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Fuchun Lake Works Exhibition
Exhibition dates: January 25 - April 22, 2022
Exhibition Address: Hanyang Art Center, Hangzhou, Zhejiang Province
The exhibition is intended to create a landscape of "Spring Sails flowing in the Smoke and Rain Lake Building, And the Great Moon and Qingjiang River in the Cangya Cloud Tree", and the four artists participating in the exhibition all have a deep academic relationship and cultural relationship with the China Academy of Art (formerly the Zhejiang Academy of Fine Arts), and their artistic creations are also deeply infiltrated and nurtured by The Lake and Mountain. "Water" is both a conciliator of the work and an aesthetic conciliator. Liang Quan's "stain", Yan Shanzheng's "trace", Lin Haizhong's "ink", Shen Lieyi's "trace", the artists' creations all have a close relationship with "water", the artistic conception is long, the connotation is mysterious, and it is a visual symbol of oriental aesthetics. The works in this exhibition are all the best works of the artists to welcome the New Year.
The Flourishing Ceremony | "Chinese Dynastic Painting Series" Special Exhibition of Pre-Qin, Han, Tang, Song and Yuan Paintings
Exhibition dates: March 10 - April 20, 2022
Exhibition Address: Zhejiang Art Museum, Hangzhou, Zhejiang Province
The exhibition is co-sponsored by the Propaganda Department of the Zhejiang Provincial Committee of the Communist Party of China, Zhejiang University and China Academy of Art. The exhibition is divided into four sections: "Prosperous Cultivation", "Long-term Achievement", "Great Treasure" and "Transformation and Development", which uses diversified display techniques such as images, texts, new media technology, etc., to present the magnificent achievements of ancient Chinese painting. The publication and proofing archives of more than 1,500 fine works of pre-Qin, Han, Tang, Song and Yuan paintings displayed in the exhibition are an important reunion of the "national treasures" of Chinese painting scattered around the world, and it is also a vivid practice that proves the profound and profound history of Chinese art.
Nine hundred degrees
Exhibition dates: March 14 - April 16, 2022
Exhibition Address: Hangzhou City, Zhejiang Province, Xiangshan Art Commune, 78 Longxiang Studio & Dingli Carving
The exhibition works are created by students in the course "Exploration of Low Temperature Ceramic Material Language and Theme Creation" in the Oriental Sculpture Studio of the School of Sculpture and Public Art of the China Academy of Art, and the works include three levels of practice and proposition creation and free creation at the three levels of abstraction and reconstruction, figuration and ontology, landscape and sculpture. Clay is the most primitive, most direct and most handy important material for expressing human emotions, and the matte nature of the surface of low-temperature ceramic sculpture is conducive to the natural integration of the sculpture form into the surrounding space, containing and carrying thousands of life information, containing rich oriental quality!
Ten Views of the West Lake Oil Painting Exhibition
Exhibition dates: February 22 - April 22, 2022
Exhibition Address: Guangda Art Museum, Hangzhou, Zhejiang Province
The oil painting "Ten Views of the West Lake" exhibited in the exhibition, a total of 10 pieces in a series, one scene and one painting, are all huge oil paintings of 1.8x4 meters, which were created in 2014 by Mr. Situ Li, a French-Chinese painter. Historically, "Ten Views of the West Lake" is mostly seen in Chinese painting works, and it is almost fixed. This series takes the oil painting as the body, returns to the real reality scene itself, and intuitively and directly seeks, that is, the eye is the thing. The works not only have the grand subtlety of Western painting, but also embody the realm of traditional Chinese art of "viewing things with objects" and "integrating things with me".
From Hutemas to the Future: The History of Soviet Russian Design
Exhibition dates: March 17 - July 10, 2022
Exhibition Address: China International Design Museum, China Academy of Art, Exhibition No. 7, 8, 9
Focusing on the design innovation of the Soviet Period from The Soviet Union to the Soviet Union, the exhibition is the first large-scale exhibition of the complete design history of this period in China, aiming to explore the pioneering experiments and achievements of design in this period to build a new living world, and trace the endogenous power and creativity in the field of design and art. The project has been in preparation since 2019 and is completed by the China International Design Museum of the China Academy of Art in cooperation with 23 international institutions. The types of works presented in the exhibition cover theatrical, architectural, and handicraft related to the subject, as well as most of the modern design categories such as products, graphics, clothing, and transportation.
