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Li Sen is always worried that his wife's red apricot will go out of the wall and sow the seeds of jealousy, and after domestic violence against his wife, it is too realistic

author:Uncle Dragon Vlog

Hello everyone! I am Uncle Long, and the film and television I want to talk about today is "Night and Fog in Tin Shui Wai", this movie is about the middle-aged divorced "Gang Bo"" Li Sen married the young and beautiful Xiaoling in the mainland, relying on the CSSA family of four to live in Tin Shui Wai. Li Sen usually takes the children at home, while Xiaoling works as a waiter in the restaurant. In the face of the unhappiness of his own work and his wife's maneuvering in the work, Li Sen is always worried that his wife's red apricot is out of the wall and gradually sows the seeds of jealousy. When jealousy turns to abuse, a family of four leads to the fate of an era.

Li Sen is always worried that his wife's red apricot will go out of the wall and sow the seeds of jealousy, and after domestic violence against his wife, it is too realistic

After seeing the back, although it is already shown in reverse order, I still can't bear to look down! Commentary, from the perspective of human nature, society, economy, male power, domestic violence and other aspects of interpretation, is very profound! I'd rather look at a few of the characters in the film. Xiaoling, the young child left home to carry the burden of life, we do not have to guess how she left home in Shenzhen to live, until she met Li Sen, love because of sex. Xiaoling is strong, pretending to be relaxed when she and Li Sen are in a showdown after pregnancy, but behind it is a hope, and then returns to her hometown and is praised by the people of her hometown as a model of success, but she herself knows the bitterness and helplessness in her heart. After knowing that the second sister and Li Sen had an affair, she arranged for the second sister to go to Shenzhen, and after returning to Hong Kong, Xiaoling did not want to live by receiving CSSA, but went to the restaurant to help work to earn money to subsidize the family. From beginning to end, Xiaoling is a strong and self-reliant woman, but she is powerless to change her destiny, which is a typical representative of some people since China's reform and opening up, the tide of development is rolling forward, but there will be some people who have the heart but are powerless to grasp it! Li Sen, it is not easy to summarize what type, perhaps it can be said that the HK migrant worker representative, when the economy is good, live too much to do, can make a lot of money, afraid of his wife, but also unwilling to keep ordinary, after returning to HK, Li Sen unemployed, relying on CSSA to survive, all day long fishing, but not assured that the young wife is working outside, afraid of wearing a green hat for herself, afraid of being found by the government to cancel CSSA, behaving well outside is a good mr., polite to neighbors, help her daughter repair bicycles, However, at home is another face, sexually assaulting Xiaoling, always looking down on Xiaoling's country sister identity, this time Xiaoling's survival ability is stronger than him, bringing him a sense of insecurity and distrust, a huge psychological gap, and he himself did not want to change in the past, preferring to receive government CSSA instead of looking for a job, and his anger at his powerlessness was all vented to Xiaoling. Li Sen is very contradictory, the appearance of machismo, but the heart is very weak, when getting along with his son, obviously lack of money, but can not pull down; and the third sister met in the stairwell, initially started to pinch the third sister, but after being slapped by the third sister but then retreated, perhaps really Should Xiaoling's sentence "unfamiliar and not engaged", reflecting the middle-aged man's powerless and unintentional helplessness. There is a scene where Li Sen scolds and drinks his carefully wrapped Abel in the basket, Abel replies "steady food", Li Sen did not say anything, angrily riding away, here has been some hints, Li Sen if through hard work, the same can also live, but he seems unwilling to do this, can not let go of the man's face. Xiaoling's parents, farmers in the deep mountains, may have never stepped out of the mountains in their lives, have a yearning for the outside of the mountains, and have great admiration for Li Sen, a guest from outside the mountains, thinking about what kind of surprises Li Sen can bring to this family. Instead, he blindly tolerated, even "you say how you want" to tolerate, only because Li Sen brought material changes to their families and trampled on their dignity, it is very helpless! I don't know if my parents have talked to Xiaoling about her heart, whether they have cared about Xiaoling's life outside, how to leave home at such a young age, how to survive outside, but only concerned about the changes that Xiaoling has brought to the family, the vanity in front of the villagers, it is very sad, but it really exists!

Li Sen is always worried that his wife's red apricot will go out of the wall and sow the seeds of jealousy, and after domestic violence against his wife, it is too realistic

How high the intention of this film, how profound the criticism of society, how clever the metaphorical irony, how big the scene, if you can't express it fluently, you can't let me fully devote myself to the same sorrow and joy, but this film can let us understand and recognize, women can't blindly tolerate, to learn to protect themselves, it is really not possible to use the law to protect themselves, for domestic violence we can not predict, but in a family must communicate with each other, understand each other, tolerate each other. Otherwise, it will have a certain impact on the growth of the child.

Li Sen is always worried that his wife's red apricot will go out of the wall and sow the seeds of jealousy, and after domestic violence against his wife, it is too realistic

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