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Shen Yinmo's letter written in 1947 is absolutely meticulous!

Shen Yinmo's "Ten Screens of Wishing for Birthday"

Letter on paper, 1947

Knowledge: Wu Xing, former president of Peking University and former supervisory committee member, wrote a silent book

Shen Yinmo's letter written in 1947 is absolutely meticulous!

Shen Yinmo's fine calligraphy masterpiece "The Seventy Birthday Of Mr. Zhu Mingshan of Nantong and Mrs. Debei Yuan", written by Zhang Shizhao, former secretary general of the Presidential Office, and Wu Xing, former president of Peking University and former supervisory committee member.

Shen Yinmo's letter written in 1947 is absolutely meticulous!
Shen Yinmo's letter written in 1947 is absolutely meticulous!
Shen Yinmo's letter written in 1947 is absolutely meticulous!
Shen Yinmo's letter written in 1947 is absolutely meticulous!
Shen Yinmo's letter written in 1947 is absolutely meticulous!
Shen Yinmo's letter written in 1947 is absolutely meticulous!
Shen Yinmo's letter written in 1947 is absolutely meticulous!
Shen Yinmo's letter written in 1947 is absolutely meticulous!
Shen Yinmo's letter written in 1947 is absolutely meticulous!

Shen Yinmo's book "Ten Screens of Wishing For Life"

Shen Yinmo (1883 – June 1, 1971), also known as Zhongzhong and Qiu ming, was a Chinese poet and a titular official. Originally from Huzhou, Zhejiang, he was born in 1883 in Hanyin Hall, Xing'an Province, Shaanxi Province (now Minzhu Street, Chengguan Town, Hanyin County, Ankang City, Shaanxi Province), and was a famous scholar, poet, calligrapher and educator. He studied in Japan in his early years, and later served as a professor at Peking University, the president of Peking University, a professor at Fu Jen University, and an editorial board member of New Youth Magazine. Together with his elder brother Shen Shiyuan and brother Shen Jianshi, he was known as the "Three Shens of Peking University".

He is famous for his calligraphy, and in the early years of the Republic of China, the book world was known as "South Shen Bei Yu". In the 1940s, there was a saying in the book world that "Southern Shen and Northern Wu". Together with Li Zhimin, he is known as the "Two Great Masters of the History of Calligraphy of Peking University", and the famous literary scholar Mr. Xu Pingyu is called Shen Laozhi's calligraphy artistic achievements, "beyond the Yuan, Ming and Qing Dynasties, straight into the Four Houses of the Song Dynasty without shame". The late Professor Xie Zhiliu, head of the National Cultural Relics Appraisal Group, said: "For hundreds of years, there have been many scholars, and no one has been out of the right." The late Mr. Lin Yin, a professor at Taipei Normal University and director of the Institute of Chinese Literature, praised Shen Lao's calligraphy "below The Rice Yuanzhang (Mi Fu)".

Shen Yinmo's fine calligraphy masterpiece "The Seventy Birthday Of Mr. Zhu Mingshan of Nantong and Mrs. Debei Yuan", written by Zhang Shizhao, former secretary general of the Presidential Office, and Wu Xing, former president of Peking University and former supervisory committee member. This work is written in Shen Yinmo's most skilled fine handwriting, and is the largest existing calligraphy work of Shen Yinmo. It is worth mentioning that this work was written in 1947, which was a preface to the congratulations jointly sent by the academic and political circles to Zhu Mingshan in Nantong, and in the last four articles, Shen Yinmo wrote the names of more than a hundred famous artists such as Shao Lizi and Hu Shi, which almost involved the "half of the country" in the academic and political circles at that time.

In the history of modern Chinese calligraphy, Mr. Shen Yinmo has been respected by the art circles at home and abroad for his profound skills, exquisite brushwork and unique achievements. Shen Yinmo turned the tide at the time of the decline of the Thesis, opened a new wind of "Two Kings" and the "Two Kings" and became the founder of the modern "Two Kings" genre.

As a titan of the twentieth century book world, Shen Yinmo did not blindly focus on the study of the thesis, and his book-study career mainly experienced the process of starting from the Tang Stele, learning the post, re-entering the stele, and then returning to the post. He remedied the weak calligraphy style of the "Two Kings" in the Republic of China period by studying steles, and integrated the pen power in epigraphy and the elegance in the theology into his own style of writing, which was enough to rival the Tang and Song dynasty scholars.

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