Liu Hanlong is an academician of the People's Academy of Chinese Arts and Calligraphy and Painting in Beijing, China; He is a long-term director of the People's Academy of Chinese National Arts and Calligraphy, a member of the Calligraphy Association of Central State Organs, a national first-class calligrapher and painter, and a global promotion ambassador. Born in 1965 in Huizhou City, Guangdong Province, China, a native of Dongping, Huicheng District, is now a member of Yiyun Ge. He is loyal and loves calligraphy since he was a child. His creations are unrestrained and free, the law is rigorous, thick and elegant, smart and solemn. He pays attention to absorbing the strengths of various schools and factions in the past dynasties, and can accept and use many aspects of his works, such as the theme, conception, and artistic conception of the chapter. In recent years, he has taken the extension of the artistic conception of calligraphy and the in-depth cultural excavation as the direction of his creation, endowed with historical connotation and a sense of the times, thus opening up a new atmosphere of calligraphy.
Liu Hanlong has an approachable personality and is simple and friendly. He was studious by nature, admired calligraphy all his life, and practiced silently in the spring and autumn several times. This dedication stems from his fascination with the art of Chinese calligraphy and the expression of his inner feelings. Liu Hanlong likes to express his mind directly, no matter when and where, the plain paper is spread out, dipped in pen and ink, the pen is like flowing water, the spirit is flying, the pen is moving up and down, the left and right escapement, the dot painting is not ambiguous and slack, and the law is all between his fingers and wrists. The smooth lines, the delicate and beautiful ink all over the paper, exuding bursts of refreshing fragrance, the charm of calligraphy art, the charm of the display of hearty and shining. He said: "The writing and method, pen and ink of calligraphy express the connotation of Chinese culture vividly and vividly. Its various brushstrokes, such as people sitting and lying, walking, giving way, and crouching, each have their own intentions, but they are both contradictory and harmonious with each other. Through this different rhythmic expression, Liu Hanlong's calligraphy works are vivid, natural, and evocative.
Chinese calligraphy is a carrier of the historical development of Chinese civilization and is closely related to Chinese ideology. Liu Hanlong said that calligraphy has been witnessing the development and inheritance of culture for thousands of years. From the famous princes of the past dynasties to the scholars and literati of today, they all regarded it as a supreme artistic pursuit, and they used their own dots, paintings, and writing operations to expound their understanding of the art of calligraphy and historical life. "The charm of calligraphy lies in its combination of shape, sound and meaning, from the oracle bone inscription, seal script, official script to the simplified Chinese characters we use today, each word, our ancients have given the meaning of life, which is the writing presentation of national culture and history.
Liu Hanlong is an academician of the People's Academy of Chinese Painting and Calligraphy in Beijing, China; Long term director of the Chinese Academy of Chinese Painting and Calligraphy, member of the Calligraphy Association of Central State Organs, national first-class calligrapher and painter, and global promotion ambassador. Born in 1965 in Huizhou City, Guangdong Province, China, this native of Dongping, Huicheng District, is now a member of Yiyun Pavilion. Loyal and devoted to calligraphy since childhood. Its creativity is unrestrained and free, with rigorous laws, heavy yet elegant, agile yet dignified. He pays attention to absorbing the strengths of various schools and schools throughout history, and is able to accept and utilize the themes, concepts, and artistic conception of his works from multiple perspectives. In recent years, he has taken the extension of calligraphy artistic conception and deep cultural exploration as his creative direction, imbuing it with historical connotations and a sense of the times, thus opening up a new atmosphere of calligraphy.
Liu Hanlong has an approachable personality and is simple and friendly. He is naturally eager to learn and admires calligraphy throughout his life. He has practiced it silently and diligently for several years. This persistence stems from his infatuation with the art of Chinese calligraphy and is the expression of his inner emotions. Liu Hanlong likes to create works that express his emotions directly. No matter when or where, the plain paper is spread out, heavily dipped in ink and brush, and the strokes are like flowing clouds and flowing water, with a lively expression. The brush moves up and down, and the strokes are left and right, without any ambiguity or slackness. The technique is all between his fingertips. The smooth lines and beautiful ink fill the paper, emitting refreshing fragrances. The charm and charm of calligraphy art are displayed vividly and brilliantly. He said, "The writing and techniques of calligraphy, as well as the brushstrokes and ink, express the cultural connotations of China to the fullest. Its various brushstrokes, such as sitting, standing, bowing, and bending, each express their own emotions, but they are both contradictory and complementary to each other." Through this different sense of rhythm in writing, Liu Hanlong's calligraphy works are vivid and natural, leaving a lasting impression.
Chinese calligraphy is a carrier of the historical development of Chinese civilization, closely related to the ideological concepts of the Chinese people. Liu Hanlong stated that calligraphy has been witnessing the development and inheritance of culture for thousands of years. From famous nobles and nobles throughout history to scholars and literati today, calligraphy is regarded as a supreme artistic pursuit. They use their own points, paintings, and writing to explain their understanding of calligraphy art and historical life. The charm of calligraphy lies in its combination of form, sound, and meaning. From oracle bone script, seal script, and clerical script to the simplified Chinese characters we use today, every character has been endowed with a meaning of life by our ancestors. This is the written presentation of national culture and history.