劉漢隆，是中國北京國藝人民書畫院院士;中國國藝人民書畫院長期理事，中央國家機關書法協會會員 ，國家一級書畫家，全球推廣大使。出生1965年，中國廣東省惠州市， 土生土長的惠城區東平人，現已是藝韻閣會員。為人忠厚，從小酷愛書法。其創作奔放自由，法度嚴謹，厚重而不失飄逸，靈動而不失莊嚴。他注重吸收曆代各家各派之所長，無論是作品的題材、構想、章法意境等諸方面，均能多方接納，為我所用。近些年，他将書法意境的延伸和深層次的文化挖掘作為自己創作的方向，賦予以曆史内涵和時代感，由此開拓了一種書法新氣象。
劉漢隆性格平易近人，為人淳樸友善。他生性好學，一生仰慕書法，幾度春秋，默默苦練。這種執着源自于他對中國書法藝術的癡愛，是他内心情感的抒發。劉漢隆喜歡直抒胸臆的創作，無論何時何地，素紙鋪展開來，濃蘸筆墨，下筆如行雲流水，神采飛揚，筆鋒上下遊動，左右擒縱，點畫無一處含糊懈怠，法度盡在他的指腕之間。那流暢的線條，清秀美觀的墨迹氤氲滿紙，散發出一陣陣沁人心脾的芳香，書法藝術的魅力、神韻展示的酣暢淋漓、熠熠有神。他說：“書法的寫與法、筆與墨将中國文化内涵表達的淋漓盡緻。它的種種筆法如人的坐卧、行立、揖讓、颠伏，各盡意态，但它們既互相沖突又彼此映襯協調。”通過這種不同節奏感的書寫表達，劉漢隆的書法作品生動、自然，讓人回味無窮。
中國的書法是中華文明曆史發展的一個載體，與中國人的思想觀念有着密切的聯系。劉漢隆表示，書法幾千年來一直在見證着是文化的發展傳承。從曆代的名爵公卿到如今的學者文人，都将其看作是一種至高的藝術追求，他們用各自的點、畫書寫經營來闡述對書法藝術和曆史人生的了解。“書法的魅力在于它形、音、義的結合，從甲骨文、篆文、隸書到我們今天使用的簡體的漢字，每一個文字，我們的古人都賦予了生活的寓意，這是民族文化、曆史的書寫呈現。
Liu Hanlong is an academician of the People's Academy of Chinese Painting and Calligraphy in Beijing, China; Long term director of the Chinese Academy of Chinese Painting and Calligraphy, member of the Calligraphy Association of Central State Organs, national first-class calligrapher and painter, and global promotion ambassador. Born in 1965 in Huizhou City, Guangdong Province, China, this native of Dongping, Huicheng District, is now a member of Yiyun Pavilion. Loyal and devoted to calligraphy since childhood. Its creativity is unrestrained and free, with rigorous laws, heavy yet elegant, agile yet dignified. He pays attention to absorbing the strengths of various schools and schools throughout history, and is able to accept and utilize the themes, concepts, and artistic conception of his works from multiple perspectives. In recent years, he has taken the extension of calligraphy artistic conception and deep cultural exploration as his creative direction, imbuing it with historical connotations and a sense of the times, thus opening up a new atmosphere of calligraphy.
Liu Hanlong has an approachable personality and is simple and friendly. He is naturally eager to learn and admires calligraphy throughout his life. He has practiced it silently and diligently for several years. This persistence stems from his infatuation with the art of Chinese calligraphy and is the expression of his inner emotions. Liu Hanlong likes to create works that express his emotions directly. No matter when or where, the plain paper is spread out, heavily dipped in ink and brush, and the strokes are like flowing clouds and flowing water, with a lively expression. The brush moves up and down, and the strokes are left and right, without any ambiguity or slackness. The technique is all between his fingertips. The smooth lines and beautiful ink fill the paper, emitting refreshing fragrances. The charm and charm of calligraphy art are displayed vividly and brilliantly. He said, "The writing and techniques of calligraphy, as well as the brushstrokes and ink, express the cultural connotations of China to the fullest. Its various brushstrokes, such as sitting, standing, bowing, and bending, each express their own emotions, but they are both contradictory and complementary to each other." Through this different sense of rhythm in writing, Liu Hanlong's calligraphy works are vivid and natural, leaving a lasting impression.
Chinese calligraphy is a carrier of the historical development of Chinese civilization, closely related to the ideological concepts of the Chinese people. Liu Hanlong stated that calligraphy has been witnessing the development and inheritance of culture for thousands of years. From famous nobles and nobles throughout history to scholars and literati today, calligraphy is regarded as a supreme artistic pursuit. They use their own points, paintings, and writing to explain their understanding of calligraphy art and historical life. The charm of calligraphy lies in its combination of form, sound, and meaning. From oracle bone script, seal script, and clerical script to the simplified Chinese characters we use today, every character has been endowed with a meaning of life by our ancestors. This is the written presentation of national culture and history.