Lu Yushun
President of the National Academy of Painting of China;
Member of the Council of the National Academy of Painting of China;
Doctoral Supervisor of China Academy of Arts;
Vice President and Professor of Harbin Normal University;
Member of the National Committee of the Chinese People's
Director of China Artists Association;
Deputy Director of China Painting Art Committee, Vice President of China Painting Society;
The second session of "National Young and Middle-Aged Moral and Artistic Double Xin Literary and Art Workers";
The "four batches" of talents of the Central Propaganda Department;
Outstanding experts with outstanding contributions;
Enjoy the special government allowance of the State Council.
Lu Yushun's works
In the contemporary painting world, Lu Yushun's new landscape is isolated by the humanistic atmosphere that Shen Xiong embodies.
Lu Yushun's works, compared with the noise and hustle and bustle of the art museum, are more suitable for perusing and tasting them in the infinite tranquility of the midnight night. Only at this time, the great beauty of heaven and earth blending, all things floating on the dirt and grime will loom, and the changes will not be traced into a surreal visual spectacle, leading us into a state of contemplation of the cosmic avenue and natural life.
Lu Yushun's paintings express philosophical implications in an imagery way, using Chinese aesthetics and compatible with elements of Western painting, forming their own unique painting language and expression.
Lu Yushun's "Qiankun Dayi"
Under the guidance of revolutionary realism and realistic concepts, Lu Yushun's works emphasize the thematic and realistic nature of landscape expression, and between his unique styles of landscapes, he tries to open up the dialogue between man and nature, inclusively inheriting the creative traditions of artists such as Li Keyan, Fu Baoshi, and Qian Songyan, while giving it new characteristics of the times and personal characteristics.
Celebrity reviews
Xue Yongnian, a famous art historian and art critic, believes that Lu Yushun's works have a distinct Chinese spirit, a strong sense of the times, and a unique personal style. "The reason I admire him is that he can combine the visual perceptions of contemporary people with our spiritual needs. He can paint the green landscape with a sense of light and mystery, absorb some western artistic means, and form a sense of transparency that the traditional green landscape does not have. ”
Shao Dazhen, secretary of the Secretariat of the China Artists Association, said that Lu Yushun's landscape painting language "has not been developed before, giving people a refreshing sense of strangeness and some mystery, carefully conceived, and exquisite composition." For a long time, the works of the painters of the north and south houses have always had different charms and appearances, and in the past ten years, under the concept of "feeling nature with his heart", the pen and ink language is more skillful, richer, more varied, more charming, and more focused on style in taste, with both the vast grandeur of the north and the exquisite subtlety of the south.
Fan Di'an, chairman of the China Artists Association and president of the Central Academy of Fine Arts, believes that if we look at it from a theoretical point of view, Lu Yushun's art has a self-sufficient world from concept to expression, from language to schema. He said: "The formation of an artist's self-contained world is crucial. Yu Shun's works suggest a possibility for our time, for example, the brush and ink language of Chinese painting can express both eternal themes, such as the silent contemplation of Chinese landscapes and landscapes, or the new themes of the times. In terms of Chinese landscapes and Western landscapes, two objects that we originally thought were different and difficult to express language, he made a kind of breakthrough, which made us more culturally confident in the process of constructing the development of Chinese painting. ”
Liu Dawei, former chairman of the China Artists Association, said that he showed his distinctive artistic characteristics in concepts, techniques and techniques with a unique perspective and concept, and made great achievements. His paintings present a natural spirituality, philosophical reflection, and poetic exposition. He not only carried out a new combing and new layout of the traditional calligraphy, the chapter method and composition of traditional landscape painting, but also extensively drew on the conception of some Western paintings, the composition of colors, and the black and white composition of the picture, forming a distinct appearance. His landscape painting is completely a new perspective, pushing traditional landscape painting to a new realm.
Feng Yuan, vice chairman of the China Federation of Literary and Art Circles, said: His works focus on a spiritual, philosophical and speculative content, and pay attention to spirituality, understanding and divinity. Lu Yushun has a deep understanding of Chinese culture, especially the art of Chinese painting, he believes that with the help of pen and ink to shape the heavens and the earth, the pen and ink language is a creative, Chinese, Chinese way of expressing the external world, and therefore, over the years, he has formed a unique style of exquisite pen and ink, exquisite rendering of the grand appearance of the world, he also through the "contemplation of the eight wildernesses" to his "eight wilderness and the gods" cultural realm.
Yang Xiaoyang, former president of the National Academy of Painting of China, commented: For a long time, Lu Yushun has made remarkable achievements in the fields of art creation, art education, and the development of fine arts. As an artist, he actively explores and has the courage to make breakthroughs, both tradition and innovation, and has made outstanding achievements in the field of contemporary landscape painting creation with a new landscape style full of the vitality of the times. He contemplates man and nature with the heart of "Cheng Huai Taste Elephant", and constructs a style pattern of Kuanggu Xiongqi with an artistic language full of philosophy and novelty. It embodies the freehand spirit of the Chinese nation's "great beauty is true", emphasizing the realization of the grasp of the charm and spirit from the time and space dimension of the ages and the eight wildernesses. Mr. Yu Shun has made active explorations in four aspects. The first is in the combination of Eastern and Western art. The second is in traditional and modern innovation. The third is in the combination of ink and color. The fourth is the combination of the techniques of the gong pen and the italian pen.
Wang Zhong, a famous art critic and former editor-in-chief of the "Fine Arts" magazine of the China Artists Association: If you want to summarize Lu Yushun's art in one sentence, I personally believe that he is a very philosophical lyric poet in the field of contemporary Chinese landscape painting. Although Lu Yushun is a painter with great cultivation of traditional Chinese philosophy and various traditional Chinese cultures, he does not talk about philosophy and culture in his paintings (that is the business of philosophers and cultural scholars), but he still speaks on the pictures by using artistic images created with sincerity and sincerity.