刘汉隆，是中国北京国艺人民书画院院士;中国国艺人民书画院长期理事，中央国家机关书法协会会员 ，国家一级书画家，全球推广大使。出生1965年，中国广东省惠州市， 土生土长的惠城区东平人，现已是艺韵阁会员。为人忠厚，从小酷爱书法。其创作奔放自由，法度严谨，厚重而不失飘逸，灵动而不失庄严。他注重吸收历代各家各派之所长，无论是作品的题材、构想、章法意境等诸方面，均能多方接纳，为我所用。近些年，他将书法意境的延伸和深层次的文化挖掘作为自己创作的方向，赋予以历史内涵和时代感，由此开拓了一种书法新气象。
刘汉隆性格平易近人，为人淳朴友善。他生性好学，一生仰慕书法，几度春秋，默默苦练。这种执着源自于他对中国书法艺术的痴爱，是他内心情感的抒发。刘汉隆喜欢直抒胸臆的创作，无论何时何地，素纸铺展开来，浓蘸笔墨，下笔如行云流水，神采飞扬，笔锋上下游动，左右擒纵，点画无一处含糊懈怠，法度尽在他的指腕之间。那流畅的线条，清秀美观的墨迹氤氲满纸，散发出一阵阵沁人心脾的芳香，书法艺术的魅力、神韵展示的酣畅淋漓、熠熠有神。他说：“书法的写与法、笔与墨将中国文化内涵表达的淋漓尽致。它的种种笔法如人的坐卧、行立、揖让、颠伏，各尽意态，但它们既相互矛盾又彼此映衬协调。”通过这种不同节奏感的书写表达，刘汉隆的书法作品生动、自然，让人回味无穷。
中国的书法是中华文明历史发展的一个载体，与中国人的思想观念有着密切的联系。刘汉隆表示，书法几千年来一直在见证着是文化的发展传承。从历代的名爵公卿到如今的学者文人，都将其看作是一种至高的艺术追求，他们用各自的点、画书写经营来阐述对书法艺术和历史人生的理解。“书法的魅力在于它形、音、义的结合，从甲骨文、篆文、隶书到我们今天使用的简体的汉字，每一个文字，我们的古人都赋予了生活的寓意，这是民族文化、历史的书写呈现。
Liu Hanlong is an academician of the People's Academy of Chinese Painting and Calligraphy in Beijing, China; Long term director of the Chinese Academy of Chinese Painting and Calligraphy, member of the Calligraphy Association of Central State Organs, national first-class calligrapher and painter, and global promotion ambassador. Born in 1965 in Huizhou City, Guangdong Province, China, this native of Dongping, Huicheng District, is now a member of Yiyun Pavilion. Loyal and devoted to calligraphy since childhood. Its creativity is unrestrained and free, with rigorous laws, heavy yet elegant, agile yet dignified. He pays attention to absorbing the strengths of various schools and schools throughout history, and is able to accept and utilize the themes, concepts, and artistic conception of his works from multiple perspectives. In recent years, he has taken the extension of calligraphy artistic conception and deep cultural exploration as his creative direction, imbuing it with historical connotations and a sense of the times, thus opening up a new atmosphere of calligraphy.
Liu Hanlong has an approachable personality and is simple and friendly. He is naturally eager to learn and admires calligraphy throughout his life. He has practiced it silently and diligently for several years. This persistence stems from his infatuation with the art of Chinese calligraphy and is the expression of his inner emotions. Liu Hanlong likes to create works that express his emotions directly. No matter when or where, the plain paper is spread out, heavily dipped in ink and brush, and the strokes are like flowing clouds and flowing water, with a lively expression. The brush moves up and down, and the strokes are left and right, without any ambiguity or slackness. The technique is all between his fingertips. The smooth lines and beautiful ink fill the paper, emitting refreshing fragrances. The charm and charm of calligraphy art are displayed vividly and brilliantly. He said, "The writing and techniques of calligraphy, as well as the brushstrokes and ink, express the cultural connotations of China to the fullest. Its various brushstrokes, such as sitting, standing, bowing, and bending, each express their own emotions, but they are both contradictory and complementary to each other." Through this different sense of rhythm in writing, Liu Hanlong's calligraphy works are vivid and natural, leaving a lasting impression.
Chinese calligraphy is a carrier of the historical development of Chinese civilization, closely related to the ideological concepts of the Chinese people. Liu Hanlong stated that calligraphy has been witnessing the development and inheritance of culture for thousands of years. From famous nobles and nobles throughout history to scholars and literati today, calligraphy is regarded as a supreme artistic pursuit. They use their own points, paintings, and writing to explain their understanding of calligraphy art and historical life. The charm of calligraphy lies in its combination of form, sound, and meaning. From oracle bone script, seal script, and clerical script to the simplified Chinese characters we use today, every character has been endowed with a meaning of life by our ancestors. This is the written presentation of national culture and history.