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Ouyang Xiu once wrote a poem praising Wang Anshi: Three thousand hanlin wind and moon, two hundred years of official articles! These two poems praise Wang Anshi's talent with the allusions of the poet Li Bai and the literary hero Han Yu and the Southern Dynasty poet Xie Xie, and also imply the immortality of his poems and articles.
As one of the eight great masters of the Tang and Song dynasties, Wang Anshi wrote a great deal of works in his lifetime, and there were more than a thousand poems and articles passed down. Among them, many of the classics that have been immortalized include "Wounded Zhongyong", "You Bao Zen Mountain Chronicle", "Reading the Biography of Meng Yujun", and poems such as "Yuan Ri", "Plum Blossom", "Mooring Boat Guazhou", "Wujiang Pavilion" and so on. These poems were selected for inclusion in primary and secondary school textbooks and became mandatory titles.
Only the lyrics have been passed down from generation to generation, only a few twenty or so. But few and exquisite, Wang Anshi's words passed down through the generations are almost all fine. Today, let's enjoy Wang Anshi's most classic 3 Song poems, the first of which is the "Guizhixiang Jinling Huaigu", which is known as "the two Song masters are unattainable":
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Guizhixiang Jinling Nostalgia
Northern Song Dynasty Wang Anshi
Landing to send a vision, the late autumn of the homeland, the weather is beginning to be solemn. Thousands of miles of chengjiang are like practice, and the green peaks are like clusters. Return to the sail to the remnants of the sun, the back of the west wind, the wine flag obliquely. The colorful boats are cloudy, the galaxies are herons, and it is difficult to draw pictures.
Thinking of the past, bustling competition, sighing outside the door, sadness and hatred continued. Throughout the ages, with high esteem, honor and disgrace. The old things of the Six Dynasties flowed with the water, but the cold smoke faded and the grass froze green. To this day, the businesswoman still sings all the time, and the back court remains.
In the early Days of the Northern Song Dynasty, there were also people who wrote it in the early Northern Song Dynasty, but it was lost in sadness and not strong, but Wang Anshi's "Guizhixiang" was majestic and broad, the style was deep and tragic, and the precursor of the Northern Song Dynasty's bold words was opened, and even Su Dongpo read this word and jokingly called Wang Anshi "Wild Fox Essence".
This poem is straight to the point, with the theme of ascending high and looking far away, taking the late autumn of the homeland as the eye, and igniting the shape of Jinling. Then transcribe the color of the river, purely using white depictions to depict the scenery of the longitudinal eye: the reflection of the oblique sun, the shadow of the sail wind, the flashing of the river waves, the fluttering of the wine flag, and the colorful boat galaxy. The riverside scenery is written vividly, magnificently magnificently, and the weather is open and beautiful.
Xia Yan changed a pen and ink, from the hope of landing to the idea of landing, to nostalgia lyricism, lamenting the history of the successive demise of the six dynasties. Sorrow and hatred of honor and disgrace, the empty descendants rely on the assets of hanging; there is no trace of the past, only to see the autumn grass miserable and shocking. It exposes the tragedy of the Six Dynasties taking advantage of the beautiful mountains and rivers of Jiangnan, luxury competition, and absurdity and misleading the country. Critics of the literati Huaigu only lamented the rise and fall of the people and did not know how to sum up the lessons of history. The last sentence, "Still a merchant girl, singing from time to time, and the remains of the backyard" uses Du Mu's poems, which is self-innovative and reveals the author's dissatisfaction and warning that the Northern Song Dynasty cannot exert efforts.
The whole song is magnificent and majestic, the weather is open, and the non-big-mindedness is beyond thought. In particular, the sentence "Thousands of years have relied on high heights to praise and disgrace" is a criticism of the literati of all generations of people who are negative and nostalgic for the past, and the sentence "Shangnu to this day" reminds and warns the court of the Northern Song Dynasty, all of which show the great realm of a politician's foresight and foresight.
