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In my early years, I studied Western painting, and laid the basic foundation of sketching from Xu Beihong's charcoal painting class and the body painting class of the Western Painting Department, and when I studied Chinese painting in the future, it was easy to start from sketching, and I was very good at sketching. However, sketching is by no means the goal, and many people are very good at sketching, but they can't draw rice paper in their lifetime. In order to retain the feeling of sketching, I often practice pen and ink immediately after the sketch returns, and repeatedly ponder on rice paper, and over time, I can use pen and ink to deeply express my sketching experience.
Young people can't experience freehand brush and ink, first draw sketches to go! Sketching more, slowly try to sort out the pen and ink techniques on rice paper to lay a foundation for future creations.
When practicing sketching, it is better to focus on complex and dynamic painting materials when you are young, because it is easy to grasp complex and changeable shapes when you are young, and you can often draw people and animals. As for flowers, it is relatively simple, focusing on experiencing their charm, and it is not too late to experience painting in middle age and old age.
Sketching tools, the easier the better. I started using easy-to-grasp pencils and charcoal pens, and gradually switched to brushes, which made it easier to transition to rice paper work.
Sketching should have perseverance. Don't fish for three days and dry the net for two days, it is best not to lose the sketchbook for a lifetime, if the spirit is good. You know what? The sketchbook is your best sketch!
At the beginning, the way of painting should be wider, the subject matter should be more, and the scope should be gradually narrowed: one is to deeply understand, and the other is to avoid the subject matter that people often paint. When I was young, I painted more than two hundred kinds of flowers alone, and I painted many kinds of birds... After that, I chose to keep some of them. Chickens and crabs are often drawn by Teacher Qi, and they have already created their own appearance, if you follow the painting again, you can't create it!
Be sure to draw your own manuscripts in nature, express your own meaning, and create your own methods. Where did the ancients have so many such good spectral prints and museums today? It is also very difficult to see the authentic works of famous artists, often walking dozens of miles to ask people to show their treasures, and it is good to see them once or twice. This invisibly also forces them to only take nature as a picture spectrum, not afraid of hardships, into the deep mountains and valleys, all day long to observe the changes of natural things, or sketching, or silent painting. Hongguzi entered the Taihang Mountain, Yi Yuanji entered the Wanshou Mountain, and we could not compare that spirit! Of course, it is necessary to cultivate it in order to imperceptibly become important, but the best way to get involved in it is sketching.
Sketching can be done in two ways: slow is sketching, and fast is sketching. The reason why Ye Qianyu and Huang Ji paint well is inseparable from sketching kung fu. Sketching can train the hand to be quick and quick to the eye - the hand, eye, and heart work together quickly - the next pen is steady, accurate, and fierce. At that time, I used to sketch with the students on the edge of the West Lake, and every time I came back, it was one or two books. Mr. Pan Tianshou is very interested in my book and often borrows it to read it. One day I saw a farmer tying a half-sized chicken to a large straw shoe, and I felt a good taste, so I immediately sketched it down. When Lao Pan (Pan Tianshou) saw this sketch, he immediately sucked on the essence and painted a proud work. Decades later, I saw this painting again at the exhibition of Lao Pan's last works, and it was still... When I was young, I began to choose the subject matter as I sketched and painted. I choose paintings that are close to my artistic disposition. At that time, I loved big blackbirds, such as: herons, vultures, eagles, cormorants, black chickens, jackdaws... Because they have momentum, they have power.
"Don't be stupid to paint", sometimes you have to observe the object for a long time before you start to paint, so that the things painted are alive and vivid, not on the natural map. The ancients observed it very carefully! If you look at the cicadas painted by the Bada Shanren, they even paint the front cicadas (heads facing the audience) that people never paint, and it only takes a few minutes.
Good jade is warm and crystalline, just like people have feelings. Some paintings, pen and ink, and modeling have power, but they do not have any feelings. Some people paint everything well, but they look emotionless and lifeless. We can't draw with a mathematical mind and a legal mind. Mathematics, physics and chemistry and law can not be based on feelings, three plus three to when is also six...
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