陈尧，先后毕业于江苏淮安师院国画专业、江苏教育学院美术系。国家民族画院画家，一级美术师。中国书画信息网签约画家，博宝艺术网签约画家。中国盈联学会会员，中国书法家协会（香港）会员，中国书画协会会员，中国艺术资本理事会副主席。先后被中国网、央视网、人民网、光明网、搜狐网、中国企业报道、大洋网、新政文化网等报道为“深入生活扎根人民优秀书画家”。作品多次入展全国大展并获奖，发表于《人民艺术家》、《中国字画收藏指南》、《爱国书画家大辞典》、《美术报》、《中国美术》、《艺术资讯》、《中国书画报》、《中国优秀艺术家作品集》、《中国艺术名家.陈尧》、《中国当代艺术大家.大作》、名绩收录于《美丽中国》、《建国70庆典》等国家邮册 。
中国画讲究笔墨情趣，笔法生笔意，要达到神似意足，则来自笔意。气韵在胸，笔随心转，才能取象不惑，统一物象的神韵和心中的意韵，达到形神皆备，所谓“意在笔先”是也。“艺术基于传统”，只有在传统基础上的创新，才能创作出艺术感染力强的艺术品。
陈尧早年受教于傅抱石大师弟子江鸣歧先生、朱华教授等，接受过正规系统的教学培育。陈尧的作品来源于传统，融传统笔墨技法与现代审美观念为一体，既具备学院派绘画的严谨规正，又有文人画的诗意与洒脱，他将自然物象和现实生活的主观感受有机整合，整体上追求自由书写的豪放，细节中“致精微”。他游历太湖、洪泽湖、西湖及长江、黄河两岸，阅尽黄山、泰山、峨眉、青城、太行、大别山等名山，在祖国壮丽河山中寻找创作灵感，以“已法”赋山水以灵性与诗意。他笔下的山水用笔洒脱灵动而又有骨力，凝重雅致而又富诗韵。充分彰显中国传统绘画的写意精神及内涵，他以心状物，形神混然，既写出自然物象之美，又尽显文人画精神气韵。抒发出学养胸襟及审美追求。
Chen Yao graduated from the Department of Traditional Chinese Painting at Huai'an Normal University in Jiangsu Province and the Department of Fine Arts at Jiangsu University of Education. Painter at the National Ethnic Painting Academy, first-class artist. Signed painter on China Calligraphy and Painting Information Network and signed painter on Bobao Art Network. Member of China Yinglian Society, Member of China Calligraphers Association (Hong Kong), Member of China Calligraphy and Painting Association, Vice Chairman of China Art Capital Council. It has been successively reported as an "excellent calligrapher and painter deeply rooted in people's lives" by China Net, CCTV Net, People's Daily, Guangming Net, Sohu Net, China Enterprise News, Dayang Net, New Politics Culture Net, and others. The works have been exhibited and won awards at national exhibitions multiple times, and have been published in "People's Artists", "Guide to the Collection of Chinese Calligraphy and Painting", "Dictionary of Patriotic Calligraphers and Painters", "Art Newspaper", "Chinese Art", "Art Information", "Chinese Calligraphy and Painting Newspaper", "Collection of Works of Excellent Chinese Artists", "Famous Chinese Artist Chen Yao", "Great Works of Contemporary Chinese Art", and their achievements have been included in national albums such as "Beautiful China" and "70th Anniversary of the Founding of the People".
Chinese painting emphasizes the charm of brushwork and ink, and the brushwork generates brushwork meaning. To achieve full similarity in spirit, it comes from brushwork meaning. Qi and rhyme are in the chest, and the pen rotates with the heart, so as to take images without confusion, unify the spirit of objects and the meaning of the heart, and achieve both form and spirit. The so-called "intention lies in the pen first" is also true. Art is based on tradition, and only through innovation based on tradition can we create artworks with strong artistic appeal.
Chen Yao was taught by Master Fu Baoshi's disciples Mr. Jiang Mingqi and Professor Zhu Hua in his early years, and received formal and systematic teaching and cultivation. Chen Yao's works are derived from tradition, integrating traditional brush and ink techniques with modern aesthetic concepts. They possess both the rigorous and formal style of academic painting, as well as the poetic and free spirited style of literati painting. He organically integrates natural phenomena with subjective feelings of real life, and pursues the bold and unrestrained style of free writing as a whole, with "exquisite and subtle" details. He traveled to the Taihu Lake Lake, Hongze Lake, West Lake and both banks of the Yangtze River and the Yellow River, read all the famous mountains such as Mount Huangshan, Mount Taishan, Emei, Qingcheng, Taihang, Dabie Mountains, and found creative inspiration in the magnificent rivers and mountains of the motherland, and endowed the landscape with spirituality and poetry by "already doing". The landscape in his writing is free and agile, yet has bone power, and is dignified, elegant, and rich in poetic charm. Fully embodying the spirit and connotation of freehand brushwork in traditional Chinese painting, he portrays the beauty of natural objects and fully showcases the spirit and charm of literati painting with a heart shaped object and a mixed form and spirit. Expressing one's educational and aesthetic aspirations.