Chen Yao graduated from Jiangsu Huai'an Normal College majoring in Chinese painting and Jiangsu Institute of Education Fine Arts Department. Painter of the National Academy of Ethnic Painting, first-class artist. Contracted painter of Chinese Calligraphy and Painting Information Network, contracted painter of Bobao Art Network. He is a member of the China Yinglian Society, a member of the Chinese Calligraphers Association (Hong Kong), a member of the Chinese Calligraphy and Painting Association, and the vice chairman of the China Art Capital Council. He has been reported by China.com, CCTV.com, People's Daily Online, Guangming.com, Sohu.com, China Enterprise Report, Dayang.com, New Deal Culture Network, etc. as "Excellent calligraphers and painters who go deep into life and take root in the people". His works have been exhibited in many national exhibitions and won awards, and have been published in "People's Artist", "Guide to the Collection of Chinese Calligraphy and Painting", "Dictionary of Patriotic Calligraphers and Painters", "Art Newspaper", "Chinese Art", "Art Information", "China Calligraphy and Painting Newspaper", "Collection of Chinese Outstanding Artists", "Chinese Art Masters Chen Yao", "Chinese Contemporary Art Masters", and his achievements have been included in "Beautiful China", "70th Celebration of the Founding of the People's Republic of China" and other national stamp albums.
Chinese painting pays attention to the taste of brush and ink, and the brushwork gives birth to the brushwork, and in order to achieve the god-like contentment, it comes from the brushwork. The rhyme is in the chest, the pen turns with the heart, in order to take the image without confusion, unify the charm of the image and the rhyme in the heart, to achieve both form and spirit, the so-called "intention in the pen first" is also. "Art is based on tradition", and only by innovating on the basis of tradition can we create artworks with strong artistic appeal.
In his early years, Chen Yao was taught by Mr. Jiang Mingqi and Professor Zhu Hua, disciples of Master Fu Baoshi, and received formal and systematic teaching and training. Chen Yao's works are derived from tradition, integrating traditional brush and ink techniques with modern aesthetic concepts, not only with the rigor and regularity of academic painting, but also with the poetry and freedom of literati painting. He traveled to Taihu Lake, Hongze Lake, West Lake, the Yangtze River and the Yellow River, and read all the famous mountains such as Huangshan, Taishan, Emei, Qingcheng, Taihang, and Dabie Mountain, looking for creative inspiration in the magnificent rivers and mountains of the motherland, and endowed the mountains with spirituality and poetry with "the law". The landscapes he paints are free, flexible and powerful, dignified, elegant and full of poetry. Fully demonstrating the freehand spirit and connotation of traditional Chinese painting, he uses heart-shaped objects to create a mixture of form and spirit, which not only depicts the beauty of natural objects, but also shows the spiritual charm of literati painting. Express the academic mind and aesthetic pursuit.
Chen Yao graduated from the Department of Traditional Chinese Painting at Huai'an Normal University in Jiangsu Province and the Department of Fine Arts at Jiangsu University of Education. Painter at the National Ethnic Painting Academy, first-class artist. Signed painter on China Calligraphy and Painting Information Network and signed painter on Bobao Art Network. Member of China Yinglian Society, Member of China Calligraphers Association (Hong Kong), Member of China Calligraphy and Painting Association, Vice Chairman of China Art Capital Council. It has been successively reported as an "excellent calligrapher and painter deeply rooted in people's lives" by China Net, CCTV Net, People's Daily, Guangming Net, Sohu Net, China Enterprise News, Dayang Net, New Politics Culture Net, and others. The works have been exhibited and won awards at national exhibitions multiple times, and have been published in "People's Artists", "Guide to the Collection of Chinese Calligraphy and Painting", "Dictionary of Patriotic Calligraphers and Painters", "Art Newspaper", "Chinese Art", "Art Information", "Chinese Calligraphy and Painting Newspaper", "Collection of Works of Excellent Chinese Artists", "Famous Chinese Artist Chen Yao", "Great Works of Contemporary Chinese Art", and their achievements have been included in national albums such as "Beautiful China" and "70th Anniversary of the Founding of the People".
Chinese painting emphasizes the charm of brushwork and ink, and the brushwork generates brushwork meaning. To achieve full similarity in spirit, it comes from brushwork meaning. Qi and rhyme are in the chest, and the pen rotates with the heart, so as to take images without confusion, unify the spirit of objects and the meaning of the heart, and achieve both form and spirit. The so-called "intention lies in the pen first" is also true. Art is based on tradition, and only through innovation based on tradition can we create artworks with strong artistic appeal.
Chen Yao was taught by Master Fu Baoshi's disciples Mr. Jiang Mingqi and Professor Zhu Hua in his early years, and received formal and systematic teaching and cultivation. Chen Yao's works are derived from tradition, integrating traditional brush and ink techniques with modern aesthetic concepts. They possess both the rigorous and formal style of academic painting, as well as the poetic and free spirited style of literati painting. He organically integrates natural phenomena with subjective feelings of real life, and pursues the bold and unrestrained style of free writing as a whole, with "exquisite and subtle" details. He traveled to the Taihu Lake Lake, Hongze Lake, West Lake and both banks of the Yangtze River and the Yellow River, read all the famous mountains such as Mount Huangshan, Mount Taishan, Emei, Qingcheng, Taihang, Dabie Mountains, and found creative inspiration in the magnificent rivers and mountains of the motherland, and endowed the landscape with spirituality and poetry by "already doing". The landscape in his writing is free and agile, yet has bone power, and is dignified, elegant, and rich in poetic charm. Fully embodying the spirit and connotation of freehand brushwork in traditional Chinese painting, he portrays the beauty of natural objects and fully showcases the spirit and charm of literati painting with a heart shaped object and a mixed form and spirit. Expressing one's educational and aesthetic aspirations.