Shen Yinmo (1883-1971), formerly known as Junmo, Qiuming, Junmo, Andiguzi, Wuxing, Zhejiang, was a famous scholar, poet and calligrapher. He is the author of "Two King's Law Book Pipe Peep", "Discussion on the Interpretation of the Experience of Famous Scholars in Past Dynasties", etc.; published "Shen Yinmo Law Book Collection", "Shen Yinmo Handwritten Manuscripts", "Shen Yinmo Into Shu Word Ink", etc., about 20 kinds of calligraphy collections; poetry works include "Qiuming Room Miscellaneous Poems", "Qiuming Room Long and Short Sentences" and so on.
Shen Yinmo asked about the Dream of the Red Chamber
Shen Yinmo studied in Japan in his early years, and after returning to China, he successively taught at Peking University, Beijing Women's Normal University, and Fu Jen University. Shen Yinmo is both a principal and a teacher, working hard and making silent contributions, and his educational achievements are remarkable.
After liberation, Shen Yinmo devoted himself to the education and popularization of calligraphy art with a more lofty attitude, and cultivated a large number of calligraphy talents. In the Shanghai book world, many of Mr. Shen's students are still active. His proud protégés include Xie Zhiliu, Hu Wensui, Weng Minyun, etc., all of whom are influential calligraphers.
Shen Yinmo's achievements in calligraphy are particularly prominent, surpassing his poetry titles. He and Yu Youren represent the two peaks of Theology and Epigraphy, respectively. He studied under the "Two Kings" and Mi Fu and other thesis masters, mixed with northern tablets and epitaphs, and used pens to clean and beautiful. In his later years, Shen Yinmo turned to the study of calligraphy theory and the popularization of calligraphy art.
In the early years of the Republic of China, the book world was known as "Southern Shen and Northern Yu". The famous literary scholar Xu Pingyu commented on Shen Yinmo's calligraphy art: "Beyond the Yuan, Ming and Qing Dynasties, straight into the four houses of the Song Dynasty without shame." Xie Zhiliu believes: "For hundreds of years, there have been many scholars, and no one has come out of the right. Fu Shen, a professor at National Taiwan University, said in the article "Shen Yinmo, a scholar of the People's Initial Thesis": "In the book, I think it is suitable for him to write, or the fine-brushed Chu Kai, which is really clear and beautiful, personable, and rare to see after Zhao Mengfu." Lu Weizhao said: "The realm, taste, and brushwork of Shen Shu were written in the Song Dynasty, and ordinary people could only go up to the Qing Dynasty, and when they wrote about the Ming Dynasty, there were very few." The late Mr. Lin Yin, a professor at Taipei Normal University and director of the Institute of Chinese Literature, praised Shen Lao's calligraphy "below the rice yuanzhang".
Shen Yinmo's calligraphy, whether it is a calligraphy or a calligraphy, the pen and writing have a very clear explanation of the history. But did you know that Mr. Shen is a highly myopic 2000 degree, especially in his later years almost close to blindness.
When writing, he asked his wife Chu Baoquan to dip the brush in ink, handed it to him, put it in the upper right corner of the paper, and after writing one line, he put it on the second line. Is it "To meet God is not to be taken by sight?" ”
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