Ink color Baroque Hu Shourong works exhibition
Exhibition dates: March 18 - May 22, 2022
Exhibition Address: Yuting Art Museum, Hangzhou, Zhejiang Province
The exhibition focuses on 25 recent selected works by Professor Hu Shourong. Professor Hu Shourong's rich resume across the north and south through home and abroad has allowed him to witness the collision of Eastern and Western cultures. The resulting passion and mission has led him to search for and experiment with a new, conceptual artistic language that is diverse. His later ink color series was evaluated as "romantic colors from the East." "The expression methods and styles in the works in this exhibition are varied, and the changes in pen and ink, the rhythm of lines, the elements of painting, and the impact of color blocks are transformed into sonatas, concertos, strings, variations, etc. It conveys a unique visual aesthetic and forms a strong stylistic trait that cannot be replicated.
Zhang Xiaoming: The second flower blooms
Exhibition dates: March 20 - May 4, 2022
Monday - Wednesday 11:00-17:00
Exhibition Address: Scorpion Gallery, Hangzhou, Zhejiang Province
The exhibition content is part of Zhang Xiaoming's flower and still life oil paintings. The exhibition is called "Graded Blossoms", which means to start from the easiest appearance, peel away the truth layer by layer, and finally achieve correct view. Zhang Xiaoming's understanding of art is also a kind of truth-seeking, not the truth of objective laws, but the truth of subjective perception, so that "the second flower blossom" also expresses a kind of artistic view, that is, a kind of cultivation process that removes the veil and finally gets the right results.
Her sex and personality
Exhibition dates: March 20 - May 4, 2022
Exhibition Address: Building 75, Xiangshan Art Commune, Hangzhou City, Zhejiang Province I weave myself in space
The exhibition is a women's themed fiber art exhibition. It aims to reject gender antagonism, refuse to create anxiety, sincerely respond to the senses, and face their own female perspectives honestly, look at the issues brought by those female group portraits, and pass through the "female standards", "appearance anxiety", and "female safety", which is a female individual who really lives around us. We want to focus on each real "she" and document women's sexuality and character.
AURA Contemporary Art Exhibition
Exhibition dates: March 25 - May 8, 2022
Exhibition Address: Hangzhou City, Zhejiang Province, Binjiang Baolong City 5F Baolong Art Center B
The exhibition will feature the works of eight young artists, covering paintings, installations, sculptures, videos, new media, etc., as well as artists performing in performance art. Derived from the artist's concern for current society, these works attempt to allegorically construct and transform contemporary realities, provoke the viewer to reflect on the hidden crises of everyday life and the way of knowing the world, and a series of cross-cultural questions about personal image and public or private experiences.
Hangzhou 2022 Asian Games Official Poster Exhibition
Exhibition date: April 1, 2022 Online exhibition will begin
In the Hangzhou Asian Organizing Committee Building, Civic Center, Hangzhou East Railway Station, Hubin Pedestrian Street, Metro Wushan Square Station and other urban landmark places, is undergoing a month-long official poster design exhibition, the poster released this time around the theme of "history and humanities", "intelligent technology", "sports competition" and "happy city", the use of hand-painting, photography, positive and negative shapes and other artistic techniques, combined with graphics, text, color and other elements, with "linear" expression as a series, in-depth discussion of the Asian Games aesthetics and Olympic spirit, the formation of a deep impression " Jiangnan aesthetics" and a distinctive "Hangzhou paradigm".
Li Shun's solo exhibition: The wind in the sky
Exhibition dates: April 2 - April 30, 2022
Exhibition Address: No. 8, Jianhengli, Shangcheng District, Hangzhou, Zhejiang Province
Wind, water, and light are all flowing voids, and Li Shun's "writing" is exactly what is brewed out of nothing, a "clump of emotion and perception" that gathers fragments of nothingness but resonates with people. He could have followed the familiar path of creation, but he always kept breaking through the established order from within. He throws ambiguous images in "brushstrokes", leaving the text unresolved between the paradox, becoming a "mixture of sensations" between the readable and the unreadable, establishing a relational aesthetic with cross-cultural significance.
"More than Evergreen"
Exhibition date: The specific opening date in April will be announced at a later date
Exhibition Address: Shanghai Lujiazui ArtSun Space On Space Art Center
The exhibition will exhibit more than 100 recent masterpieces by the artist Changqing, mainly focusing on fish, tigers, mandarin ducks, chickens, parrots and other themes, Changqing perceives nature from the subtleties of daily life, pays attention to his current life, and awakens color and gives him spirituality in his creation. He can't wait to implant the accumulated experience in oil painting into traditional Chinese painting and create a new look of painting.
(Sorted by the opening time of the exhibition, if there is any omission in the above exhibition information, please feel free to leave a message in the background to supplement.) ）
Editor| Pang Yang Tan Shuqi Shi Zhemeng Xu Bangmiao
Review | Ding Hongqi
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