"Yueyang Louji" is a famous prose passage by Fan Zhongyan in the Song Dynasty. Since the Song Dynasty, some people have always taken it to discuss the high and low with Wang Bo's "Preface to the Tengwang Pavilion". But whatever the outcome, both essays are recognized masterpieces of classical prose.
However, before that, there was a "writer" named Zhang Yiyi who jumped out and questioned "Yueyang Louji". Zhang Yiyi suspected that this article was not Fan Zhongyan's work at all, and thought that it could not be written like this, so he rewrote a "New Yueyang LouJi".
In the past, Wei Minglun, a "bashu ghost talent", wrote a "Record of the New Scenic Spot of Yueyang Lou", and found someone to carve a tree stele in front of the scenic spot, and the controversy has not yet ended. Where is this Zhang Yiyi sacred? Zhang Yiyi claimed to be on a par with Han Han, Guo Jingming, and Tang Jiasanshao. The four are also called the "new four talents", and he ranks first.
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"Writer" Zhang Yiyi once shelled Fan Zhongyun a few years ago, calling Fan Zhongyan a "hype master". Zhang Yiyi said: Fan Zhongyan has never been to Yueyang in his life, but he helped his friend Teng Zijing publish a "Record of Yueyang Lou" and "fired" a corrupt official into a Qing official.
Zhang Yiyi put forward a point of view: Fan Zhongyan had never been to Yueyang Tower in his life, how could he write a good article that had been passed down through the ages through second- and third-hand materials? Therefore, he asserted that this article was written by Teng Zijing, and then published it under the guise of Fan Zhongyan. Because Fan Zhongyan's fame is large enough, "Yueyang Louji" is actually a "public relations article".
Because of Fan Zhongyan's fame, as soon as the article came out, in the autumn of that year, Teng Zijing was promoted. However, guang questioned whether Fan Zhongyun was not the author, and Zhang Yiyi later wrote a "New Yueyang Lou Record" by himself, "the whole passage rhymes with 'by seeking rhyme' to the end", calling Fan Zhongyan's ancient masterpieces.
The full text of the "New Yueyang Lou" is as follows:
Fan Zhongyan's "Record of Yueyang Lou" integrates narrative, description, lyricism and discussion. The biggest success lies in the variety of narrative techniques and the degree of tension. The middle 184 characters write about the scenery on the river, a sudden wind and rain, and a moment of silence. The narrative techniques move naturally and skillfully between them, like a stroke of God.
Not only that, but at the end, it also left the timeless famous sentence of "the world is worried and worried, and the world is happy and happy", which enhances the ideological realm of the whole article. The reason why "Yueyang Louji" has been compared with Wang Bo's "Preface to the Tengwang Pavilion" for thousands of years lies precisely in this superb narrative transformation and the author's own "ideological realm".
Zhang Yiyi, as a writer more than a thousand years later, wrote this "calling board" work. Driving a "literary reversal", not only did he not "stride up to Qingyun" on the basis of Fan Zhongyun, but he actually ran to learn the way Wang Bo wrote the "Preface to the Pavilion of The King of Teng" to write About Yueyang Lou, saying that he was Dong Shi Xiaoyi was insulting dong shi. Because people only have a poor foundation, but Xizi's action of holding his heart is still correct.
Zhang Yiyi learned from Wang Bo, don't do it with your hands and feet, Wang Bo is only afraid that he will give him "qi live". Although Wang Bo used a lot of canons in the "Preface to the Tengwang Pavilion", the words in the articles were pearlescent. Wrote an original sentence like a lone bird in the sunset and a long day in autumn water.
On the other hand, Zhang Yiyi, throughout the "Picking Up People's Teeth and Wisdom", except for the "four parties" and "four seasons" listed the landscape of Yueyang's upper floor in "four directions" and "four seasons", except for the teachings in the first-grade textbook of the primary school, and the others were lackluster.
