The 26th Autumn Guangzhou International Art Fair (referred to as the 26th Guangzhou Art Fair) will be held from December 17 to December 20 at the Nanfeng International Convention and Exhibition Center, with an exhibition area of nearly 20,000 square meters. It will be guided by the idea of "focusing on global vision, analyzing the trend of purchasing collections, reconstructing the art market, and leading the aesthetics of life", and divided into "Vision International Pavilion", "Metamorphosis • Contemporary Pavilion", "Gathering • Art Gallery", "Investment · Collection Hall" four theme pavilions. At the same time, it will hold a number of theme exhibitions such as "Qiankun Dayi Dao Losing Eight Wastes" - Lu Yushun, president of the National Academy of Painting, Chinese painting academic exhibition, "If the end of the world is next to each other" - Yang Yuanyi photography art exhibition, as well as many heavy activities such as the International Art Award and the Art Fair Aesthetic Salon.
About the artist
About the artist
Three suns of the great earth
Datu Sanyang, the character Xiaohui (孝回, Xiaohui), the number Ofe Sanyang. He is a master of contemporary Chinese landscape painting and a tutor for postgraduate students. He is a researcher of the Chinese Academy of Painting of the Chinese Academy of Arts of the Ministry of Culture, the executive director of the Central Academy of Fine Arts of the China Democratic League, the deputy director of the Central Cultural Committee of the China Democratic League, and a visiting professor of the School of Art of Xiamen University, the School of Fine Arts of Shaanxi Normal University, the School of Design of Jingdezhen Ceramics College, and the School of Fine Arts of Jiangsu Normal University.
Born in 1955 in Taixing City, Jiangsu Province, he is a scholar of the past. He was admitted to the Nanjing Academy of Arts in the 1980s and is a scholar-type landscape painter with high attainments in contemporary poetry, calligraphy and painting.
Since 2007, he has held more than 20 solo exhibitions in art galleries and museums at home and abroad, and has won many awards. In 2012, he was named one of the top ten contemporary Chinese paintings; in 2016, he was invited to hold a solo exhibition at the Chiang Kai-shek Memorial Hall in Taiwan; in 2017, he was selected as one of the top 500 ink painters in the world. In 2018, it was selected by the Ministry of Culture's Art Market magazine as a new model of contemporary Chinese painting in the new era.
Famous reviews
Art review
01
A photo of the creation of mountains and rivers
Whether it is from the display of creative practice or the study of painting theory, it can be seen that Datu Sanyang is a scholar-type painter. He has unique views on traditional painting theory, literary theory, poetry and many other aspects, which is especially evident in the creation of his landscape and water mood and the writing of the inscriptions of his works. In addition, Datu Sanyang also integrates the Confucian culture of Dun hou and gentle with the Taoist spirit of detachment and expansiveness, trying to express and display it in the pen and ink language and landscape program, which further reflects his understanding of the traditional landscape painting context of the Song and Yuan dynasties, as well as the summary and choice after combing and studying the entire history of landscape painting. As a result, The Three Yangs of the Great Soil can enter from the traditional painting history and painting theory, which is both a kind of wisdom and a kind of kung fu. (Excerpt)
Text/Yu Yang
Director of the Research Department of Chinese Painting at the Central Academy of Fine Arts
Deputy Director of the National Thematic Art Creation Research Center
02
Show the spirit with pen and ink rhymes
Judging from the landscape paintings of Datu Sanyang, his greatest contribution is that he has been traced back to the height of the "Nanzong" landscape to seek the characteristics of pen and ink, especially on the traditional inheritance and integration innovation of Chang Phi Ma, forming a pen and ink method with artistic characteristics such as gentleness, roundness, dullness and gentleness. Its unique method of expression is not achieved overnight in actual creation, but through a variety of levels of hooking to present the thickness of pen and ink and spiritual depth, so that The Great Earth Sanyang has formed a personalized artistic path of expressing mountains and stones and trees with long cloaks in landscape painting creation. (Excerpt)
Text/Shang Hui
President and Editor-in-Chief of Fine Arts Magazine
Director of the Theoretical Committee of the China Artists Association
03
The pen is old-fashioned and affectionate
This art form of Datu Sanyang is different from those who have a set of pen and ink paintings all over thousands of mountains and rivers, three mountains and five mountains a look of painting method, more different from those who use the banner of realism to draw some sketchy Chinese paintings with brushes, Datu Sanyang's works are completely a new form, thanks to his technique of thousands of years of hammering in traditional Chinese painting, it is no exaggeration to say that the technical characteristics of traditional ancient sages, in the process of painstaking cultivation of Datu Sanyang, can be familiar with the heart, in the creation, He is completely free to play, such as probing for things. Therefore, relying on the profound traditional pen and ink kung fu, the traditional pen and ink and the artistic expression elements of the new era are highly integrated, giving full play to the expressiveness of various artistic elements such as shape, light, color, line, water, ink, etc., and making these artistic elements that arise with the class shine with each other and produce wonderful things, so as to realize the miracle of pen and ink interest, superb technique and beauty in the eyes, so that the picture naturally transitions from the traditional plane to two-dimensional, three-dimensional space, and even multi-dimensional space, and the plane is full of two-dimensional, three-dimensional, The rhythm of movement of the multi-dimensional space, full of rhythm and natural harmony, shows a three-dimensional composition that meets the aesthetic judgment standards of the public in this era. (Excerpt)
Text/Sangan
Director of Minsheng Weekly, People's Daily
Art critic
04
Teacher Datu's works are unique, and none of them are repetitive! He is looking for the unchanging eternity in the thousands of changes, when others are still looking for breakthroughs and anxiety, he uses his efforts to innovate in the tradition, his works are very solid, starting from every tree that grows in the painting, it is watered with the breath of history, thus truly realizing the artistic realm of the unity of human painting, the teacher of the great soil has a pattern, has feelings, and pursues the artistic realm of transcendent objects.
Text/Cai Jialin
Editor and director of the People's Daily column "Attacking the Past and Creating the Present"
Appreciation of works
Appreciation of works
Series of landscape paintings
Figure | "Dongjiang Morning Dawn" 138x69cm 2021
Figure | "East River Dawn All Things New" 97x180cm
Figure | Yangming Songgang Tu, 138x69cm, 2021
Figure | "Yang Ming Heroic Show" 138x69cm, 2021
Figure | "Yangming Autumn Rhyme Map" 138x69cm
Figure | "Jasper Makeup Autumn Drunk Ten", 180x97cm, 2019
Figure | "Clear Snow Map", 178x96cm, 2020
Figure |"Mountain Color Map of Northern Guangdong", 181x97cm, 2012
Figure | "Snow Cold Trees Are As Crispy as Crisp" 97x180cm
Flower and bird painting series
Figure | "Four Screens of Flowers and Birds" 138x34cmx4 2021
Figure | "Lotus Dance", 69x46cm, 2021
Figure | Orange Red 69x46cm, 2021
Figure | Shou, 138x69cm, 2021
Figure | "Autumn Deep Lotus Drunk", 69x46cm, 2020
Figure | "Qing Yu Qing Qi Yi Fang", 138x69cm, 2019