Poetry has an appointment, and No. 1 Poetry Lane welcomes everyone's arrival.
In summer, take a walk by the stream, sit in the shade, lie in the shallow grass and ...... find poetry.
It's summer, making the world fresh, transparent and lovely.
Time is quietly advancing, and our sharing is also following up in an orderly manner.
The poetry of summer can only be called by ancient poetry.
In this issue, we will share a song "Out of the Suburbs" by Wang Anshi.
The style of this poem is tranquil and beautiful, which makes people feel more and more flavorful.
Suburbs
Song Wang Anshi
Kawahara is green, and there are no flowers in the deep trees.
There is nowhere to go on a windy day, and the first time I return to Sangma.
Wang Anshi, known as Jiefu, was a politician, writer, thinker, reformer, and poet in the Northern Song Dynasty in mainland China.
For Wang Anshi, a poet, I believe everyone knows that he has a great influence on the "change" in history.
Although this poem has no specific writing background, through the content of the poem, we seem to be able to vaguely read a little bit related to "change".
Wang Anshi was once full of confidence in his "change", and this poem also reflects "a great prospect". Therefore, some people think that this poem was written when the author's reform of the law was first effective, and it seems that it is not unreasonable.
However, despite the "change" message behind the content, the beautiful picture of summer that this poem reproduces on the front is particularly vivid and eye-catching, and it can be called the best of the "summer" poems.
In the first sentence of the poem, the breath of summer is reflected: Kawahara is green; Above the vast plains, there are shades of greenery everywhere.
The most prominent thing in summer is the patches of greenery, and the most exciting thing in summer is also the patches of greenery.
"Green" is a symbol of life, vitality and vitality; Compared to spring, the greenery in summer will appear richer and fuller, so it will be more infectious.
The author chooses the typical word "green" at the beginning of the poem, which lights up the reader's vision at the first time; Not only that, but the use of the words "Kawahara" and "Jiaojia" in the sentence allows the greenery to be infinitely extended and doubled, so that the picture presented in front of the reader's eyes also has infinite power.
In the process of reading, it is as if we are surrounded by the endless greenery, as if we have seen the summer fields and smelled the fragrance from the green fields.
The following sentence falls on other objects: the deep tree does not see the flower; The trees grow tall and dense, and there is hardly a shadow of flowers to be seen.
Compared with the first sentence, the spatial position of this sentence has changed, that is, from the original low place to the high place.
Therefore, even though the first sentence and the accompanying sentence are both focusing on highlighting the greenery of summer, because the author's capture object is different, because the space position fixed by the author is different, the greenery presented by the author's pen is not sluggish and rigid, but full of vitality and agility.
In the first sentence, the author uses the word "interchange" to highlight the intensity of the green; In the sentence, the author uses the word "underworld" to clearly modify it, and uses the specific phenomenon of "not seeing flowers" to clearly interpret it.
"Dark", dim appearance, which fully indicates that the trees grow vigorously and densely; It is also because of the existence of the premise of "darkness" that the result of "not seeing flowers" is established, which is the rigorous logical relationship in the sentence.
We say that there are many kinds of beauty, the colorful flowers in spring are beautiful, and the green world in summer is so simple that it is not stained with any impurities, and it is equally intoxicating.
The last two sentences are more distinctive: there is nowhere to go on a windy day, and the first time I return to Sangma; The emotional warm wind and the beautiful sun seem to have nowhere to stay, but in fact, they have quietly transferred the warmth to the mulberry hemp.
As we said earlier, Wang Anshi's poem has traces related to his "change", and the last two sentences of the poem are a confirmation.
The author is looking forward to his "change" and is full of confidence in the future of "change". The reason why the author proposed "changing the law" at that time was also to hope that the country would become stronger and stronger, and that the people's lives would get better and better.
The cropped picture in the last two sentences is a picture that indicates a good harvest, which all reflects the author's happy and ambitious state of mind.
The wind and the beautiful sun are just like the "change" that the author expects to implement, and the mulberry hemp that thrives under the beautiful wind and the sun is just like the quiet life of the people who benefit from the "change". All of this is pregnant with a bright future and a symbol of a beautiful era.
In addition, we can see that the author also uses anthropomorphic rhetorical techniques in the last two sentences, making the two images of "wind and sun" more affectionate and meaningful, and more gentle and lovely; In this way, the charm brought to us by the poem is more durable.
The last two sentences are rich in emotion and rich in information in the vivid scene, and they echo the previous text at the same time, reflecting more tension and extending more charm outside the article, which is indeed a very cleverly written sentence.
The color of the trees is as thick as the first splash of ink, and the distant wind blows through the self-generated coolness; Ladies and gentlemen, I don't know what you think of Wang Anshi's poem? And briefly say one or two in the message area.
Poetry is a dream, the pen is a horse, and the reading and writing will be carried out to the end; Welcome everyone to pay attention to No. 1 Poetry Lane, the days with you are the most beautiful!