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The Party at South Station: We don't know anything about the aesthetics of black violence

author:Good wine for a long time

First of all, I found that sometimes I watch movies a little selfishly, I want to go alone, and I don't even want to share it after watching it, because it is very difficult to be read and understood. Right! When I encounter many times, I am poured cold water when exchanging opinions, regret saying it, and sometimes it is good to record it myself. The appreciation of art is multi-angle, without answering questions but providing another viewing angle. If the work of art must be pragmatic, it may lose a lot of romantic works. If he wrote in a column, I would say well written, if it was written in a place where it was relevant.

The Party at South Station: We don't know anything about the aesthetics of black violence

Under this question, a seemingly advanced sense of view that is completely untouched is answered, and it is also on top, giving people only a feeling of marketing arrogance. It is really because the number of films is not enough, and the evaluation of good movies does not have to be determined by the box office. Many Hollywood blockbusters, in fact, are popcorn plots, cool for a while. Why do thieves who steal electric cars have guns? Are you all kids? Not deeply involved? The gangs that illegally make their own guns have not been seen once or twice, and the state is also cracking down hard, with police officers dying every day.

The Party at South Station: We don't know anything about the aesthetics of black violence

When people's desire for power and power is not satisfied, they will worship and pursue these can cause fear to people, so they are not allowed to carry guns and engage in guns. The film verifies two points, one is the trouble caused by shooting and injuring one's own people at a gang meeting. The second is the trouble caused by Zhou Zenong shooting and killing the police, and so on. Why can the male protagonist stab a large living person with an umbrella with his bare hands? You can take a blunt object with a sharp tip like an umbrella and try it yourself.

The Party at South Station: We don't know anything about the aesthetics of black violence

Why is the male protagonist so strong, or just a stealer of electric cars? Why do you think it's reading a novel all day long? These are all events that exist in reality, and we must use the logic of the novel to judge and explain this matter? Nothing else, you think he is so strong, that is what he got from the harsh environment to survive, stealing battery cars, because he is a battery car stealing, he in addition to stealing battery cars is stealing batteries, do you still want him to study medicine, work. What kind of ideological logic are there, why these thieves with guns and guts, after seeing 300,000 people for so long, they will not die. They are full of special skills, how can their lives be so cheap?

The Party at South Station: We don't know anything about the aesthetics of black violence

Have you ever seen the old society kill a life for a few tens of dollars, not to mention that hundreds of thousands of dollars is even a few cents is the money for a human life, what is this? It's ironic! What is a special skill? Can run, can fight is a stunt? What is? Do you want to explain? Why are these people hurting each other so casually, restricting this group of people from erupting in internal friction? I think Hu Ge still contributes a lot to the box office of the movie, many people around me have watched this movie because of Hu Ge, I have watched it myself, to be honest, the story of the movie is too general.

The Party at South Station: We don't know anything about the aesthetics of black violence

For us ordinary audiences, we don't know anything about black violent aesthetics, and if it weren't for Hu Ge, we wouldn't have seen it or recommended it. All day long is why, why, have you ever heard a song with a lyric that says, "Because of love." All day long, when others say what they say, they also follow what they say, and go with the flow, whether the three views are not correct or there is a cognitive obstacle. Watching chess without speaking, have you ever heard of this truth? I always love to take out my acres and threes of land to win the favor of the public. Is that interesting? It's good that movies emphasize logic, but they don't have to. Don't dwell on these too much.

The Party at South Station: We don't know anything about the aesthetics of black violence

Realistic style, I think it's a bit of a magical reality. It's all dice, people say what they say, they haven't seen the world, they haven't seen the real society, they live in their own fantasies every day, and they think why they are what they are. The problem is that some people watch the movie Tu Lehe, some people look at the depth of the movie map, even if the movie story is not handled well, they also hope to see the ideas that the director wants to express through the movie, everyone has different purposes, why should they care about each other? Only after experiencing the hardships and the hardships of the bottom can we understand the helplessness shown in the movie.

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