Zhang Yiyi did not understand the history of the development of classical Chinese literature at all, and he had no ancient literary cultivation himself. He knew nothing about the highlights of Fan Zhongyan's "Record of Yueyang Lou". No wonder the face is so thick, dare to argue with the predecessors.
Comparing Zhang Yiyi with Wang Bo and Fan Zhongyun is indeed a great insult to Wenhao. Comparing the level of description and discussion in his article with that of ordinary people, it can only be regarded as the level of "second grade of middle school".
After watching Zhang Yiyi's masterpiece, I became more and more suspicious that this was a fake news. Like this, they also dare to call themselves "writers", are they not afraid of laughing at the lack of big teeth of the spectators! However, "writer" is not an official title, as long as the face is thick, anyone can be self-appointed.
< h1 class = "pgc-h-arrow-right" > second, college entrance examination essay 29 points of writers</h1>
After reading Zhang Yiyi's masterpiece, I was particularly curious about why this person's face was so thick. Then I went to look up some information about him. Only to find out that this spray Fan Zhongyun is a "hype king" guy, and he is also a "hype king".
Born in 1981 in Yueyang, Hunan Province, Zhang Yiyi claimed to have taken a less satisfactory university and studied a less satisfactory major in his early years. After leaving the society, his first job was as a secretary and he also worked as a tour guide for a while. Around 2005, Zhang Yiyi began to publish books. He has written more than a dozen books such as "Anti-Red Chamber" and "Hype Science". Millions of words were published.
In 2015, when Zhang Yiyi participated in the 5th college entrance examination in his life, he was on the news, and at that time he had already fired himself into a certain reputation. As a result, Zhang Yiyi, who is a "writer", scored 29 points in the composition test. Later, someone read his composition and felt that 29 points did not wronged him. Later, Zhang Yiyi took the college entrance examination twice, and finally there was no news.
Zhang Yiyi claimed to have studied in the countryside when he was a child, and the teachers felt that he would definitely become a great literary hero like Lin Yutang and Qian Zhongshu in the future. However, I did not expect that the later study was very unsmooth. During the fifth college entrance examination, he vowed to jump the Luo River if he could not pass the exam, but the result was not fulfilled.
I don't know why, Zhang Yiyi suddenly became red. Although most people have not read his books and do not even know his name. After firing himself, he also went to work as a screenwriter for a movie.
At that time, just in time for the 2012 Nobel Prize to be announced, screenwriter Zhang Yiyi said everywhere that Mo Yan could not win the award, and if he won the award, he would run naked. As a result, Mo Yan won the award, and Zhang Yiyi said that Mo Yan paid bribes. In the end, he didn't seem to have kept his promise to "run naked."
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Zhang Yiyi's "New Yueyang Lou" was actually read by some people who thought it was well written, and I read it with a feeling of "dying early". Because Zhang Yiyi's article is full of clichés, he has no thoughts of his own.
In terms of rhetoric, his metaphors are all the old-fashioned "Kunpeng spreading its wings" and the nonsense "Neon Song in the Crystal Palace". His lyricism is the sentences extracted from the poems of predecessors such as "Old Illness and a Lonely Boat", "Steaming Cloud Dream", and "Wave Shake Yue yang". A moment of vernacular, a moment of literary language, nonsense, a ghost.
If we only talk about rhyme, then he just wrote a big piece of smooth talk. As for the four corners, five ladders, six doors such a crude technique. The narrative is divided into four hours, four squares, and four seasons, and such a pediatric is only the level of the human-taught version of the primary school "Language" book.
Moreover, the last two sentences of Zhang Yiyi's article were completely exposed, in fact, he was a tour guide of a Yueyang Lou travel agency. I have the heart to repost Fan Zhong's famous article, I don't know if you will think that the article is too long. When asking everyone to recite in chinese class, this one is much easier to memorize than the Preface to the Tengwang Pavilion.
In addition, Zhang Yiyi's "New Yueyang Lou" is not written well. However, wei Minglun's "Yueyang Lou New Scenic Area" mentioned earlier can still be seen.