When it comes to the more famous calligraphers in the history of Chinese calligraphy, "Mi Qian" is definitely among the top ten. Putting aside his bohemian personality, Mi Fu is simply an artistic genius. He can write poetry, be discerning, and be good at calligraphy and painting. In particular, he has the highest achievements in calligraphy, and his seals, subordinates, letters, lines, and grasses are all capable, and they are good at copying the ancient Fa Ti, and can reach the degree of falsehood.
▲Mi Fu "Duty Rain Post"
In his life, Mi Fu was the most prominent in his life, and some people even believed that in terms of writing, no one surpassed after Mi Fu. Since the Southern Song Dynasty, most of the famous collections have engraved their legal books, which are widely circulated and far-reaching, and can be ranked first among the "four major calligraphers of the Northern Song Dynasty". His dedicated study of calligraphy has made great contributions to the inheritance and development of future generations.
Among his surviving works, "Shu Su Ti" is the most famous, which is the "Eighth Book of heaven". The indulgent gestures, the radiant momentum, and the otherworldly unique style are deeply loved by many. It was praised by posterity as "China's first beautiful post".
▲ A fragment of Mi Fu's "Shu Su Ti"
In beijing, the Palace Museum in Beijing treasures a book by Mi Fu, which is regarded by the Palace Museum as a "first-class cultural relic" and is forbidden to be exhibited abroad, it is not "Shu Su Ti", nor is it the "Yanshan Ming" bought by the Cultural Relics Bureau, but the "Poetry Scroll of Gongxi", which enjoys the title of "the most beautiful book of Mi Fu".
The "Poetry Scroll of Cangxi" is a volume written by Mi Fu in the third year of the Yuan Dynasty, before Mi Fu traveled to Suzhou and Wuxi when he was 38 years old. The whole volume has 35 lines, a total of 394 words, this poem is one of the five poems in the whole volume, and the writing is written with a pen in the center of the straight down, thick and thin, fast and fast, vertical and horizontal. This passage contains the air of innocence, with the beauty of the chest, throughout the text, the whole style of the book is amazing.
This post was once collected in the Southern Song Dynasty Shaoxing Inner Province, Ming Yang Shiqi, Lu Shuicun, Xiang Yuanbian family, and later into the Qianlong Inner House of the Qing Dynasty, and engraved into the "Three Xitang Fa Ti".
In the knot body, the "Poetry of Theo Xi" is mainly vertical and long, the posture is exaggerated, and the strange ups and downs of the pursuit of the knot are pursued. Give people a true and natural, painful and vivid style of writing.
The font is varied and interesting, reflecting the typical style of mi fu middle-aged calligraphy.
In the use of the pen, he skillfully and flexibly uses opening and closing, jagged, paving, back, size, etc., so that the face of the work is precarious but not strange, ups and downs and cheerful, showing a fresh and natural feeling.
Mi Fu's use of the pen is rich and changeable, and he paints with a lot of brush, in the process of good at using the pen to form a flowing and heroic style and calm and painful momentum, the pursuit of ups and downs and colorful changes, its own family, appears to have a very posture.
In terms of chapters, the "Poetry of Thesis of Thesis of Theaurus" echoes throughout the text, the lines are coherent, the places of connection are connected and broken, and the details are taken into account properly, giving people a sense of dashing nature, echoing before and after, and flowing water.
In terms of ink color, because Mi Fu likes to cooperate with the use of dry ink when using ink, including dry pens, flying white and other dry and thick characteristics, so the pen and ink form of "Amaranth Poetry" is relatively rich, such as thirst for Ji Rushing Spring, sudden setbacks are clear, forming a kind of painful and painful trend.
Wu Qizhen's "Book of Calligraphy and Painting" commented on this post: "The pen is dashing, the structure is comfortable, and the cover teaches Yan Lu to be a public person." ”
Although the "Poetry of Cangxi" began to be collected in the Qing Dynasty, it was later brought to Changchun by Puyi and flowed into the people with the changes of the war. In 1963, the Palace Museum in Beijing purchased it, but it has been damaged. After that, it was re-framed by Yang Wenbin and other supplementary papers, and then Zheng Zhuyou copied the complete damaged characters by hooking up the photos before it was damaged, so that it could be seen again. Today, we can see "The Poetry of The Dragon Creek", which is really not easy.
Some netizens believe that "The Poetry of The Dragon Creek" can be regarded as a divine work for learning the book of Mi Fu Xing, and its value is self-evident. However, some netizens believe that the "Poetry of The Dragon Creek" has been damaged in many places, although it has been completed, but it is no longer the original post, and the degree of preciousness has been greatly reduced.
What do you think? Leave your opinion in the comments section!
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