Compared with the realm, Su Dongpo's "Nian Nu Jiao Chibi Huaigu" is indeed slightly inferior to Wang Anshi. It is no wonder that posterity called this poem "the two Song masters are not second-hand, really unattainable"! Let's enjoy this song "Autumn Scenery of Thousand Autumn Years"
Chiaki Akira introduction autumn scenery
The annex is cold and anvil, the lonely city is painted, and the autumn sound is in the silhouette. The east returns to the swallow from the sea, and the south comes to the goose and falls to the sand. Chu typhoon, Yu Lou Yue, like yesterday.
Helpless to be bound by some fame and fortune, helpless to be burdened by his love! It's a pity that the wind is always idle! At the beginning, I left my chinese expression, but now I mistakenly asked For Qin Lou. When I was dreaming, I woke up drunk and thought.
This "Introduction to a Thousand Autumn Years" was composed by Wang Anshi after his retirement in his later years, and compared with the hesitation and ambition of "Guizhixiang" and other poems, this poem appears low and lingering, ethereal and graceful, and really moving.
This word is titled "Autumn Scenery", and the whole text of the Shang dynasty is written about the scene, depicting a mournful and miserable autumn sound and a cold and lonely autumn light scene. The autumn scenery of the swallow geese and the wind and moon triggers the lyricist's inner sorrow of living in a foreign land and being involuntarily self-conscious. "Like yesterday" is a few words but contains countless unspeakable words.
The next "like yesterday" turns to a scene of lyricism, with love words than Xing, seemingly written by lovers dating love sustenance, but in fact, it expresses the inner tiredness of politics and the yearning for a free life. When I was dreaming, after I woke up drunk, I thought about the contradictory mentality of "drunkenness and wake-up, and it seems to be a sudden realization after experiencing vicissitudes, and I have great feelings."
Most of Wang Anshi's poems show a great ambition to reform and change the law and help the world at the same time, but it is strange that this "Introduction to a Thousand Autumn Years" expresses the contradiction between a politician and the world and his own self-reliance, and the feeling of being wrong in name. Finally, let's enjoy Wang Anshi's classic collection of sentences " Bodhisattva Man " :
Bodhisattva Man Episodes
Several huts idly by the water,
Narrow shirt short hat hanging from Yang Li.
The flowers were red last year,
Blow away the overnight wind.
Crescent Moon,
Wake up drunk late.
What is the most concerned,
Yellow oriole three or two sounds.
A collection of sentences is to intercept the poems of the predecessors and put them together into a new poem. Collected poems already existed in the Wei and Jin Dynasties, and only flourished in the Northern Song Dynasty, and Wang Anshi was a master of this way. Moreover, the collection of sentences is also the first creation of Wang Anshi, and this "Bodhisattva Man" is the representative work of his collection of sentences.
There are eight sentences in this poem, five of which are taken from the poems of the predecessors, "Several Huts Idle Near the Water" are from Liu Yuxi's "Sending Cao Xuan back to yuezhong old hidden poems", "Flowers are last year's red" is from Yin Yi's "Looking at Peonies", "The Crescent Moon" is from Han Yu's "Nanxi Shipan", "Waking Up Late at Noon" is from Fang Ji's "Lost Title", and "Huang Li's Three or Two Sounds" is from Guo Xiangzheng's "Inscription Mountain Residence Poems".
The whole word comes at hand, taking other people's poems into words and blending into one without a trace, and can innovate and create a new mood of their own, which is used to express their leisure and leisure away from political hustle and bustle, retreat to the countryside, and their inner lonely and tall personality.
From the sentences of this collection, we can also see Wang Anshi's erudition and ingenuity, and I want to come to Ouyang Xiu to praise Wang Anshi for "three thousand hanlin wind and moon, two hundred years of official articles", not only praising him for the number of creations, but also praising the wealth of Wang Anshi's learning, and hiding thousands of chests!