The archives are revealed, and today we explore the artistic treasures of Liu Yong, a master of calligraphy in the Qing Dynasty. Liu Yong, a cultural giant who has spanned the long river of history, has left countless precious calligraphy works with his unique artistic charm, which has become a valuable asset for calligraphy lovers in later generations.
Liu Yong, born in 1719 (one said 1720), died in 1805, the word Chongru, the number Shi'an, and many aliases such as Qingyuan, Xiangyan, Dongwu, Mu'an, Minghua Riguanfeng Taoist, etc., known as "Liu Luoguo". This talented son of Zhucheng, Shandong, is a politician, calligrapher, writer, historian, and the son of Liu Tongxun, the minister of military aircraft during the Qianlong period of the Qing Dynasty.
Liu Yong's calligraphy is unique for a while, and his handwriting is clean and handsome, with both a simple style and a smart atmosphere. His calligraphy works not only embody the characteristics of Qing Dynasty calligraphy, but also incorporate his unique aesthetic concepts, which can be called a treasure of calligraphy art. Liu Yong was an honest official, and during his tenure in the Jiangning prefect, he was deeply loved by the people, and was known as "knowing the Jiangning Mansion when he was young, and he bowed to Qingjie, and his fame spread in the sea. His honest and upright style was in stark contrast to the corrupt social atmosphere at that time, and he became a model in the hearts of the common people.
Liu Yong's calligraphy works not only demonstrate his profound artistic attainments, but also convey the historical features and moral concepts of Qing Dynasty society. His works, after the vicissitudes of life, still shine brightly, and have become important materials for later generations to study the calligraphy, culture and history of the Qing Dynasty. Through Liu Yong's calligraphy works, we can not only appreciate his unique artistic charm, but also feel the unique charm of Qing Dynasty society.