraphy with the deepest efforts, and his achievements were the greatest in writing. Although the paintings are not passed down to the world, there are still many calligraphic works. Since the Southern Song Dynasty, most of the famous collections have engraved their legal books, which are widely circulated and far-reaching, and can be ranked first among the "four great calligraphers of the Northern Song Dynasty". Kang Youwei once said: "Tang Yan structure, Song Shangyi interesting. ”
It means that the calligraphers of the Song Dynasty emphasized interest and individuality, and Mi Fu was particularly prominent in this regard, and was an outstanding representative of the four masters of the Northern Song Dynasty. Although some people think that it is a laughing stock, there are also praises that say, "Tianzi Yuanyuan does not need to be exaggerated, and Jigu can finally establish a self-reliant family" (Wang Wenzhi). To some extent, this explains the reason for the success of Mi's calligraphy. According to Mi Fu's own account, before listening to Su Dongpo to study the Book of Jin, it can be roughly seen that he was most deeply influenced by five Tang people: Yan Zhenqing, Ouyang Qian, Chu Suiliang, Shen Chuanshi, and Duan Jizhan.
There are many special brushwork of Mi Fu, such as the round rotation of the right corner of the "door" character, the steep rise of the vertical hook and the crab claw hook, etc., all of which are set from yan zhi xingshu; the shape of the body posture, when imitated from the European characters, and maintained for a long time; Shen Chuanshi's line of writing may be similar to Chu Suiliang; the jizhan of the big characters of Mi Fu, "unique four sides", "brush characters" may come from this; Chu Suiliang's pen is the most varied, the knot is also the most vivid, and the spleen and stomach of Mi Fu have praised his characters, "such as being familiar with horses, acting with people, and not having a kind of arrogance" 。
Mi Fu "Leave a Brief Post"
In the calligraphy of Mi Fu, there is often a sideways posture, wanting to be left first right, wanting to promote first and suppressing first, all in order to increase the ups and downs of the style, the spirit of flying fast, with decades of collection of ancient characters as the premise, so out of naïve nature, never pretentious.
It is precisely because of his unique temperament that there are many people who have studied his calligraphy in the past, but few can grasp that he uses the pen just right, and Wu Ju of the Southern Song Dynasty is undoubtedly the most prominent in the middle.
Wu Ju's Five Paragraphs of the Book of Conduct, 28.7×63.8cm
Collection of Shanghai Museum (donated by Liu Jingji)
Wu Ju's "Five Volumes of xingshu" (partial) collection of Shanghai Museum
Wu Ju was born during the Southern Song Dynasty Shaoxing and died in Qingyuan, and was mainly active in the three dynasties of Emperor Xiaozong, Guangzong, and Ningzong. His father, Wu Yi, was the younger brother of Empress Wu of Emperor Gaozong of Song, and his mother was the eldest granddaughter of Qin Qiu. Empress Wu was good at calligraphy, and she was happy to visit the "Orchid Pavilion", which could imitate the calligraphy of Emperor Gaozong. Emperor Gaozong tasted the book "Six Classics" and gave Guozi the supervision stone, and when he was tired, he ordered Emperor Wu to follow up with the book, "No one can distinguish it."
Wu Ju's "Shou Father's Post" Cursive on Paper 22.5×48.7cm
Collection of the Palace Museum in Beijing
When Wu Ju was a teenager, he learned from Chen Chuanliang, and in the ninth year of Qiandao (1173), he was specially appointed to the Tongju of Lin'an Province, Li Shangshulang, with the emissary of the general Huaidong army, chunxi fifteen years of Xiangyang Province. Shao Xizhong at least Fu. Emperor Xiaozong collapsed, and Emperor Guangzong could not carry out funeral affairs due to illness, and Wu Ju advised the empress dowager not to hang the curtain and establish Emperor Ningzong. After Wu Ju knew Ezhou, Qingyuan Province, and Zhen'an Army, he was at least a division, sentenced Jiankang Province to stay behind, and sent an envoy to the Jin Dynasty, known as a letter. Zhonghui (卒謚忠惠), known as the King of Wu Seven Counties and the King of Bian (汴王). Tan Zhonghui. His works include the Yun Dynasty Collection.
Wu Ju was indifferent to the good old, Gong poetry, You Jing Han Mo, Xiao Zong Chang Zhao zhi on poetry composition. Good at righteousness, grass, ICBC book, very similar to rice, and has its own steep temperament. "Chronicle of Jiangning Province" Yun: "Ju stayed in Jiankang, near the city and the east floor of the flat floor, set up Wei Mo Tata, loved Gu Mei, Ri Linzhong (繇), Wang (羲之) Thesis." "Big word pole worker. Jingkou (present-day Zhenjiang, Jiangsu) Beigu "the world's first Jiangshan" inkblot, is written by Wu Ju, today the six major characters still exist, the best book for the famous mountain to add glory. Its calligraphy is obviously characterized by its resemblance to Mi Fu, and later generations believe that the famous calligraphers of the Southern Song Dynasty, who obtained the charm of Mi Xiangyang's pen and ink, should first recommend Wu Ju.
Miscellaneous Poems (selected pages) on paper 26.3 × 12.5 cm
"Miscellaneous Poems", Wu Juxing's book, the book of seven words, five words, absolute sentences, different verses, fourteen poems, many incoherent verses, the book of nine and a half a total of nineteen papers. Although this post is in the form of a book, the pen is not dangerous and sharp, but gentle and soft, deliberately exquisite.
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